Once Again, Here’s Our Comprehensive Gchat Recap of The Newsroom


TheNewsroomEp3

HBO



We’re back—WIRED’s very own Will McAvoy and MacKenzie McHale (in gender and not much else) recapping HBO’s The Newsroom in their own not-quite facsimile of Sorkinese. This week, Maggie Jordan’s (Alison Pill) stock rose as she ascended higher above her former broken self—and further still above her former would-be suitor, Jim Harper (John Gallagher Jr.). Rebecca Halliday (Marcia Gay Harden) continued to protect ACN from evil (and itself) Charlie Skinner (Sam Waterston) was drunk (probably) in the face of crisis. It’s three episodes down and three to go as time marches cruelly on toward the end of our fair Newsroom. Commence!


Jordan Crucchiola: God this musiiiiiiicccc!

I love that speed reading frame.

It’s so reporterly.

Jason Kehe: Sometimes I’m better positioned to enjoy the credits.

Crucchiola: Today?

Kehe: Today is one of those days.

Crucchiola: Great.

Season 3, Episode 3: “Main Justice”

Of course Gary Cooper is wearing that hat.

Kehe: He’s singing…”Anything Goes”?

I hope this means Gary’s gay.

Crucchiola: I never considered that!

The raid is underway!

The FBI dogs are sniffing around!

Kehe: Why would Jim VOLUNTEER his password to evil FBI agents?

Crucchiola: Because SHUT UP JIM.

Kehe: Mac: “This is a fucking OUTRAGE.”

Crucchiola: Hahahah Marley’s ghost?!

Kehe: FBI woman to Mac (Emily Mortimer): “You kiss your sources with that mouth?”

Crucchiola: Sloan Sabbit (Olivia Munn): “I see one of you guys buy a speedboat…” Haha. Sloan will NOT abide insider trading by FBI raiders.

Kehe: AS I PREDICTED: They’re going ON AIR with the raid.

Crucchiola: Oh YEAH!

Why is Maggie STILL in the ACN hat?!

Kehe: Maggie: STILL wearing the hat. Haha, dear god WHY.

Crucchiola: Whyyyyyy???

Kehe: FBI Molly (Mary McCormack) hasn’t RSVP’d to Mac and Will’s wedding, because this is the right time.

Crisis.

Crucchiola: Well now we know she’s rude.

Kehe: Don (Thomas Sadoski) and Jim can’t figure out the machines in the control room. Maggie walks in.

Crucchiola: Maggie is ACN’s only hope.

Kehe: That sexy confident walk? Worth waiting three seasons for.

Crucchiola: Maggie to Jim: “Shut up.”

Maggie is me.

Kehe: So are they bluffing??

Will the FBI cave?

Crucchiola: I can’t tell!

Mac: Still giving the FBI agent Molly Levy crap about not RSVP’ing.

Kehe: It’s $210 for a plate at Mac and Will’s wedding. Is that a lot?

Crucchiola: Yes. Not extravagant, but spendy.

THE FBI IS GIVING IN!

Kehe: There was a USC event once where it was $5,000 a plate.

Crucchiola: Sick.

Kehe: You’ll notice I’m employing the strategy of not discussing the relevant crisis.

OK, FBI is STANDING DOWN.

Crucchiola: Charlie is calling off the live feed and the FBI is bailing.

But was it a fake-out?

Kehe: Jim: “I’m not sure how I feel about new confident Maggie.”

OMG.

Jordan.

They’re SO setting up Maggie-Jim reunion.

Crucchiola: GO HOME JIM.

And setting up Jim-Is-A-Dick-Who-Only-Wants-Women-He-Can-Save.

Kehe: Will: “I’m not at all convinced we’re the good guys.”

Becca Halliday: back in action!

Crucchiola: Becca negotiates ceasefire.

Becca, queen of ACN.

Who may have $4 billion.

Kehe: She just got off the phone with, like, powerful people in Justice.

Molly just lost her plus-one.

Crucchiola: AND she’s at the loser table at the wedding.

Kehe: Mac to Molly: “YOU’RE GETTING THE FISH AND THE FISH IS GONNA SUCK.”

Crucchiola: Hahahahahah MAC!

Will says Neal is safe.

How does he know?

Becca ALSO wants to know.

Kehe: She mad.

OK, secret (no doubt smoke-filled) meeting Friday at midnight (?!) with investigators.

Crucchiola: Smoking Will is Unsympathetic Will for me.

Kehe: Charlie looks like he’s getting the sweats.

Hahahahah!

DRUNK UNCLE CHARLIE!

Charlie: “For now just go drink—home! Just go home.”

Kehe: We don’t know what sober Charlie looks or sounds like.

Crucchiola: Will: “They’re not gonna lock me up. I’m too big to jail.”

Ohhhhhh snap!

Mac wants to know if Will is lying to her about knowing who the source is.

Will wouldn’t lie to her.

Kehe: Never.

Aw, subtle handholding.

Or was that an ass grab?

Crucchiola: It was a transition between one and the other.


[Next day in the ACN newsroom.]


Crucchiola: Cut to Maggie highlighting documents!

Ugh

And talking to Jim.

For some reason.

Kehe: She’s telling Jim about her secret embargoed EPA report.

Crucchiola: She’s telling him CO2 is going to kill us.

Thanks to the knowledge she has from the report.

Kehe: Their dynamic: it’s like Season 1 all over again.

Jim is putting her down.

Maggie is relenting. I don’t like.

Crucchiola: GO. HOME. JIM.

Kehe: He’s being extremely obnoxious.

Crucchiola: Is this his ultra-patronizing way of telling Maggie her story is boring?

Kehe: Jim: “Hit me.”

Crucchiola: MAGGIE HIT HIM!!

SHE HIT JIM!

Maggie is STILL ME.

Kehe: …for ALL OF US

Crucchiola: And ALL OF US.

Kehe: So what is their relationship?!

Is it crackling with sexual energy?

Or more like sibling rivalry?

Crucchiola: This show is being canceled because of Jim.

Jim is the worst part of television.

Kehe: That’s hyperbole, Jordan.

Jim is maladjusted and insecure.

Crucchiola: I can’t deny how I feel.

Kehe: Mac put Maggie’s EPA story in the B block, drat.

Crucchiola: Jim: “You want this to feel more like a Jim Harper segment and less like a Maggie Jordan segment?”

Go to hell.

Kehe: Maggie gives him marked-up report.

Every passage, ridiculously, is highlighted.

Crucchiola: I’m with you, Maggie.

But seriously.

Maggie is everything.

Jim: “I’m looking forward to working with you.”

Maggie, through a clinched smile: “I’m dreading it.”

Cut to Charlie.


[Inside Charlie's office.]


Kehe: Reese and Leona are coming down.

Crucchiola: Yiiiiiikes.

Kehe: Must be bad.

Crucchiola: In a rare moment, Charlie looks real worried.

Kehe: Charlie is slamming his desk.

Charlie: “Leona! I didn’t know you knew where my office was.”

Leona: “I followed Reese.”

Crucchiola: The One True Pairing is on screen

Kehe: Leona-Charlie?

Crucchiola: Yes.

Kehe: The OTP is Don-Sloan.

Crucchiola: OK.

Good call.

Kehe: You said that yourself.

Crucchiola: No, you’re right.

But they ARE The Architect and the Oracle.

Uh-oh. ACN has to be spun off to raise the cash to beat the evil twins.

Kehe: Leona equates horizontal stripes and poisoning the twins: both bad ideas.

Crucchiola: OMG the ACN prime buyer is from SILICON VALLEY.

Tech Industry Takedown on the horizon!


[In the ACN conference room, where the name of the prospective buyer is announced.]


Kehe: This is a ridiculous scene with the cell phones.

Nobody Googles that fast.

If I could do that I’d run the world.

Crucchiola: They’re the new desktops, Jason.


[In Will's office with Mac and Charlie.]


Crucchiola: WOW.

Charlie’s stutter…

Kehe: Sorkin at his best.

Crucchiola: Haha!

Mac: “Find your way home…”

Charlie is SO drunk!

Kehe: I love when Sorkin’s most articulate characters trip over their words.

Crucchiola: Well.

Kehe: What is Mac doing with her phone? It’s like she’s never held one before.

Crucchiola: Aahahahahaha!

Kehe: She’s reading back Will’s own disparaging remarks about the White House Correspondents’ Dinner, which Charlie wants them to go to, but it looks like she’s also filming him?

She just said “ensorceled.”

I like that word.

Crucchiola: Her Googling is NOT as sharp as intern Jenna’s.

Kehe: Not even close.

Mac’s not even on Twitter, remember.

Crucchiola: Millionaire tech guy Pruitt wants to meet Will at the Correspondents’ Dinner.

Oh no…

Kehe: Mac: “This is a sad day for dignity. I’ll need a dress.”


[Jim and Hallie prepping for bed.]


Crucchiola: Jim and Hallie

Kehe: I’m dreading this.

Crucchiola: Leave him Hallie.

LEAVE HIM.

Kehe: Why is Gunther wearing glasses?

Crucchiola: She’s getting ready for bed.

Women don’t have to be on all the time, Jason.

Don’t be patronizing like Jim.

Kehe: James?

She calls him JAMES?!

