Game|Life Podcast: Evil Within, Smash Bros. Have Killer Sales


Bethesda's The Evil Within had the highest first month of sales for any new survival horror franchise ever, the NPD Group said this week.

Bethesda’s The Evil Within had the highest first month of sales for any new survival horror franchise ever, the NPD Group said this week. Bethesda



Bo Moore and I sit down with a list of the top-selling U.S. videogames for the month of October, and engage in a spirited discussion of the gaming industry based on said list. Join us on this week’s Game|Life podcast!


Game|Life’s podcast is posted on Fridays, is available on iTunes, can be downloaded directly and is embedded below.



Game|Life Audio Podcast


[dewplayer: "http://ift.tt/1xGgA9h"]



​​



Take Better Aerial Videos With This Drone That Folds as It Flies


DJI-Small

DJI



If your GoPro has ever taken a ride on a drone, chances are it’s come back with some gorgeous, sweeping aerial videos… straddled by two spindly landing legs that obscure the left and right sides of the shot. It’s a challenge that drone-makers have tried to solve by spreading the legs apart or balancing the camera in various positions in front of the platform.


But DJI’s newest drone, called the Inspire 1, takes a new approach to solve this problem. Once the Inspire is launched into the air, it can move its landing gear out of the way to give the camera a full 360 degree view. It doesn’t just retract its legs like an airplane’s wheels: its entire carbon-fiber chassis, propellers and all, fold upwards into a ‘V’, leaving the camera isolated at the base. It’s a beautifully engineered solution, and it comes at a price: at $2,900 for the basic model, it’s twice as expensive as DJI’s previous flagship model, the Phantom 2 Vision+.


The Inspire offers some stellar features, all packed into an entirely new form factor that adheres to the same elegant aesthetic of the Phantom series. The camera, for starters, boasts 4K quality, 12-megapixel images, and the capability to shoot RAW format photos. It’s suspended on a 3-axis gimbal that can spin in a complete circle as well as up and down and side to side. A second camera and sonic sensors pointed downwards track distance and relation to the ground: this is how the drone determines when to fold into its landing position, and also enables it to be flown indoors without a GPS signal.


In the DJI tradition, everything on the Inspire is made by the company itself. It uses DJI’s proprietary gimbal, camera, and batteries for a seamlessly integrated system. The copter and the camera are primarily steered via a remote control, although the tasks of flying and filming can be split between two operators using two linked controllers. By plugging in an Android or iOS tablet, the pilot gains more telemetry and control features. In addition to displaying flight data, a live map, and battery life, DJI claims that the camera can stream HD video to the tablet from over a mile away. The camera’s settings, like white balance and exposure, can be set from the tablet while in flight; and the Inspire can use the tablet’s GPS as a “Dynamic Home Point” so it can return to the pilot even if they’ve moved.


The drawback to having a locked-down proprietary system is that it takes a while for some features to be perfected before DJI is willing to release them. Phantom users might be dismayed to know that the Inspire currently does not include way point autonomous navigation; nor will the much-awaited “Follow Me” feature be implemented in the first release of the system. A limited SDK was pushed out for the newest Phantom models this week, but is not compatible with the Inspire.


Without hands-on experience with the copter, I can’t vouch for whether it delivers on all it promises. But the ideas that it’s implementing are innovative, and it’s building on DJI’s strong reputation. If it’s as cleanly integrated, powerful, and easy to use as it claims to be, it might well be the next king of the turn-key drones.



Blockbuster Games Have a Terrible, Horrible, No Good, Very Bad Day


unity steam retro apocalypse

Ubisoft/Screengrab via Steam Community user Retro_Apocalypse



Big-budget, blockbuster games had a terrible, horrible, no good, very bad day on Tuesday. Was it an unfortunate fluke? Or the beginning of the end?


Ubisoft’s Assassin’s Creed Unity shipped Tuesday, and it wasn’t long before players started finding all kinds of bugs and glitches—so many that Ubisoft created a “live updates” blog specifically to keep players abreast of fixes to game-breaking issues.


And then there was Halo: The Master Chief Collection on Xbox One. It won early praise for its single-player collection of four Halo titles, but the ambitious multiplayer mode—more than 100 maps, spanning the entire series—shipped out totally busted. “I was unable to access a single match of any kind, encountering various error messages or endless queues, and even one full game crash to the Xbox One dashboard,” Arthur Gies wrote at Polygon, downgrading his review from a 9.5 to an 8.0.