Crucchiola: Ugh.

Kehe: Like his mother.

Where is cool Gunther?!

Crucchiola: She’s with Jim.

He broke all her cool.

He’s sucked her dry.

Jim is telling Hallie to be OK with the job she is being offered.

While CLEARLY criticizing it/her.

Kehe: Right.

Crucchiola: It’s how he thrives.

Off the confidence of young and determined women.

To feed his ego.

Jim and Hallie are now fighting about the future of media.

Kehe: This scene is so Sorkin.

Crucchiola: Does The Sork hate Jim?

Kehe: Jim: “Don’t take this job.”

It’s at a new media startup.

She gets paid for…pageviews.

Which Jim thinks is anti-journalistic.

Crucchiola: AKA The Sork thinks it is.

Kehe: Jim is afraid she’ll sell out ACN or Neal?!

Crucchiola: Or HIM??

Kehe: Way to trust your GF.

Crucchiola: Shut UP, Jim!

Hallie: “The only way for you to get out of this conversation alive is to roll over, turn out the light and go to sleep.”

YES.

Kehe: Gunther: “Turn off the FUCKING light.”

Crucchiola: “DO WHAT I SAID.”

Kehe: NOOO.

Just as she wins, she backs down.

Damn it, Sorkin.

Crucchiola: Damn it!

Be better Aaron!

Kehe: Give Gunther that victory!

Crucchiola: She needed it.


[In Don's office with unknown man.]


Kehe: Don and some new guy in random office.

Crucchiola: Ominous new guy…

Kehe: “You’re the first person I’ve met named Wyatt.”

Come to think, I don’t know a Wyatt. Personally.

Crucchiola: Don is smugly eating salad.

Kehe: So this guy is HR.

Crucchiola: Don: “I don’t get nervous. You know who gets nervous? Criminals.”

Kehe: Gary Cooper (Chris Chalk) and a new woman—Alice?—enter.

What is this scene doing?

Who is Alice?

Crucchiola: I don’t think we need to care.

Kehe: Also, introducing new characters? They have three episodes left.

Crucchiola: Gary sleeps with lots of women at work.

Kehe: So Gary: not gay.

Crucchiola: He just loves to tell the new HR guy how many women he’s slept with at work.

Kehe: Oof, are they REALLY trying to set up Don-Sloan as a problem relationship?

FALSE CONFLICT ALERT!

Crucchiola: The fact that I melt at Don’s smug smile, which used to make me want to vomit, really speaks to the power of his character transformation.

There’s so much going on and we’ve only got three episodes left.

This doesn’t need to be an issue.

Kehe: Why would they do this on TOP of, ya know, ALL THE OTHER PROBLEMS.

Crucchiola: Leave the OTP out of this!

Kehe: LET DON EAT SALAD. And love our Sloan.

Crucchiola: Our Sloan.

The nation’s Sloan.

Sloan 2016.

Haha Don is SPRINTING to Sloan!

Kehe: Don: “We’re not dating.”

Sloan: “OK”


Don-Running

HBO



[Maggie and Jim circle back on EPA story.]


Kehe: Maggie, still clutching her report.

Now addressing Jim.

Crucchiola: Hopefully to tell him he’s awful.

Kehe: Her tone of voice is doing that.

Yet he’s STILL patronizing her.

Crucchiola: It’s his only tone of voice.

Kehe: Like, nothing he says ever validates his supposed position of superiority.

Crucchiola: Maggie is critiquing his notes on the EPA interview.

Kehe: And they seem pretty bad.

“Cash for trash.”

Is that what people say?

Crucchiola: Jim: “Did you know there are online news outlets that offer bonuses to their reporters for pageviews?”

Ahhh there it is! Also how could you not know that Jim?!?!

Maggie: “You were a dick to Hallie.”

Kehe: Maggie calls it: Jim’s a dick.

Crucchiola: “And you were a dick. A little bit Dickensian in your special way that says ‘You suck.'”

Kehe: He puts the dick in Dickensian.

Crucchiola: “I’m quite certain there was something in your voice that says ‘You deserved it.'”

Can we ALL clap for Maggie, please.

Kehe: He’s asking who she’s bringing to the Correspondents’ Dinner.

Because he loves her.

Crucchiola: She is the rising star of this season.

He CAN’T HAVE HER.

Kehe: She’s always been our heart and soul.

Crucchiola: She too confident for him now.

We knew.


[Mac and the FBI Agent Levy in a sauna.]


Kehe: Mac and Molly are meeting in a … steam room?

The steam conceals their lies and deceptions.

Molly is frisking a berobed Mac.

Crucchiola: I love this steam room meeting.

Kehe: FBI knows Neal helped source transfer docs.

Crucchiola: They have evidence.

They seem to have him dead to rights.

OH MY GOD!

DAN RATHER SHOUTOUT!

Kehe: DAN RATHER POTSHOT!

Crucchiola: And yet supportive at the same time!

Kehe: Good thing Dan stopped recapping.

He didn’t need to hear that.

Crucchiola: This is amazing!

Our Dan!

In the Newsroom!

I think he’d be so pleased to be mentioned he wouldn’t even care they called out his massive end-of-career blunder.

We love you, Dan.

Aaron Sorkin still believes in you too.


[Moody bar meetup with ACN senior staffers.]


Crucchiola: Mac meets Don and Jim in a bar.

To discuss Neal.

Kehe: She wants to know if someone’s in touch with him.

Is Mac siding with the FBI now?

Crucchiola: Mac: “No reporter has ever been charged under the espionage act.”

They keep saying that.

Like, over and over again.

Kehe: This season/Sorkin generally: good for a verbal tic.

Crucchiola: What do we think that means?

Kehe: That Sorkin did, like, research?

Crucchiola: Hahahaha!

He read the precedents!


[Back in the control room.]


Kehe: Maggie’s EPA story!

I like hearing her broadcast voice.

It’s very convincing.

Crucchiola: Cut to her EPA source in the waiting room.

I love this guy.

Kehe: Very mousy.

Crucchiola: He looks like he’s dying inside.

In an almost charming way.

Kehe: Live interview.

He has lots of impressive degrees.

Crucchiola: Very.

Kehe: Will to EPA gy: “What’s your prognosis?”

Crucchiola: “A person has already been born who will die due to catastrophic failure of the planet.”

Kehe: The house has already burned to the ground.

Crucchiola: House = Earth

Kehe: There’s nothing we can do.

Maggie looks surprised.

Crucchiola: Literally no one at ACN understands what to do now.

Kehe: Don’t they pre-interview these people?

Crucchiola: Not today!

Kehe: I hope this doesn’t reflect badly on Maggie.

It was a good story.

Until the guy says the world is ending, with no hope of reversal.

Crucchiola: “There isn’t a position on this any more than there is a position on at what temperature water boils.”

Will: “Let’s see if we can’t find a better spin. People are starting their weekends.”

WILL!

Kehe: So you were right: the EPA guy IS dying inside.

Due to climate change.

Crucchiola: We’re all dying, Jason.That poor producer woman. She looks like she’s gonna cry.

Kehe: Well, she forgot the pre-interview.

Everyone watching is extremely riveted.

What’s the point of this?

Is this a metaphor?

Crucchiola: “Storms that have the power to level cities, blacking out the sky and causing permanent darkness.”

Kehe: Is this The Newsroom?

Crucchiola: THAT is the question.

Everything is The Newsroom!

Kehe: Right.

Crucchiola: “I still don’t see any way we could survive.”

That’s it.

That’s the takeaway.

Kehe: Dying world = this show.


[In the Main Justice hall.]


Crucchiola: We’re in the DoJ!

I’m excited.

Kehe: MAIN JUSTICE

Crucchiola: BTW, I like where women are in this episode.

Maggie, killing it

Becca—psh. Always.

Leona, humanized by going downstairs.

Kehe: Agreed.

On one side of the table: Mac, Will, Becca, Charlie.

I want to be in that company.

Scary guy enters.

Barry something?

He uh, looks like Azog the orc king.

Crucchiola: Ahaaahahahaaha!

Really good call.

Kehe: Must be the same guy.

Same dark twisted heart.

Crucchiola: Charlie ensures them he wants the story responsibly reported.

Kehe: Azog positioned himself at the opposite end of the table.

More sports metaphors.

Crucchiola: God.

Kehe: I wish I knew a sports metaphor for STOP IT.

Crucchiola: His college lost to Nebraska (Will’s home state) all four years in college football.

MALE VENDETTA.

Kehe: Great!

Because sports define male relationships.

Crucchiola: Will wants assurances of Neal’s safety.

Kehe: The FBI knows where Neal is.

Maracaibo?!

Which looks bad for Neal.

They have pictures of him looking over his shoulder.

It’s just THAT EASY!

Crucchiola: Will looks like he’s Dexter about to carve up a body when he side-eyes the lawyer.

Will literally brushes himself off.

“Counsel, ask your questions.”

Kehe: Will: so good at being cool under pressure.

Crucchiola: He and Becca are keeping it cool.

Kehe: Except when he’s not.

Crucchiola: Haaaahaha

That’s why he’s got Becca.

Kehe: We all need a Becca.

Crucchiola: Will will not reveal anything about the source.

I need her.

Everyday.