But wait. There’s more. Sega’s Sonic Boom, the latest in its long-running Sonic the Hedgehog series, shipped with bugs that dwarfed Creed and Halo in terms of impact on the game. One huge gaffe in particular: You can jump infinitely into the air by pausing and unpausing the game. Sonic speedrunners discovered this almost immediately and used it to complete the game in under an hour.


There was also this touching scene, which makes one think that Sonic Boom may simply be a misunderstood work of postmodern genius:



Game|Life Podcast: Evil Within, Smash Bros. Have Killer Sales


Bethesda's The Evil Within had the highest first month of sales for any new survival horror franchise ever, the NPD Group said this week.

Bethesda’s The Evil Within had the highest first month of sales for any new survival horror franchise ever, the NPD Group said this week. Bethesda



Bo Moore and I sit down with a list of the top-selling U.S. videogames for the month of October, and engage in a spirited discussion of the gaming industry based on said list. Join us on this week’s Game|Life podcast!


Game|Life’s podcast is posted on Fridays, is available on iTunes, can be downloaded directly and is embedded below.



Game|Life Audio Podcast


[dewplayer: "http://ift.tt/1xGgA9h"]



​​



Take Better Aerial Videos With This Drone That Folds as It Flies


DJI-Small

DJI



If your GoPro has ever taken a ride on a drone, chances are it’s come back with some gorgeous, sweeping aerial videos… straddled by two spindly landing legs that obscure the left and right sides of the shot. It’s a challenge that drone-makers have tried to solve by spreading the legs apart or balancing the camera in various positions in front of the platform.


But DJI’s newest drone, called the Inspire 1, takes a new approach to solve this problem. Once the Inspire is launched into the air, it can move its landing gear out of the way to give the camera a full 360 degree view. It doesn’t just retract its legs like an airplane’s wheels: its entire carbon-fiber chassis, propellers and all, fold upwards into a ‘V’, leaving the camera isolated at the base. It’s a beautifully engineered solution, and it comes at a price: at $2,900 for the basic model, it’s twice as expensive as DJI’s previous flagship model, the Phantom 2 Vision+.


The Inspire offers some stellar features, all packed into an entirely new form factor that adheres to the same elegant aesthetic of the Phantom series. The camera, for starters, boasts 4K quality, 12-megapixel images, and the capability to shoot RAW format photos. It’s suspended on a 3-axis gimbal that can spin in a complete circle as well as up and down and side to side. A second camera and sonic sensors pointed downwards track distance and relation to the ground: this is how the drone determines when to fold into its landing position, and also enables it to be flown indoors without a GPS signal.


In the DJI tradition, everything on the Inspire is made by the company itself. It uses DJI’s proprietary gimbal, camera, and batteries for a seamlessly integrated system. The copter and the camera are primarily steered via a remote control, although the tasks of flying and filming can be split between two operators using two linked controllers. By plugging in an Android or iOS tablet, the pilot gains more telemetry and control features. In addition to displaying flight data, a live map, and battery life, DJI claims that the camera can stream HD video to the tablet from over a mile away. The camera’s settings, like white balance and exposure, can be set from the tablet while in flight; and the Inspire can use the tablet’s GPS as a “Dynamic Home Point” so it can return to the pilot even if they’ve moved.


The drawback to having a locked-down proprietary system is that it takes a while for some features to be perfected before DJI is willing to release them. Phantom users might be dismayed to know that the Inspire currently does not include way point autonomous navigation; nor will the much-awaited “Follow Me” feature be implemented in the first release of the system. A limited SDK was pushed out for the newest Phantom models this week, but is not compatible with the Inspire.


Without hands-on experience with the copter, I can’t vouch for whether it delivers on all it promises. But the ideas that it’s implementing are innovative, and it’s building on DJI’s strong reputation. If it’s as cleanly integrated, powerful, and easy to use as it claims to be, it might well be the next king of the turn-key drones.



Blockbuster Games Have a Terrible, Horrible, No Good, Very Bad Day


unity steam retro apocalypse

Ubisoft/Screengrab via Steam Community user Retro_Apocalypse



Big-budget, blockbuster games had a terrible, horrible, no good, very bad day on Tuesday. Was it an unfortunate fluke? Or the beginning of the end?


Ubisoft’s Assassin’s Creed Unity shipped Tuesday, and it wasn’t long before players started finding all kinds of bugs and glitches—so many that Ubisoft created a “live updates” blog specifically to keep players abreast of fixes to game-breaking issues.


And then there was Halo: The Master Chief Collection on Xbox One. It won early praise for its single-player collection of four Halo titles, but the ambitious multiplayer mode—more than 100 maps, spanning the entire series—shipped out totally busted. “I was unable to access a single match of any kind, encountering various error messages or endless queues, and even one full game crash to the Xbox One dashboard,” Arthur Gies wrote at Polygon, downgrading his review from a 9.5 to an 8.0.


But wait. There’s more. Sega’s Sonic Boom, the latest in its long-running Sonic the Hedgehog series, shipped with bugs that dwarfed Creed and Halo in terms of impact on the game. One huge gaffe in particular: You can jump infinitely into the air by pausing and unpausing the game. Sonic speedrunners discovered this almost immediately and used it to complete the game in under an hour.


There was also this touching scene, which makes one think that Sonic Boom may simply be a misunderstood work of postmodern genius:



The Feds Are Now Using ‘Stingrays’ in Planes to Spy on Our Phone Calls


Small airplane in flight

John Greim/LightRocket via Getty Images



It’s bad enough the government has been skulking around in cars and vans with a little device that can impersonate a cell phone tower and track you.


Now, in a move that should surprise no one, it’s taking to the skies to expand its tracking reach, in a move that would also allow it to collect data on more people at once.


That’s according to a new report from the Wall Street Journal indicating that the government has been using Cessna planes outfitted with special phone surveillance equipment to track suspects. But the surveillance system is designed to pick up the phone signals of anyone within range. The range of the equipment is currently unknown, but it means that data on potentially tens of thousands of phones could be collected during a single flight.


The airplane-based system is a 2-foot-square box called the Dirtbox—after the Boeing subsidiary that manufactures it (the Boeing division is known as DRT, for Digital Receiver Technology Inc). It appears to be the same or similar to so-called IMSI catchers or stingrays that law enforcement, the military, and intelligence agencies have been using for more than a decade.


The secretive stingray technology allows law enforcement agents to spoof a legitimate cell tower in order to trick nearby mobile phones and other wireless communication devices like air cards into connecting to the stingray instead of a phone carrier’s legitimate tower. When a device connects, stingrays can see and record its unique ID number as well as information that points to the device’s location.


Planes Are the Logical Next Step


Stingrays are often deployed by law enforcement from cars and vans. By driving the stingray around in a vehicle and gathering a wireless device’s signal strength from various locations in a neighborhood, authorities can pinpoint where the device is being used with much more precision than they can get through data obtained from a mobile network provider’s fixed tower location. The tools can pinpoint a phone’s location down to an apartment building or complex. At that point agents can switch to a handheld device that operates in the same way but lets them move inside to determine the exact apartment or office location of the targeted phone.


One of the main problems with this surveillance method, however, is that the devices force every cell phone in a region to connect to them; so if a government stingray drives past your office, it will collect the signal of your phone as well as the government’s target. That reach is magnified when the government casts its net from a plane.


Aerial surveillance is obviously much better than tracking via a van or car since vehicles can’t easily maneuver through busy streets or in rural areas. A plane is going to move much faster over a wider region and collect many more phones than a ground station will. But this also means that the signal strength of the Dirtbox is probably greater than the ground-based stingrays—which likely means they pick up connections from many more phones unrelated to an investigation.


Authorities insist that only data related to a suspect is retained and used. The device determines which phone belongs to a suspect and then releases any other unrelated phones. But that’s no comfort to civil liberties activists, since the government has attempted on numerous occasions to hide its use of stingrays from the courts and from defendants snagged by the equipment and may be concealing their use of the Dirtbox as well.


Who Uses the Dirtbox?


It’s unclear how long aerial surveillance has been conducted in this manner. A 2008 document about stingray systems made by the Harris Corporation, and obtained by Public Intelligence, shows that six years ago the company was selling an airborne mounting kit for its cell phone surveillance systems at a cost of $9,000, indicating that it has been going for a long time already.