I wish she was my amazing aunt.

Who I went to fancy events with.

Kehe: Becca to Azog: “This ends our cooperation.”

This is how she’d end our lunch dates.

Crucchiola: Bad news: There’s a receipt from Will’s credit card buying the air-gapped computer to transfer the covert docs.

DoJ lawyer accuses him of staging all this to take the fall.

Kehe: Azog: “Who’s the source, Will.”

Crucchiola: Jason, do we think Will knows who the source is REALLY?

Kehe: Will: “You’re bad at this.”

Yes, I think so.

?

Crucchiola: Will: “I’ll tell you what Mr. Lazenthal: You’re bad at this.”

Kehe: Will’s going off—calmly, devastatingly.

Crucchiola: Protecting all his people.

While skinning this guy alive.

Is it weird that I’m turned on right now?

I said it.

I am.

Kehe: Wow.

Crucchiola: Jeff Daniels. Sex symbol.

“You bungled this, and I can’t help you anymore.”


[On to Hill and Hollywood hobnobbing.]


Crucchiola: Cut to Correspondents’ Dinner.

I think we also need to note that the Correspondents’ Dinner is as gross as Will says it is/as Sorkin says it is.

Kehe: Maggie arrives with ethics prof.

He’s telling her story.

Their story.

Which he was “vocationally attracted to”—awesome.

Crucchiola: Ethics prof is giving ethics-y introduction.

Kehe: Sex-ay.

Crucchiola: I love smiling Maggie.

She spent so much time being sad.

Kehe: Gunther is so sad.

Crucchiola: Yeah.

What’s the connection?

Closer contact with Jim.

Kehe: Maggie gave her her sadness.

Crucchiola: HE MAKES WOMEN SAD.

Kehe: Don and Sloan.

Now THEY’RE happy.

He’s about to feed her, but can’t.

HR rep conveniently snooping.

Crucchiola: LOLOL!

HR rep shows up.

So he feeds the meatball to an old man to keep up appearances.

Classic Don.

Sloan to HR: “I date guys called Mr. Chairman, first round draft picks.”

Oh YEAH Sloan!

Kehe: Don is all those things to me.

Crucchiola: Hahahahah

First round draft pick of our heart’s Newsroom fantasy league!

Kehe: Charlie at the bar (obviously).

Is this the potential buyer?

Crucchiola: Mr. Pruitt!


Yes!

And it’s BJ Novak!

Kehe: He’s already terrible.

Crucchiola: And obvi he’s also kind of a savant.

Kehe: I hate a specific drink order.

Crucchiola: He just said “eludes me” twice.

Kehe: Did he?

I must’ve blocked the second time.

Crucchiola: And implies he’s going to fire his assistant for not finding him Schweppes Bitter Lemon.

This is Newsroom borrowing Veep‘s interpretation of Silicon Valley.

Kehe: He’s sorta Zuckerbergian.

Crucchiola: Oh yeah.

I love how Hollywood views Silicon Valley.

Kehe: I wonder where this was filmed.

Crucchiola: At least he’s not in Crocs.

Or maybe I wish he was.


[Outside, where Mac is greeted by a strange guest.]


Crucchiola: WAIT.

Clea DuVall?

Pleeeeaaassseee let her be Mac’s college girl fling!

Oh, nvmd.

She spoke to Neal?

Kehe: SHE’S THE SOURCE.

Crucchiola: GET OUT

Kehe: is she?!

She KNOWS the story.

She must be?

Crucchiola: She’s at the Correspondents’ Dinner!

She’s an insider for sure.

NO!

Jason!


[Back at the bar with Charlie and Silicon Valley creep.]


Crucchiola: Pruitt is about “disruption.”

Kehe: Which he keeps saying.

Crucchiola: “Crowdsourcing the news.”

I’m excusing myself from comment.

On disruption.

“Danny Glover just came to mind. We could have a channel devoted to people who are stalking Danny Glover.”

I’m getting a disruption gag reflex.

Kehe: I want to disrupt his face.

Crucchiola: His bugging eyes are disrupting my calm.

Kehe: Outside: more disruption.

Crucchiola: Mac tells The Source they have to work with the government.

Kehe: Source is demanding the story air by Wednesday (which is soon).

I don’t like her.

At all.

Crucchiola: “I don’t like that you’re working with the government.”

Damn.

Kehe: This worries me.

Crucchiola: All these idealists are bringing me down.

Mac: “A lot of people are sacrificing for you.”

Jenna the intern is rounding people up.

Jenna, still being essential.

Kehe: Everyone’s gathering in the kitchen on the west side of the building.

The west WING, you could say.

Crucchiola: LOL!

I wonder what all the Sork Easter eggs are that we’re missing…

Kehe: Probably lots. [Tell us in the comments!]

Crucchiola: Becca’s on her feet.

Will is… about to get served?

Not in the dancing way.

“Eli Shapiro.”

Kehe: Weasely man shows up with a subpoena in his pocket. (That’s catchy: There’s a subpoena in your pocket! Sorta reminds of fish in the percolator. Anyway.)

He’s an intern, reciting the boilerplate.

Crucchiola: He looks like he’s going to vomit on Will’s shoes.

Kehe: I missed what he said—he has to appear in front of a grand jury?

Crucchiola: “You think it’s possible I’m not as big a TV star as I thought?”

Kehe: END SCENE/EPISODE

Crucchiola: Oh, Will!

Kehe: Thuddy music playing.

Crucchiola: Damn.

Kehe: Wait, was Neal supposed to show up at any point?

Couldn’t catch a flight back from Venezuela?

Crucchiola: I don’t think so.

OK, reflections?

Kehe: Hold please, I’m enjoying this credit music.

The Newsroom has fully embraced its new tone as a NEWS THRILLER.

What do we think?

Crucchiola: It has. It’s turning into an action dramedy.

Kehe: Do we like this shift?

Crucchiola: I do. Let’s have some fun before we are executed.

Kehe: Yes, I think it suits the final run.

Crucchiola: I say we because we are this show.

Kehe: The Newsroom is us, we are The Newsroom.

Also, Maggie: Her heart beats ever so ethically to the sound of news alerts everywhere—and warms ours.

Crucchiola: I think that’s the big standout in this episode.

Maggie is a magical being.

And getting better all the time.

Kehe: Also, Alison Pill’s acting!

Crucchiola: In the NEWsroom spinoff with all the same characters that’s about Don and Sloan, Maggie will be an amazing supporting character.

Kehe: I’ve always enjoyed it.

Crucchiola: Me too.

Kehe: But now I’m REALLY enjoying it.

Crucchiola: I feel like everything we’ve always known about this show is being validated this season.

We are being proven right about defending certain characters, certain tonal choices…

Kehe: Absolutely.

Can we believe Maggie used to date Don?

Crucchiola: Not at all! Sloan and Don are so right they’ve basically never dated anyone else.

I’m glad we didn’t get any actual Neal this episode because he burned me out last time.

Kehe: Seriously. Smart move, Sorkin.

Crucchiola: Watching him get spanked by Becca was satisfying but that’s about all.

Kehe: I get why we need a Neal.

Crucchiola: Yes.

Neal is an idea.

Kehe: And an ideal.

Many of these characters are.

They’re concepts.

And they redefine and enlarge themselves every week.

They’re winners, even if they—and this show—end up at the losers’ table.

Crucchiola: And this episode seemed like a bridge.

That will connect those concepts to actual outcomes in the next one.

Kehe: Exactly.

To sign off, I’m DEFINITELY not as a big a TV star as I thought. Good night!



The Internet of Anything: A Smartphone App That Lets You Control Your Office Environment


Professor Vivian Loftness.

Professor Vivian Loftness. Carnegie Mellon University



Those motion sensors that automatically turn on the lights when you walk into a corporate office? Vivian Loftness doesn’t like them. And she’s doesn’t like those thermostats that only answer to some computer sitting on the other side of the internet.

“The trend is to take control away from users, because the thought is that users mess things up,” says Loftness, a professor of architecture at Carnegie Mellon University who explores the modern office through the university’s Robert L. Preger Intelligent Workplace project. “We don’t like this. We want to reverse that trend.”


Loftness and her fellow researchers have built a mobile app designed to give office workers more control over their environments—without sacrificing what comes from automated tools. Known as IDO—short for Intelligent Dashboard for Occupants—it provides a way for office employees to take hold of automated building systems and actively oversee things like lighting and temperature from their smartphones. It’s part of a collection of workplace technologies the project will sell to both businesses and government agencies in the coming months.


Today, office buildings waste an enormous amount of energy heating empty conference rooms, pumping air conditioning into the halls on weekends, and shining light onto desks no one is using. That’s why so many companies are offering building automation systems — such as Siemens Apogee, Automated Logic Webctrl, and Johnson Control Metasys—promising to help building managers cut waste by automatically managing things like lighting, heating, and cooling. This is mostly a good thing. Buildings account for about 40 percent of all energy use in the United States, according to a Department of Energy report, so the potential savings are enormous.


The CMU building, the top floor of which houses the "Intelligent Workplace".

The CMU building, the top floor of which houses the “Intelligent Workplace”. Carnegie Mellon University



But Loftness says that automation has also led to more complexity, leaving the occupants of all these offices disempowered and uncomfortable. Each building system has its own, rather complex interface—which isn’t necessarily available to those who work in the buildings—making it harder to really control what’s going on. “You need an expert to look at it, let alone change anything,” she says. “It’s like a car with too much electronics.”

She and her Intelligent Workplace team aim to fix this by combining data from multiple building automation systems into a single dashboard, and providing tools that let you tweak and override the automation rules laid down by these systems. The team has created two dashboard apps for building managers—one called for organizations with multiple different buildings, and one for individual buildings—as well as the app for workers.


With building managers, the team aims to simplify the process of managing multiple automation systems and pulling information from them. Then, with the worker app, it wants to give individuals the ability to override certain automation settings. With their smartphones, workers could, say, turn the temperature down or up in an office or conference room, or switch off the lights in a conference room they’re not using.


 Vivian Loftness, Bertrand Lasternas, Azizan Aziz at the Margaret Morrison Carnegie Hall, which houses the CMU School of Architecture.

Vivian Loftness, Bertrand Lasternas, Azizan Aziz at the Margaret Morrison Carnegie Hall, which houses the CMU School of Architecture. Carnegie Mellon University



The Carnegie Mellon team’s solution can tap into any building management system that uses common standards, including those from Siemens and Johnson control. The dashboards are based on OSIsoft’s PI database system, which lets them capture multiple streams of data and compile them into a single source, and Microsoft’s Azure Machine Learning service, which lets them do complex analysis of the gathered data. This provides a way for managers and workers to create their own automation tools.

Much like the home automation tools from Nest—a company now owned by Google—the system could calculate how long it will take to warm up a room based on the outside temperature, and that means it can start raising the temperature before workers arrive in the morning. The team is also tuning the app so it can predict equipment failures, establishing how much energy a piece of equipment typically uses and alerting building managers if it starts behaving erratically.


A pilot test of the system at PNC Bank conducted by web-connected energy meter maker Plugwise found that PNC employees who used IDO to manage their energy used 38 percent less electricity overall than employees who didn’t have access to tools to control their energy usage. So, more control doesn’t necessarily mean less efficiency.



Star Wars: The Force Awakens Trailer Debuts This Weekend


Star-Wars-The-Force-Awakens

Lucasfilm



Star Wars is just days away from returning to the big screen—or at least the trailer is.


Ending weeks of speculation, Lucasfilm confirmed today that what is being called “an early 88-second tease” for Star Wars: The Force Awakens will run in select theaters over the holiday weekend before heading to all theaters in December.


Confirmation actually came slightly earlier than intended, when the Regal Theaters chain accidentally posted details for its nine theater screenings online Monday morning before swiftly removing the post and replacing it with an image of Mon Mothma, revealing that many Bothans had died to bring us this information.


The trailer will run from Friday through Sunday in the following 30 locations:


Phoenix, Arizona: Harkins Tempe Marketplace

Los Angeles, California: AMC Century City

Los Angeles, California: El Capitan

Irvine, California: Regal Spectrum Irvine 21

San Francisco, California: AMC Metreon 16

San Jose, Caifornia: Cinemark Oakridge 20

San Diego, California: Regal Mira Mesa 18

Toronto, Canada: CPX Younge & Dundas

Vancouver, Canada: CPX Riverport

Denver, Colorado: AMC Westminster 24

Washington, D.C.: AMC Tysons Corner 16

Miami, Florida: Carmike Parisian 20

Atlanta, Georgia: Regal Atlantic Station

Chicago, Illinois: Regal City North

Boston, Massachusetts: AMC Boston Commons 19

Detroit, Michigan: Cinemark Showcase 20

Minneapolis, Minnesota: AMC Southdale

Kansas City, Missouri: AMC Studio 30

New York, New York: AMC Lincoln Square 12

New York, New York: Regal Union Square

Cleveland, Ohio: Cinemark 24

Philadelphia, Pennsylvania: Regal Warrington 22

Nashville, Tennessee: Carmike Thoroughbred 20

Knoxville, Tennessee: Regal Pinnacle

Dallas, Texas: Cinemark Plano 20

Houston, Texas: Regal Marq*E Stadium 23

Austin, Texas: Alamo South Lamar

Salt Lake City, Utah: Cinemark 24 WJ

Seattle, Washington: Regal Thornton Place 14

Milwaukee, Wisconsin: Marcus Brookfield 16


Of course, now that we know where and when we can see the trailer, it’s time to start wondering what we’ll see when we show up. There are at least two distinct rumors circulating, suggesting we’ll either see very little beyond the familiar logo and maybe a glimpse of the Millennium Falcon in flight or perhaps it’ll just be a lot of quick-cut shots of the new cast with little context. Are either true? We should know in just a few days.



How Bad Is Katniss’ PTSD in The Hunger Games? We Asked the Experts


The Hunger Games Katniss

Murray Close/Lionsgate



This article was written by the psychiatrists of Broadcast Thought—Dr. Vasilis K. Pozios and Dr. Praveen R. Kambam. Spoilers for The Hunger Games movies follow.


The Hunger Games: Mockingjay—Part 1 opens with a very telling scene. Katniss Everdeen is on the verge of tears and hiding in the bowels of District 13 reciting the most basic facts of her existence: Her name, her age, the fact that she was twice thrown into the Hunger Games arena to fight for her life. It’s a reminder that for all of her resilience and heroism, Katniss is still just a teenage girl who has been in kill-or-be-killed situations far too often.


Psychological trauma is pervasive for Katniss (Jennifer Lawrence). She is haunted by the sheer brutality and life-threatening nature of the Games. In The Hunger Games: Catching Fire, she grapples with processing the emotional scars of her first Games and returning home to her loved ones. Then, in Mockingjay—Part 1, she struggles with her identity as she endures the psychological trauma of her second time in the arena and the knowledge that her friend Peeta Mellark (Josh Hutcherson) has been captured by the Capitol that put them in the Games in the first place.


So, Does Katniss Meet the Criteria to Be Diagnosed with PTSD?


Although it’s become fashionable to use psychiatric terms such as “PTSD” in a colloquial sort of way, post-traumatic stress disorder is actually a strictly defined mental disorder that can be severely debilitating. There are five groups of criteria that must be met in order for the diagnosis of PTSD to be made. So, does Katniss meet those criteria? Is President Coin’s (Juliane Moore) analysis in Mockingjay right— did the Games destroy her? Let’s examine her symptoms.


PTSD Criteria 1: Trauma


To be diagnosed with PTSD, one must of course be exposed to a traumatic event. Even those who flunked Psych 101 know Katniss has been traumatized. But would the specific traumatic things she’s experienced give someone PTSD?


Clinically speaking, traumatic events are defined as those involving the direct experiencing or witnessing of actual death, threatened death, or serious injury. By this definition, Katniss experiences multiple traumatic events—both in the arena and out of it—throughout The Hunger Games films. In fact, by our count, Katniss experiences over two dozen traumatic events throughout The Hunger Games, Catching Fire, and Mockingjay—Part 1.


That’s a lot of trauma.


Katniss’ life is threatened multiple times in the Games—and unlike most combat veterans, Katniss knows the people she kills. She also bears witness to the brutal killing of other Hunger Games tributes—friends and foes alike. She is particularly traumatized by the death of young District 8 tribute—and her friend and ally—Rue (Amandla Stenberg), as well as by Peeta Mellark’s (Josh Hutcherson) many near-death experiences.


And when Katniss isn’t being gassed or electrocuted in the arena, she’s being shot at and choked outside of it—or worse, witnessing floggings, executions, and mass murder.


Traumatic events can also be experienced second-hand if one learns of the violent or accidental deaths of close friends or family. Perhaps the best example of this occurs at the end of Catching Fire, when Katniss hears of the destruction of District 12—and its inhabitants—from Gale Hawthorne (Liam Hemsworth). This sort of trauma happens again, twofold, in Mockingjay when Katniss witnesses, via video feed, Gale risking his life to save Peeta from the Capitol.


PTSD Criteria 2: Intrusion Symptoms Like Nightmares and Flashbacks


Traumatic events can be re-experienced in a number of ways, intruding on normal thoughts. Katniss re-experiences the traumatic events of her time in the arena through recurrent nightmares of the Games. She also experiences at least one dissociative reaction, or flashback, when she sees herself shooting a fellow tribute (Rue’s killer, Marvel) while bow hunting with Gale at the beginning of Catching Fire. In this instant, Katniss believes the trauma of the Hunger Games is actually happening to her all over again.


Exposure to internal and external reminders of traumatic events can result in psychological and physiological reactions. For example, in her second trip into the Games arena in Catching Fire, Katniss is surrounded by a flock of jabberjays in the jungle and is distressed to hear them repeating the voices of her sister Prim (Willow Shields) and Gale. Because of her past trauma, this causes her to briefly believe they have been abducted by President Snow (Donald Sutherland). She falls to her knees overwhelmed by the birds, her breathing labored, and takes a few minutes to recover and reestablish what is real and what isn’t.


We see this time and time again in the Hunger Games films when Katniss experiences a marked variation in her pulse and respiratory rate in response to either traumatic events or the re-experiencing of trauma, often becoming tearful. A similar incident even happens far outside of the arena in Mockingjay when Katniss, retreating to District 13’s bunker during an air-raid by the Capitol, freezes amidst the noise and chaos happening as 13’s residents descend down the stairs to avoid being bombed.