The Wall Street Journal indicates the Dirtbox systems are used by the U.S. Marshals Service, which operates Cessna aircraft from at least five metropolitan-area airports, the locations of which allow for a flying range that would cover cell phones used by most of the U.S. population. The systems are used for locating cellphones linked to individuals under investigation, including fugitives and drug dealers.


The U.S. Marshals Service, however, is known to loan out its stingray equipment to local police departments, as a recent case in Florida shows. So it very likely lends its Dirtbox service to multiple agencies around the country as well—possibly even to the U.S. Customs Border Control to detect and track smugglers and illegal border crossings.


It’s unclear what authorization authorities are obtaining to use the Cessna Dirtbox. The Journal quotes an official who says that law enforcement obtains a court order to conduct the surveillance. But it’s unclear how much the judges who approve such court orders are told about the nature of the tracking being done and the capabilities of the technology being used.


There have been cases in which law enforcement agencies either bypassed the courts and used stingrays without obtaining an order as well as cases in which they lied to or withheld crucial information from judges about their use of the technology in order to get a court order without a lot of questions being asked.



Facebook’s New Data Center Is Bad News for Cisco


Data_Colection_Mobile

Then One/WIRED



Facebook is now serving the American heartland from a data center in the tiny town of Altoona, Iowa. Christened on Friday morning, this is just one of the many massive computing facilities that deliver the social network to phones, tablets, laptops, and desktop PCs across the globe, but it’s a little different from the rest.


As it announced that the Altoona data center is now serving traffic to some of its 1.35 billion users, the company also revealed how its engineers pieced together the computer network that moves all that digital information through the facility. The rather complicated arrangement shows, in stark fashion, that the largest internet companies are now constructing their computer networks in very different ways—ways that don’t require expensive networking gear from the likes of Cisco and Juniper, the hardware giants that played such a large role when the foundations of the net were laid.


“It makes for a very compelling story,” says Carl Perry, a network architect with the software giant Red Hat who has extensive experience in building massive computer networks inside various cloud computing companies. “It’s about solving the problems that the traditional networking companies just haven’t been able to do.”


From the Old to the New


Traditionally, when companies built computer networks to run their online operations, they built them in tiers. They would create a huge network “core” using enormously expensive and powerful networking gear. Then a smaller tier—able to move less data—would connect to this core. A still smaller tier would connect to that. And so on—until the network reached the computer servers that were actually housing the software people wanted to use.


For the most part, the hardware that ran these many tiers—from the smaller “top-of-rack” switches that drove the racks of computer servers, to the massive switches in the backbone—were provided by hardware giants like Cisco and Juniper. But in recent years, this has started to change. Many under-the-radar Asian operations and other networking vendors now provide less expensive top-of-rack switches, and in an effort to further reduce costs and find better ways of designing and managing their networks, internet behemoths such as Google and Facebook are now designing their own top-of-racks switches.


This is well documented. But that’s not all that’s happening. The internet giants are also moving to cheaper gear at the heart of their massive networks. That’s what Facebook has done inside its Altoona data center. In essence, it has abandoned the hierarchical model, moving away from the enormously expensive networking gear that used to drive the core of its networks. Now, it uses simpler gear across the length and breadth of its network, and by creating a new way of routing traffic across this network, it can use this gear to actually improve the efficiency of the data center—improve it by leaps and bounds.


Cut From Fresh Fabric


Facebook calls this a new “data center fabric.” If you’re interested in the details, you can read up on them in a blog post penned by Alexey Andreyev, the lead engineer on the project. But the long and the short of it is that Andreyev and his team have created a network that’s modular.


The network is divided into “pods,” and the company can add more pods whenever it likes. This means it’s much easier to expand the network, says Najam Ahamd, who helps oversee networking engineering at Facebook. But it also means that Facebook can more easily and more quickly move data across the network.


If you think about how Facebook works at all, you probably think about information traveling from a Facebook data center to your phone. But the Facebook application is now so complex—drawing on information from so many different servers—there’s actually more information flowing within the Facebook data centers than information traveling between the servers and people like you. According to Ahmad, there’s an order-of-magnitude difference between the two. The new data center fabric is designed to help deal with all that extra traffic inside the data center.