PTSD Criteria 3: Avoidance


After traumatic events, people may be motivated to avoid reminders of the trauma. Even though in the Hunger Games films Katniss refuses to flee from the Games, when faced with being forced back into the arena in Catching Fire, her immediate reaction is to run away with Gale. And at first, Katniss runs from the role of the Mockingjay. Beyond her rebellious streak, Katniss’ initial resistance may indicate avoidance symptoms of PTSD.


PTSD Criteria 4: Negative Thoughts and Mood


Traumatic events can negatively alter thoughts and mood. In Catching Fire, when Gale asks Katniss if she loves him, she replies, “All I can think about every day since the Reaping is how afraid I am&mddash;there is no room for anything else.”


Katniss’ traumatic experiences resulted in a persistent negative emotional state of fear, with inability to experience positive emotions such as feelings of love. In fact, even though she initially begins to emotionally gravitate toward Gale, when she starts to feel unsafe, Katniss becomes estranged from him.


Unless prompted to for survival reasons by Haymitch Abernathy (Woody Harrelson) or Peeta, Katniss does not associate with the other Games’ victors. And hints of self-blame and survivor guilt spill out in Katniss’ eulogy of Rue to the residents of District 11: “I did know Rue. She wasn’t just my ally, she was my friend. I see her in the flowers that grow in the meadow by my house. I hear her in mockingjay song. I see her in my sister Prim. She was too young. Too gentle. And I couldn’t save her. I’m sorry.”


PTSD Criteria 5: Arousal and Reactivity


Individuals with PTSD experience marked alterations in arousal and reactivity associated with their trauma.


As her character develops throughout the films, Katniss becomes increasingly irritable and prone to angry outbursts. She is easily startled, as evidenced by her response to Gale’s approach in the woods, or her exaggerated reaction to Prim’s cat Buttercup jumping through the kitchen window at her home. What’s more, Katniss experiences sleep disturbance when she has difficulty falling asleep in the District 13 bunker.


Diagnosis: PTSD


Given these symptoms—and the fact that they’ve lasted over a year and cause Katniss clinically significant distress—it is our opinion that she suffers from PTSD.


How Katniss Deals with Her PTSD


It’s no surprise that Katniss becomes traumatized—after all, the Hunger Games are the perfect breeding ground for PTSD. Severe, life-threatening, interpersonal violence as well as witnessing atrocities and killing enemies in combat are particular risk factors for the disorder.


Additionally, Katniss may have already been at some risk because of her prior trauma exposure, death of her father, and lower socioeconomic status. And it certainly doesn’t help that she is re-traumatized at every turn.


However, in the face of the perfect storm for PTSD, Katniss endures. We can credit her intelligence, social supports (mother, sister, Gale, etc.), and realization of a greater purpose—becoming the Mockingjay—for our reluctant hero’s relative resilience.


How Katniss’ PTSD Could Be Treated


However, even though Katniss is fairly resilient, she may also benefit from treatment.


In the real world, Selective Serotonin Reuptake Inhibitors (SSRIs) and other medications can alleviate symptoms of PTSD. Cognitive behavioral therapies such as Prolonged Exposure and Cognitive Processing Therapy can also be helpful. Typically, treatment with medications and psychotherapy in concert provide the best results.


Finally, peer support groups can help foster a sense of connectedness between those recovering from psychological trauma. For Katniss, the surviving victors—Peeta, Johanna Mason (Jena Malone), Finnick Odair (Sam Claflin)—may fill this role.


But as Haymitch told Katniss, when it comes to the Hunger Games, there are no winners.


Only survivors.



Pitch Perfect 2 and Better Call Saul Top This Week’s Trailers


Do you love singing and laughing and smiles and rainbows? Then this is the week in trailers for you! The biggest surprise smash of 2012, Pitch Perfect, finally has a trailer for the much-anticipated sequel, and it’s got everything you could ever want if you’re a fan of infectious pop mashups and quip-laden, punny dialogue. Farther on down the line we’ve got Kenneth Branagh’s latest directorial project; it’s a little story you may have heard of called Cinderella. Fred Armisen and Carrie Brownstein have put together a fifth season of Portlandia that looks to be bursting at the seams with talent and eccentricity. And Saul Goodman is getting ever-closer to his unsavory return to our living rooms. Basically, we’ve got a kooky little collection of coming attractions for you (with one Very Serious Drama), so come for the songs and stay for the laughs. Just leave your smug at the door.


The One Everyone Is Talking About: Pitch Perfect 2



Once Again, Here’s Our Comprehensive Gchat Recap of The Newsroom


TheNewsroomEp3

HBO



We’re back—WIRED’s very own Will McAvoy and MacKenzie McHale (in gender and not much else) recapping HBO’s The Newsroom in their own not-quite facsimile of Sorkinese. This week, Maggie Jordan’s (Alison Pill) stock rose as she ascended higher above her former broken self—and further still above her former would-be suitor, Jim Harper (John Gallagher Jr.). Rebecca Halliday (Marcia Gay Harden) continued to protect ACN from evil (and itself) Charlie Skinner (Sam Waterston) was drunk (probably) in the face of crisis. It’s three episodes down and three to go as time marches cruelly on toward the end of our fair Newsroom. Commence!


Jordan Crucchiola: God this musiiiiiiicccc!

I love that speed reading frame.

It’s so reporterly.

Jason Kehe: Sometimes I’m better positioned to enjoy the credits.

Crucchiola: Today?

Kehe: Today is one of those days.

Crucchiola: Great.

Season 3, Episode 3: “Main Justice”

Of course Gary Cooper is wearing that hat.

Kehe: He’s singing…”Anything Goes”?

I hope this means Gary’s gay.

Crucchiola: I never considered that!

The raid is underway!

The FBI dogs are sniffing around!

Kehe: Why would Jim VOLUNTEER his password to evil FBI agents?

Crucchiola: Because SHUT UP JIM.

Kehe: Mac: “This is a fucking OUTRAGE.”

Crucchiola: Hahahah Marley’s ghost?!

Kehe: FBI woman to Mac (Emily Mortimer): “You kiss your sources with that mouth?”

Crucchiola: Sloan Sabbit (Olivia Munn): “I see one of you guys buy a speedboat…” Haha. Sloan will NOT abide insider trading by FBI raiders.

Kehe: AS I PREDICTED: They’re going ON AIR with the raid.

Crucchiola: Oh YEAH!

Why is Maggie STILL in the ACN hat?!

Kehe: Maggie: STILL wearing the hat. Haha, dear god WHY.

Crucchiola: Whyyyyyy???

Kehe: FBI Molly (Mary McCormack) hasn’t RSVP’d to Mac and Will’s wedding, because this is the right time.

Crisis.

Crucchiola: Well now we know she’s rude.

Kehe: Don (Thomas Sadoski) and Jim can’t figure out the machines in the control room. Maggie walks in.

Crucchiola: Maggie is ACN’s only hope.

Kehe: That sexy confident walk? Worth waiting three seasons for.

Crucchiola: Maggie to Jim: “Shut up.”

Maggie is me.

Kehe: So are they bluffing??

Will the FBI cave?

Crucchiola: I can’t tell!

Mac: Still giving the FBI agent Molly Levy crap about not RSVP’ing.

Kehe: It’s $210 for a plate at Mac and Will’s wedding. Is that a lot?

Crucchiola: Yes. Not extravagant, but spendy.

THE FBI IS GIVING IN!

Kehe: There was a USC event once where it was $5,000 a plate.

Crucchiola: Sick.

Kehe: You’ll notice I’m employing the strategy of not discussing the relevant crisis.

OK, FBI is STANDING DOWN.

Crucchiola: Charlie is calling off the live feed and the FBI is bailing.

But was it a fake-out?

Kehe: Jim: “I’m not sure how I feel about new confident Maggie.”

OMG.

Jordan.

They’re SO setting up Maggie-Jim reunion.

Crucchiola: GO HOME JIM.

And setting up Jim-Is-A-Dick-Who-Only-Wants-Women-He-Can-Save.

Kehe: Will: “I’m not at all convinced we’re the good guys.”

Becca Halliday: back in action!

Crucchiola: Becca negotiates ceasefire.

Becca, queen of ACN.

Who may have $4 billion.

Kehe: She just got off the phone with, like, powerful people in Justice.

Molly just lost her plus-one.

Crucchiola: AND she’s at the loser table at the wedding.

Kehe: Mac to Molly: “YOU’RE GETTING THE FISH AND THE FISH IS GONNA SUCK.”

Crucchiola: Hahahahahah MAC!

Will says Neal is safe.

How does he know?

Becca ALSO wants to know.

Kehe: She mad.

OK, secret (no doubt smoke-filled) meeting Friday at midnight (?!) with investigators.

Crucchiola: Smoking Will is Unsympathetic Will for me.

Kehe: Charlie looks like he’s getting the sweats.

Hahahahah!

DRUNK UNCLE CHARLIE!

Charlie: “For now just go drink—home! Just go home.”

Kehe: We don’t know what sober Charlie looks or sounds like.

Crucchiola: Will: “They’re not gonna lock me up. I’m too big to jail.”

Ohhhhhh snap!

Mac wants to know if Will is lying to her about knowing who the source is.

Will wouldn’t lie to her.

Kehe: Never.

Aw, subtle handholding.

Or was that an ass grab?

Crucchiola: It was a transition between one and the other.


[Next day in the ACN newsroom.]


Crucchiola: Cut to Maggie highlighting documents!

Ugh

And talking to Jim.

For some reason.

Kehe: She’s telling Jim about her secret embargoed EPA report.

Crucchiola: She’s telling him CO2 is going to kill us.

Thanks to the knowledge she has from the report.

Kehe: Their dynamic: it’s like Season 1 all over again.

Jim is putting her down.

Maggie is relenting. I don’t like.

Crucchiola: GO. HOME. JIM.

Kehe: He’s being extremely obnoxious.

Crucchiola: Is this his ultra-patronizing way of telling Maggie her story is boring?

Kehe: Jim: “Hit me.”

Crucchiola: MAGGIE HIT HIM!!

SHE HIT JIM!

Maggie is STILL ME.

Kehe: …for ALL OF US

Crucchiola: And ALL OF US.

Kehe: So what is their relationship?!

Is it crackling with sexual energy?

Or more like sibling rivalry?

Crucchiola: This show is being canceled because of Jim.

Jim is the worst part of television.

Kehe: That’s hyperbole, Jordan.

Jim is maladjusted and insecure.

Crucchiola: I can’t deny how I feel.

Kehe: Mac put Maggie’s EPA story in the B block, drat.

Crucchiola: Jim: “You want this to feel more like a Jim Harper segment and less like a Maggie Jordan segment?”

Go to hell.

Kehe: Maggie gives him marked-up report.

Every passage, ridiculously, is highlighted.

Crucchiola: I’m with you, Maggie.

But seriously.

Maggie is everything.

Jim: “I’m looking forward to working with you.”

Maggie, through a clinched smile: “I’m dreading it.”

Cut to Charlie.


[Inside Charlie's office.]


Kehe: Reese and Leona are coming down.

Crucchiola: Yiiiiiikes.

Kehe: Must be bad.

Crucchiola: In a rare moment, Charlie looks real worried.

Kehe: Charlie is slamming his desk.

Charlie: “Leona! I didn’t know you knew where my office was.”

Leona: “I followed Reese.”

Crucchiola: The One True Pairing is on screen

Kehe: Leona-Charlie?

Crucchiola: Yes.

Kehe: The OTP is Don-Sloan.

Crucchiola: OK.

Good call.

Kehe: You said that yourself.

Crucchiola: No, you’re right.

But they ARE The Architect and the Oracle.

Uh-oh. ACN has to be spun off to raise the cash to beat the evil twins.

Kehe: Leona equates horizontal stripes and poisoning the twins: both bad ideas.

Crucchiola: OMG the ACN prime buyer is from SILICON VALLEY.

Tech Industry Takedown on the horizon!


[In the ACN conference room, where the name of the prospective buyer is announced.]


Kehe: This is a ridiculous scene with the cell phones.

Nobody Googles that fast.

If I could do that I’d run the world.

Crucchiola: They’re the new desktops, Jason.


[In Will's office with Mac and Charlie.]


Crucchiola: WOW.

Charlie’s stutter…

Kehe: Sorkin at his best.

Crucchiola: Haha!

Mac: “Find your way home…”

Charlie is SO drunk!

Kehe: I love when Sorkin’s most articulate characters trip over their words.

Crucchiola: Well.

Kehe: What is Mac doing with her phone? It’s like she’s never held one before.

Crucchiola: Aahahahahaha!

Kehe: She’s reading back Will’s own disparaging remarks about the White House Correspondents’ Dinner, which Charlie wants them to go to, but it looks like she’s also filming him?

She just said “ensorceled.”

I like that word.

Crucchiola: Her Googling is NOT as sharp as intern Jenna’s.

Kehe: Not even close.

Mac’s not even on Twitter, remember.

Crucchiola: Millionaire tech guy Pruitt wants to meet Will at the Correspondents’ Dinner.

Oh no…

Kehe: Mac: “This is a sad day for dignity. I’ll need a dress.”


[Jim and Hallie prepping for bed.]


Crucchiola: Jim and Hallie

Kehe: I’m dreading this.

Crucchiola: Leave him Hallie.

LEAVE HIM.

Kehe: Why is Gunther wearing glasses?

Crucchiola: She’s getting ready for bed.

Women don’t have to be on all the time, Jason.

Don’t be patronizing like Jim.

Kehe: James?

She calls him JAMES?!

Crucchiola: Ugh.

Kehe: Like his mother.

Where is cool Gunther?!

Crucchiola: She’s with Jim.

He broke all her cool.

He’s sucked her dry.

Jim is telling Hallie to be OK with the job she is being offered.

While CLEARLY criticizing it/her.

Kehe: Right.

Crucchiola: It’s how he thrives.

Off the confidence of young and determined women.

To feed his ego.

Jim and Hallie are now fighting about the future of media.

Kehe: This scene is so Sorkin.

Crucchiola: Does The Sork hate Jim?

Kehe: Jim: “Don’t take this job.”

It’s at a new media startup.

She gets paid for…pageviews.

Which Jim thinks is anti-journalistic.

Crucchiola: AKA The Sork thinks it is.

Kehe: Jim is afraid she’ll sell out ACN or Neal?!

Crucchiola: Or HIM??

Kehe: Way to trust your GF.

Crucchiola: Shut UP, Jim!

Hallie: “The only way for you to get out of this conversation alive is to roll over, turn out the light and go to sleep.”

YES.

Kehe: Gunther: “Turn off the FUCKING light.”

Crucchiola: “DO WHAT I SAID.”

Kehe: NOOO.

Just as she wins, she backs down.

Damn it, Sorkin.

Crucchiola: Damn it!

Be better Aaron!

Kehe: Give Gunther that victory!

Crucchiola: She needed it.


[In Don's office with unknown man.]


Kehe: Don and some new guy in random office.

Crucchiola: Ominous new guy…

Kehe: “You’re the first person I’ve met named Wyatt.”

Come to think, I don’t know a Wyatt. Personally.

Crucchiola: Don is smugly eating salad.

Kehe: So this guy is HR.

Crucchiola: Don: “I don’t get nervous. You know who gets nervous? Criminals.”

Kehe: Gary Cooper (Chris Chalk) and a new woman—Alice?—enter.

What is this scene doing?

Who is Alice?

Crucchiola: I don’t think we need to care.

Kehe: Also, introducing new characters? They have three episodes left.

Crucchiola: Gary sleeps with lots of women at work.

Kehe: So Gary: not gay.

Crucchiola: He just loves to tell the new HR guy how many women he’s slept with at work.

Kehe: Oof, are they REALLY trying to set up Don-Sloan as a problem relationship?

FALSE CONFLICT ALERT!

Crucchiola: The fact that I melt at Don’s smug smile, which used to make me want to vomit, really speaks to the power of his character transformation.

There’s so much going on and we’ve only got three episodes left.

This doesn’t need to be an issue.

Kehe: Why would they do this on TOP of, ya know, ALL THE OTHER PROBLEMS.

Crucchiola: Leave the OTP out of this!

Kehe: LET DON EAT SALAD. And love our Sloan.

Crucchiola: Our Sloan.

The nation’s Sloan.

Sloan 2016.

Haha Don is SPRINTING to Sloan!

Kehe: Don: “We’re not dating.”

Sloan: “OK”


Don-Running

HBO



[Maggie and Jim circle back on EPA story.]


Kehe: Maggie, still clutching her report.

Now addressing Jim.

Crucchiola: Hopefully to tell him he’s awful.

Kehe: Her tone of voice is doing that.

Yet he’s STILL patronizing her.

Crucchiola: It’s his only tone of voice.

Kehe: Like, nothing he says ever validates his supposed position of superiority.

Crucchiola: Maggie is critiquing his notes on the EPA interview.

Kehe: And they seem pretty bad.

“Cash for trash.”

Is that what people say?

Crucchiola: Jim: “Did you know there are online news outlets that offer bonuses to their reporters for pageviews?”

Ahhh there it is! Also how could you not know that Jim?!?!

Maggie: “You were a dick to Hallie.”

Kehe: Maggie calls it: Jim’s a dick.

Crucchiola: “And you were a dick. A little bit Dickensian in your special way that says ‘You suck.'”

Kehe: He puts the dick in Dickensian.

Crucchiola: “I’m quite certain there was something in your voice that says ‘You deserved it.'”

Can we ALL clap for Maggie, please.

Kehe: He’s asking who she’s bringing to the Correspondents’ Dinner.

Because he loves her.

Crucchiola: She is the rising star of this season.

He CAN’T HAVE HER.

Kehe: She’s always been our heart and soul.

Crucchiola: She too confident for him now.

We knew.


[Mac and the FBI Agent Levy in a sauna.]


Kehe: Mac and Molly are meeting in a … steam room?

The steam conceals their lies and deceptions.

Molly is frisking a berobed Mac.

Crucchiola: I love this steam room meeting.

Kehe: FBI knows Neal helped source transfer docs.

Crucchiola: They have evidence.