Part of the trick is that Facebook uses what are called “layer3″ protocols to drive the entire network, all the way from the middle of the network to the servers. Basically, this means that machines can more easily send data to any other machines on the network. “It gives you a lot more flexibility,” Perry says. But the other part is that in the middle of the network, the company isn’t relying on enormously expensive switches to do the heavy lifting.


On the Horizon


So, Facebook’s new data center is not only more efficient, it’s cheaper to build—at least in relative terms. “Moving from a small number of large switches to a greater number of smaller switches was one way to reduce complexity and allows us to scale,” says Ahmad. “It is also less expensive because of the competitive market. These smaller switches are available from a wider number of vendors.”


But this is about more than Facebook. The other large internet companies are moving in this direction as well. Carl Perry says he designed something similar—though on a smaller scale—inside cloud services such as Dreamhost. The kind of network Facebook has built in Altoona, he says, is what so many others will build in the future. “This is something that a lot of us have seen coming on the horizon.”



Tech Time Warp of the Week: Before Apple Pay, There Was That Thing Called RFID


Apple Pay may seem like the future of paying for stuff. Hold your smartphone up to small panel at the front of the store, press your finger to the screen, and walk out the door. But the future of paying for stuff was supposed to be even easier.


Check out the IBM video above, a blast from the year 2006. It shows a man brazenly shoving all sorts groceries—chips, meat, frozen dinners—into his trench coat. Other patrons see him doing it. So does the guy at the deli counter. But no one says a word. The punchline is that he wasn’t stealing at all. When he walks out the door, a distant scanner takes inventory of everything he picked up, automatically bills him, and prints a receipt.


The video was part of a series produced by IBM to promote a wireless tracking technology called RFID, short for radio-frequency identification. RFID chips are used to track and identify everything from pets to sushi plates. You might also remember the controversy in 2005 when the U.S. State Department started requiring RFIP chips in all U.S. passports. It was the original Internet of Things.


Today, we use the term “Internet of Things” to refer to everything from wearable computers to self-driving cars. But in the early to mid 2000s, the concept was virtually synonymous with RFID. In fact, technologist Kevin Ashton claims to have coined the term “Internet of Things” in 1999 during a presentation on RFID at Procter and Gamble. IBM saw all sorts of promise in this new internet:


But the technology never took off as many expected it would. It never helped us pay for stuff as easily as that guy in the trench coat did. To be sure, RFID is still widely used in retail and shipping today, but the revolution has not arrived. Maybe Apple Pay will be different.



Could Depression Actually Be a Form of Infectious Disease?

Major depressive disorder (MDD) should be re-conceptualized as an infectious disease, according to Turhan Canli, PhD, Associate Professor of Psychology and Radiology at Stony Brook University. In a paper published in Biology of Mood & Anxiety Disorders, Dr.Canli suggests that major depression may result from parasitic, bacterial, or viral infection. He presents examples that illustrate possible pathways by which these microorganisms could contribute to the etiology of MDD.



MDD remains highly prevalent disease with some 15 to 20 percent of the population experiencing MDD at some point. Recurrence is common, and pharmacological treatments have not changed. Because the causal aspects of the disease are not clearly defined, research to find causes remains paramount to help improve treatments.


"Given this track record of MDD, I propose reconceptualizing the condition as some form of infectious disease," said Dr. Canli, who is also Director of Stony Brook's SCAN Center, a member of the Program in Neuroscience, and a Senior Fellow in the Center for Medical Humanities, Compassionate Care, and Bioethics. "Future research should conduct a concerted effort search of parasites, bacteria, or viruses that may play a causal role in the etiology of MDD."


In the paper, Dr. Canli presents three arguments why reconceptualizing MDD as an infectious disease may be a fruitful endeavor.


First, he points out that patients with MDD exhibit illness behavior such as loss of energy, and that inflammatory biomarkers in MDD also suggest an illness-related origin. Second, he describes evidence that parasites, bacteria and viruses that infect humans in a way that alters their emotional behavior. Thirdly, Dr. Canli brings the notion of the human body as an ecosystem for microorganisms and the role of genetics.


Based on these points, Dr. Canli suggests a major research step would be to conduct large-scale studies with depressed patients, controls, and infectious-disease related protocols to determine the association or causal nature of infectious disease and depression.