They seem to have him dead to rights.

OH MY GOD!

DAN RATHER SHOUTOUT!

Kehe: DAN RATHER POTSHOT!

Crucchiola: And yet supportive at the same time!

Kehe: Good thing Dan stopped recapping.

He didn’t need to hear that.

Crucchiola: This is amazing!

Our Dan!

In the Newsroom!

I think he’d be so pleased to be mentioned he wouldn’t even care they called out his massive end-of-career blunder.

We love you, Dan.

Aaron Sorkin still believes in you too.


[Moody bar meetup with ACN senior staffers.]


Crucchiola: Mac meets Don and Jim in a bar.

To discuss Neal.

Kehe: She wants to know if someone’s in touch with him.

Is Mac siding with the FBI now?

Crucchiola: Mac: “No reporter has ever been charged under the espionage act.”

They keep saying that.

Like, over and over again.

Kehe: This season/Sorkin generally: good for a verbal tic.

Crucchiola: What do we think that means?

Kehe: That Sorkin did, like, research?

Crucchiola: Hahahaha!

He read the precedents!


[Back in the control room.]


Kehe: Maggie’s EPA story!

I like hearing her broadcast voice.

It’s very convincing.

Crucchiola: Cut to her EPA source in the waiting room.

I love this guy.

Kehe: Very mousy.

Crucchiola: He looks like he’s dying inside.

In an almost charming way.

Kehe: Live interview.

He has lots of impressive degrees.

Crucchiola: Very.

Kehe: Will to EPA gy: “What’s your prognosis?”

Crucchiola: “A person has already been born who will die due to catastrophic failure of the planet.”

Kehe: The house has already burned to the ground.

Crucchiola: House = Earth

Kehe: There’s nothing we can do.

Maggie looks surprised.

Crucchiola: Literally no one at ACN understands what to do now.

Kehe: Don’t they pre-interview these people?

Crucchiola: Not today!

Kehe: I hope this doesn’t reflect badly on Maggie.

It was a good story.

Until the guy says the world is ending, with no hope of reversal.

Crucchiola: “There isn’t a position on this any more than there is a position on at what temperature water boils.”

Will: “Let’s see if we can’t find a better spin. People are starting their weekends.”

WILL!

Kehe: So you were right: the EPA guy IS dying inside.

Due to climate change.

Crucchiola: We’re all dying, Jason.That poor producer woman. She looks like she’s gonna cry.

Kehe: Well, she forgot the pre-interview.

Everyone watching is extremely riveted.

What’s the point of this?

Is this a metaphor?

Crucchiola: “Storms that have the power to level cities, blacking out the sky and causing permanent darkness.”

Kehe: Is this The Newsroom?

Crucchiola: THAT is the question.

Everything is The Newsroom!

Kehe: Right.

Crucchiola: “I still don’t see any way we could survive.”

That’s it.

That’s the takeaway.

Kehe: Dying world = this show.


[In the Main Justice hall.]


Crucchiola: We’re in the DoJ!

I’m excited.

Kehe: MAIN JUSTICE

Crucchiola: BTW, I like where women are in this episode.

Maggie, killing it

Becca—psh. Always.

Leona, humanized by going downstairs.

Kehe: Agreed.

On one side of the table: Mac, Will, Becca, Charlie.

I want to be in that company.

Scary guy enters.

Barry something?

He uh, looks like Azog the orc king.

Crucchiola: Ahaaahahahaaha!

Really good call.

Kehe: Must be the same guy.

Same dark twisted heart.

Crucchiola: Charlie ensures them he wants the story responsibly reported.

Kehe: Azog positioned himself at the opposite end of the table.

More sports metaphors.

Crucchiola: God.

Kehe: I wish I knew a sports metaphor for STOP IT.

Crucchiola: His college lost to Nebraska (Will’s home state) all four years in college football.

MALE VENDETTA.

Kehe: Great!

Because sports define male relationships.

Crucchiola: Will wants assurances of Neal’s safety.

Kehe: The FBI knows where Neal is.

Maracaibo?!

Which looks bad for Neal.

They have pictures of him looking over his shoulder.

It’s just THAT EASY!

Crucchiola: Will looks like he’s Dexter about to carve up a body when he side-eyes the lawyer.

Will literally brushes himself off.

“Counsel, ask your questions.”

Kehe: Will: so good at being cool under pressure.

Crucchiola: He and Becca are keeping it cool.

Kehe: Except when he’s not.

Crucchiola: Haaaahaha

That’s why he’s got Becca.

Kehe: We all need a Becca.

Crucchiola: Will will not reveal anything about the source.

I need her.

Everyday.

I wish she was my amazing aunt.

Who I went to fancy events with.

Kehe: Becca to Azog: “This ends our cooperation.”

This is how she’d end our lunch dates.

Crucchiola: Bad news: There’s a receipt from Will’s credit card buying the air-gapped computer to transfer the covert docs.

DoJ lawyer accuses him of staging all this to take the fall.

Kehe: Azog: “Who’s the source, Will.”

Crucchiola: Jason, do we think Will knows who the source is REALLY?

Kehe: Will: “You’re bad at this.”

Yes, I think so.

?

Crucchiola: Will: “I’ll tell you what Mr. Lazenthal: You’re bad at this.”

Kehe: Will’s going off—calmly, devastatingly.

Crucchiola: Protecting all his people.

While skinning this guy alive.

Is it weird that I’m turned on right now?

I said it.

I am.

Kehe: Wow.

Crucchiola: Jeff Daniels. Sex symbol.

“You bungled this, and I can’t help you anymore.”


[On to Hill and Hollywood hobnobbing.]


Crucchiola: Cut to Correspondents’ Dinner.

I think we also need to note that the Correspondents’ Dinner is as gross as Will says it is/as Sorkin says it is.

Kehe: Maggie arrives with ethics prof.

He’s telling her story.

Their story.

Which he was “vocationally attracted to”—awesome.

Crucchiola: Ethics prof is giving ethics-y introduction.

Kehe: Sex-ay.

Crucchiola: I love smiling Maggie.

She spent so much time being sad.

Kehe: Gunther is so sad.

Crucchiola: Yeah.

What’s the connection?

Closer contact with Jim.

Kehe: Maggie gave her her sadness.

Crucchiola: HE MAKES WOMEN SAD.

Kehe: Don and Sloan.

Now THEY’RE happy.

He’s about to feed her, but can’t.

HR rep conveniently snooping.

Crucchiola: LOLOL!

HR rep shows up.

So he feeds the meatball to an old man to keep up appearances.

Classic Don.

Sloan to HR: “I date guys called Mr. Chairman, first round draft picks.”

Oh YEAH Sloan!

Kehe: Don is all those things to me.

Crucchiola: Hahahahah

First round draft pick of our heart’s Newsroom fantasy league!

Kehe: Charlie at the bar (obviously).

Is this the potential buyer?

Crucchiola: Mr. Pruitt!


Yes!

And it’s BJ Novak!

Kehe: He’s already terrible.

Crucchiola: And obvi he’s also kind of a savant.

Kehe: I hate a specific drink order.

Crucchiola: He just said “eludes me” twice.

Kehe: Did he?

I must’ve blocked the second time.

Crucchiola: And implies he’s going to fire his assistant for not finding him Schweppes Bitter Lemon.

This is Newsroom borrowing Veep‘s interpretation of Silicon Valley.

Kehe: He’s sorta Zuckerbergian.

Crucchiola: Oh yeah.

I love how Hollywood views Silicon Valley.

Kehe: I wonder where this was filmed.

Crucchiola: At least he’s not in Crocs.

Or maybe I wish he was.


[Outside, where Mac is greeted by a strange guest.]


Crucchiola: WAIT.

Clea DuVall?

Pleeeeaaassseee let her be Mac’s college girl fling!

Oh, nvmd.

She spoke to Neal?

Kehe: SHE’S THE SOURCE.

Crucchiola: GET OUT

Kehe: is she?!

She KNOWS the story.

She must be?

Crucchiola: She’s at the Correspondents’ Dinner!

She’s an insider for sure.

NO!

Jason!


[Back at the bar with Charlie and Silicon Valley creep.]


Crucchiola: Pruitt is about “disruption.”

Kehe: Which he keeps saying.

Crucchiola: “Crowdsourcing the news.”

I’m excusing myself from comment.

On disruption.

“Danny Glover just came to mind. We could have a channel devoted to people who are stalking Danny Glover.”

I’m getting a disruption gag reflex.

Kehe: I want to disrupt his face.

Crucchiola: His bugging eyes are disrupting my calm.

Kehe: Outside: more disruption.

Crucchiola: Mac tells The Source they have to work with the government.

Kehe: Source is demanding the story air by Wednesday (which is soon).

I don’t like her.

At all.

Crucchiola: “I don’t like that you’re working with the government.”

Damn.

Kehe: This worries me.

Crucchiola: All these idealists are bringing me down.

Mac: “A lot of people are sacrificing for you.”

Jenna the intern is rounding people up.

Jenna, still being essential.

Kehe: Everyone’s gathering in the kitchen on the west side of the building.

The west WING, you could say.

Crucchiola: LOL!

I wonder what all the Sork Easter eggs are that we’re missing…

Kehe: Probably lots. [Tell us in the comments!]

Crucchiola: Becca’s on her feet.

Will is… about to get served?

Not in the dancing way.

“Eli Shapiro.”

Kehe: Weasely man shows up with a subpoena in his pocket. (That’s catchy: There’s a subpoena in your pocket! Sorta reminds of fish in the percolator. Anyway.)

He’s an intern, reciting the boilerplate.

Crucchiola: He looks like he’s going to vomit on Will’s shoes.

Kehe: I missed what he said—he has to appear in front of a grand jury?

Crucchiola: “You think it’s possible I’m not as big a TV star as I thought?”

Kehe: END SCENE/EPISODE

Crucchiola: Oh, Will!

Kehe: Thuddy music playing.

Crucchiola: Damn.

Kehe: Wait, was Neal supposed to show up at any point?

Couldn’t catch a flight back from Venezuela?

Crucchiola: I don’t think so.

OK, reflections?

Kehe: Hold please, I’m enjoying this credit music.

The Newsroom has fully embraced its new tone as a NEWS THRILLER.

What do we think?

Crucchiola: It has. It’s turning into an action dramedy.

Kehe: Do we like this shift?

Crucchiola: I do. Let’s have some fun before we are executed.

Kehe: Yes, I think it suits the final run.

Crucchiola: I say we because we are this show.

Kehe: The Newsroom is us, we are The Newsroom.

Also, Maggie: Her heart beats ever so ethically to the sound of news alerts everywhere—and warms ours.

Crucchiola: I think that’s the big standout in this episode.

Maggie is a magical being.

And getting better all the time.

Kehe: Also, Alison Pill’s acting!

Crucchiola: In the NEWsroom spinoff with all the same characters that’s about Don and Sloan, Maggie will be an amazing supporting character.

Kehe: I’ve always enjoyed it.

Crucchiola: Me too.

Kehe: But now I’m REALLY enjoying it.

Crucchiola: I feel like everything we’ve always known about this show is being validated this season.

We are being proven right about defending certain characters, certain tonal choices…

Kehe: Absolutely.

Can we believe Maggie used to date Don?

Crucchiola: Not at all! Sloan and Don are so right they’ve basically never dated anyone else.

I’m glad we didn’t get any actual Neal this episode because he burned me out last time.

Kehe: Seriously. Smart move, Sorkin.

Crucchiola: Watching him get spanked by Becca was satisfying but that’s about all.

Kehe: I get why we need a Neal.

Crucchiola: Yes.

Neal is an idea.

Kehe: And an ideal.

Many of these characters are.

They’re concepts.

And they redefine and enlarge themselves every week.

They’re winners, even if they—and this show—end up at the losers’ table.

Crucchiola: And this episode seemed like a bridge.

That will connect those concepts to actual outcomes in the next one.

Kehe: Exactly.

To sign off, I’m DEFINITELY not as a big a TV star as I thought. Good night!



The Internet of Anything: A Smartphone App That Lets You Control Your Office Environment


Professor Vivian Loftness.

Professor Vivian Loftness. Carnegie Mellon University



Those motion sensors that automatically turn on the lights when you walk into a corporate office? Vivian Loftness doesn’t like them. And she’s doesn’t like those thermostats that only answer to some computer sitting on the other side of the internet.

“The trend is to take control away from users, because the thought is that users mess things up,” says Loftness, a professor of architecture at Carnegie Mellon University who explores the modern office through the university’s Robert L. Preger Intelligent Workplace project. “We don’t like this. We want to reverse that trend.”


Loftness and her fellow researchers have built a mobile app designed to give office workers more control over their environments—without sacrificing what comes from automated tools. Known as IDO—short for Intelligent Dashboard for Occupants—it provides a way for office employees to take hold of automated building systems and actively oversee things like lighting and temperature from their smartphones. It’s part of a collection of workplace technologies the project will sell to both businesses and government agencies in the coming months.


Today, office buildings waste an enormous amount of energy heating empty conference rooms, pumping air conditioning into the halls on weekends, and shining light onto desks no one is using. That’s why so many companies are offering building automation systems — such as Siemens Apogee, Automated Logic Webctrl, and Johnson Control Metasys—promising to help building managers cut waste by automatically managing things like lighting, heating, and cooling. This is mostly a good thing. Buildings account for about 40 percent of all energy use in the United States, according to a Department of Energy report, so the potential savings are enormous.


The CMU building, the top floor of which houses the "Intelligent Workplace".

The CMU building, the top floor of which houses the “Intelligent Workplace”. Carnegie Mellon University



But Loftness says that automation has also led to more complexity, leaving the occupants of all these offices disempowered and uncomfortable. Each building system has its own, rather complex interface—which isn’t necessarily available to those who work in the buildings—making it harder to really control what’s going on. “You need an expert to look at it, let alone change anything,” she says. “It’s like a car with too much electronics.”

She and her Intelligent Workplace team aim to fix this by combining data from multiple building automation systems into a single dashboard, and providing tools that let you tweak and override the automation rules laid down by these systems. The team has created two dashboard apps for building managers—one called for organizations with multiple different buildings, and one for individual buildings—as well as the app for workers.


With building managers, the team aims to simplify the process of managing multiple automation systems and pulling information from them. Then, with the worker app, it wants to give individuals the ability to override certain automation settings. With their smartphones, workers could, say, turn the temperature down or up in an office or conference room, or switch off the lights in a conference room they’re not using.


 Vivian Loftness, Bertrand Lasternas, Azizan Aziz at the Margaret Morrison Carnegie Hall, which houses the CMU School of Architecture.

Vivian Loftness, Bertrand Lasternas, Azizan Aziz at the Margaret Morrison Carnegie Hall, which houses the CMU School of Architecture. Carnegie Mellon University



The Carnegie Mellon team’s solution can tap into any building management system that uses common standards, including those from Siemens and Johnson control. The dashboards are based on OSIsoft’s PI database system, which lets them capture multiple streams of data and compile them into a single source, and Microsoft’s Azure Machine Learning service, which lets them do complex analysis of the gathered data. This provides a way for managers and workers to create their own automation tools.

Much like the home automation tools from Nest—a company now owned by Google—the system could calculate how long it will take to warm up a room based on the outside temperature, and that means it can start raising the temperature before workers arrive in the morning. The team is also tuning the app so it can predict equipment failures, establishing how much energy a piece of equipment typically uses and alerting building managers if it starts behaving erratically.


A pilot test of the system at PNC Bank conducted by web-connected energy meter maker Plugwise found that PNC employees who used IDO to manage their energy used 38 percent less electricity overall than employees who didn’t have access to tools to control their energy usage. So, more control doesn’t necessarily mean less efficiency.



Star Wars: The Force Awakens Trailer Debuts This Weekend


Star-Wars-The-Force-Awakens

Lucasfilm



Star Wars is just days away from returning to the big screen—or at least the trailer is.


Ending weeks of speculation, Lucasfilm confirmed today that what is being called “an early 88-second tease” for Star Wars: The Force Awakens will run in select theaters over the holiday weekend before heading to all theaters in December.


Confirmation actually came slightly earlier than intended, when the Regal Theaters chain accidentally posted details for its nine theater screenings online Monday morning before swiftly removing the post and replacing it with an image of Mon Mothma, revealing that many Bothans had died to bring us this information.


The trailer will run from Friday through Sunday in the following 30 locations:


Phoenix, Arizona: Harkins Tempe Marketplace

Los Angeles, California: AMC Century City

Los Angeles, California: El Capitan

Irvine, California: Regal Spectrum Irvine 21

San Francisco, California: AMC Metreon 16

San Jose, Caifornia: Cinemark Oakridge 20

San Diego, California: Regal Mira Mesa 18

Toronto, Canada: CPX Younge & Dundas

Vancouver, Canada: CPX Riverport

Denver, Colorado: AMC Westminster 24

Washington, D.C.: AMC Tysons Corner 16

Miami, Florida: Carmike Parisian 20

Atlanta, Georgia: Regal Atlantic Station

Chicago, Illinois: Regal City North

Boston, Massachusetts: AMC Boston Commons 19

Detroit, Michigan: Cinemark Showcase 20

Minneapolis, Minnesota: AMC Southdale

Kansas City, Missouri: AMC Studio 30

New York, New York: AMC Lincoln Square 12

New York, New York: Regal Union Square

Cleveland, Ohio: Cinemark 24

Philadelphia, Pennsylvania: Regal Warrington 22

Nashville, Tennessee: Carmike Thoroughbred 20

Knoxville, Tennessee: Regal Pinnacle

Dallas, Texas: Cinemark Plano 20

Houston, Texas: Regal Marq*E Stadium 23

Austin, Texas: Alamo South Lamar

Salt Lake City, Utah: Cinemark 24 WJ

Seattle, Washington: Regal Thornton Place 14

Milwaukee, Wisconsin: Marcus Brookfield 16


Of course, now that we know where and when we can see the trailer, it’s time to start wondering what we’ll see when we show up. There are at least two distinct rumors circulating, suggesting we’ll either see very little beyond the familiar logo and maybe a glimpse of the Millennium Falcon in flight or perhaps it’ll just be a lot of quick-cut shots of the new cast with little context. Are either true? We should know in just a few days.