Story Source:


The above story is based on materials provided by Stony Brook University . Note: Materials may be edited for content and length.



Why Do the Feds Have Motherf****ng ‘Stingrays’ on Motherf****ng Planes?


Small airplane in flight

John Greim/LightRocket via Getty Images



It’s bad enough the government has been skulking around in cars and vans with a little device that can impersonate a cell phone tower and track you.


Now, in a move that should surprise no one, it’s taking to the skies to expand its tracking reach, in a move that would also allow it to collect data on more people at once.


That’s according to a new report from the Wall Street Journal indicating that the government has been using Cessna planes outfitted with special phone surveillance equipment to track suspects. But the surveillance system is designed to pick up the phone signals of anyone within range. The range of the equipment is currently unknown, but it means that data on potentially tens of thousands of phones could be collected during a single flight.


The airplane-based system is a 2-foot-square box called the Dirtbox—after the Boeing subsidiary that manufactures it (the Boeing division is known as DRT, for Digital Receiver Technology Inc). It appears to be the same or similar to so-called IMSI catchers or stingrays that law enforcement, the military, and intelligence agencies have been using for more than a decade.


The secretive stingray technology allows law enforcement agents to spoof a legitimate cell tower in order to trick nearby mobile phones and other wireless communication devices like air cards into connecting to the stingray instead of a phone carrier’s legitimate tower. When a device connects, stingrays can see and record its unique ID number as well as information that points to the device’s location.


Planes Are the Logical Next Step


Stingrays are often deployed by law enforcement from cars and vans. By driving the stingray around in a vehicle and gathering a wireless device’s signal strength from various locations in a neighborhood, authorities can pinpoint where the device is being used with much more precision than they can get through data obtained from a mobile network provider’s fixed tower location. The tools can pinpoint a phone’s location down to an apartment building or complex. At that point agents can switch to a handheld device that operates in the same way but lets them move inside to determine the exact apartment or office location of the targeted phone.


One of the main problems with this surveillance method, however, is that the devices force every cell phone in a region to connect to them; so if a government stingray drives past your office, it will collect the signal of your phone as well as the government’s target. That reach is magnified when the government casts its net from a plane.


Aerial surveillance is obviously much better than tracking via a van or car since vehicles can’t easily maneuver through busy streets or in rural areas. A plane is going to move much faster over a wider region and collect many more phones than a ground station will. But this also means that the signal strength of the Dirtbox is probably greater than the ground-based stingrays—which likely means they pick up connections from many more phones unrelated to an investigation.


Authorities insist that only data related to a suspect is retained and used. The device determines which phone belongs to a suspect and then releases any other unrelated phones. But that’s no comfort to civil liberties activists, since the government has attempted on numerous occasions to hide its use of stingrays from the courts and from defendants snagged by the equipment and may be concealing their use of the Dirtbox as well.


Who Uses the Dirtbox?


It’s unclear how long aerial surveillance has been conducted in this manner. A 2008 document about stingray systems made by the Harris Corporation, and obtained by Public Intelligence, shows that six years ago the company was selling an airborne mounting kit for its cell phone surveillance systems at a cost of $9,000, indicating that it has been going for a long time already.


The Wall Street Journal indicates the Dirtbox systems are used by the U.S. Marshals Service, which operates Cessna aircraft from at least five metropolitan-area airports, the locations of which allow for a flying range that would cover cell phones used by most of the U.S. population. The systems are used for locating cellphones linked to individuals under investigation, including fugitives and drug dealers.


The U.S. Marshals Service, however, is known to loan out its stingray equipment to local police departments, as a recent case in Florida shows. So it very likely lends its Dirtbox service to multiple agencies around the country as well—possibly even to the U.S. Customs Border Control to detect and track smugglers and illegal border crossings.


It’s unclear what authorization authorities are obtaining to use the Cessna Dirtbox. The Journal quotes an official who says that law enforcement obtains a court order to conduct the surveillance. But it’s unclear how much the judges who approve such court orders are told about the nature of the tracking being done and the capabilities of the technology being used.


There have been cases in which law enforcement agencies either bypassed the courts and used stingrays without obtaining an order as well as cases in which they lied to or withheld crucial information from judges about their use of the technology in order to get a court order without a lot of questions being asked.



Facebook’s New Data Center Is Bad News for Cisco


Data_Colection_Mobile

Then One/WIRED



Facebook is now serving the American heartland from a data center in the tiny town of Altoona, Iowa. Christened on Friday morning, this is just one of the many massive computing facilities that deliver the social network to phones, tablets, laptops, and desktop PCs across the globe, but it’s a little different from the rest.


As it announced that the Altoona data center is now serving traffic to some of its 1.35 billion users, the company also revealed how its engineers pieced together the computer network that moves all that digital information through the facility. The rather complicated arrangement shows, in stark fashion, that the largest internet companies are now constructing their computer networks in very different ways—ways that don’t require expensive networking gear from the likes of Cisco and Juniper, the hardware giants that played such a large role when the foundations of the net were laid.


“It makes for a very compelling story,” says Carl Perry, a network architect with the software giant Red Hat who has extensive experience in building massive computer networks inside various cloud computing companies. “It’s about solving the problems that the traditional networking companies just haven’t been able to do.”


From the Old to the New


Traditionally, when companies built computer networks to run their online operations, they built them in tiers. They would create a huge network “core” using enormously expensive and powerful networking gear. Then a smaller tier—able to move less data—would connect to this core. A still smaller tier would connect to that. And so on—until the network reached the computer servers that were actually housing the software people wanted to use.


For the most part, the hardware that ran these many tiers—from the smaller “top-of-rack” switches that drove the racks of computer servers, to the massive switches in the backbone—were provided by hardware giants like Cisco and Juniper. But in recent years, this has started to change. Many under-the-radar Asian operations and other networking vendors now provide less expensive top-of-rack switches, and in an effort to further reduce costs and find better ways of designing and managing their networks, internet behemoths such as Google and Facebook are now designing their own top-of-racks switches.


This is well documented. But that’s not all that’s happening. The internet giants are also moving to cheaper gear at the heart of their massive networks. That’s what Facebook has done inside its Altoona data center. In essence, it has abandoned the hierarchical model, moving away from the enormously expensive networking gear that used to drive the core of its networks. Now, it uses simpler gear across the length and breadth of its network, and by creating a new way of routing traffic across this network, it can use this gear to actually improve the efficiency of the data center—improve it by leaps and bounds.


Cut From Fresh Fabric


Facebook calls this a new “data center fabric.” If you’re interested in the details, you can read up on them in a blog post penned by Alexey Andreyev, the lead engineer on the project. But the long and the short of it is that Andreyev and his team have created a network that’s modular.


The network is divided into “pods,” and the company can add more pods whenever it likes. This means it’s much easier to expand the network, says Najam Ahamd, who helps oversee networking engineering at Facebook. But it also means that Facebook can more easily and more quickly move data across the network.


If you think about how Facebook works at all, you probably think about information traveling from a Facebook data center to your phone. But the Facebook application is now so complex—drawing on information from so many different servers—there’s actually more information flowing within the Facebook data centers than information traveling between the servers and people like you. According to Ahmad, there’s an order-of-magnitude difference between the two. The new data center fabric is designed to help deal with all that extra traffic inside the data center.


Part of the trick is that Facebook uses what are called “layer3″ protocols to drive the entire network, all the way from the middle of the network to the servers. Basically, this means that machines can more easily send data to any other machines on the network. “It gives you a lot more flexibility,” Perry says. But the other part is that in the middle of the network, the company isn’t relying on enormously expensive switches to do the heavy lifting.


On the Horizon


So, Facebook’s new data center is not only more efficient, it’s cheaper to build—at least in relative terms. “Moving from a small number of large switches to a greater number of smaller switches was one way to reduce complexity and allows us to scale,” says Ahmad. “It is also less expensive because of the competitive market. These smaller switches are available from a wider number of vendors.”


But this is about more than Facebook. The other large internet companies are moving in this direction as well. Carl Perry says he designed something similar—though on a smaller scale—inside cloud services such as Dreamhost. The kind of network Facebook has built in Altoona, he says, is what so many others will build in the future. “This is something that a lot of us have seen coming on the horizon.”



Tech Time Warp of the Week: Before Apple Pay, There Was That Thing Called RFID


Apple Pay may seem like the future of paying for stuff. Hold your smartphone up to small panel at the front of the store, press your finger to the screen, and walk out the door. But the future of paying for stuff was supposed to be even easier.


Check out the IBM video above, a blast from the year 2006. It shows a man brazenly shoving all sorts groceries—chips, meat, frozen dinners—into his trench coat. Other patrons seem him doing it. So does the guy at the deli counter. But no one says a word. The punchline is that he wasn’t stealing at all. When he walks out the door, a distant scanner takes inventory of everything he picked up, automatically bills him, and prints a recipe.


The video was part of a series produced by IBM to promote a wireless tracking technology called RFID, short for radio-frequency identification. RFID chips are used to track and identify everything from pets to sushi plates. You might also remember the controversy in 2005 when the U.S. State Department started requiring RFIP chips in all U.S. passports. It was the original Internet of Things.


Today, we use the term “Internet of Things” to refer to everything from wearable computers to self-driving cars. But in the early to mid 2000s, the concept was virtually synonymous with RFID. In fact, technologist Kevin Ashton claims to have coined the term “Internet of Things” in 1999 during a presentation on RFID at Procter and Gamble. IBM saw all sorts of promise in this new internet:


But the technology never took off as many expected it would. It never helped us pay for stuff as easily as that guy in the trench coat did. To be sure, RFID is still widely used in retail and shipping today, but the revolution has not arrived. Maybe Apple Pay will be different.



Gadget Lab Podcast: Too Many Cookies


The new Nexus 6 phone from Google. It runs the new Android 5.0, Lollipop.

The new Nexus 6 phone from Google. It runs the new Android 5.0, Lollipop. Josh Valcarcel/WIRED



The flood of new Nexus hardware finally abates! First there was the Player, then the 9 tablet. And this week, the hosts discuss the main event: the Nexus 6 smartphone. Mat’s a big fan of the new Android operating system, but he’s not a fan of the phone’s bigness (or the camera). But it’s generally not at all a soaker, and still a very good phone. Hear him talk all about it. The hosts also discuss Mat’s decision to buy a grill, Twitter’s video plans, Apple’s iMessage debacle winding up in court, and the current state of web longreads. Also, Mike revisits his memories of the power station at Battersea.


Listen to this week’s episode or subscribe in iTunes.


Send the hosts feedback on their personal Twitter feeds (Mat Honan is @mat and Michael Calore is @snackfight) or to the main hotline at @GadgetLab.



How Animals Can Predict Human Performance


wired-for-performance


Over the past century, athletic performance has reach levels previously unimaginable. But the rate of our improvement has slowed during the past 20 years. That raises the question of whether there are limits to human performance and, if so, are we approaching them? Stanford researcher Mark Denny used models from the animal world to examine just how much faster we might get in the future. Here, he explains his work.


Adapted from Faster, Higher, Stronger: How Sports Science Is Creating a New Generation of Superathletes—and What We Can Learn from Them by Mark McClusky. Reprinted by arrangement with Hudson Street Press, a member of Penguin Group (USA) LLC, a Penguin Random House Company. Copyright © Mark McClusky, 2014.



The Simple Question Nobody’s Asking About Net Neutrality


film play

Getty Images



President Obama rattled the internet this week when he unloaded his opinion on net neutrality, the notion that all internet traffic should be treated equally. But to really understand what’s going on here, you should return to a moment earlier this year, when many American had trouble watching movies and TV shows on Netflix.

U.S. consumers were paying internet service providers like Comcast and Verizon for access to online applications like Netflix—which streams its movies and TV shows over the network—but the big ISPs weren’t letting that happen. Instead, they were allowing back-end connection points—the middle ground between Netflix’s video servers and their customers —to become overwhelmed with data. This meant that for many Verizon and Comcast customers, internet shows like “House of Cards” weren’t playing very well.


Netflix ended up paying the big internet service providers to solve its problem, but to those who believe in net neutrality, this was a worrying outcome. It seemed as though the big ISPs were inappropriately flexing their power—charging content providers extra to make sure their programs played properly on the Verizon and Comcast networks, and holding customers hostage to boot.


Are we happy with the state of America’s internet service providers and the way they conduct their business?


That dispute, coupled with a January court ruling that forced the FCC to rework its net neutrality rules, set the stage for what’s become an all-out policy brawl over how we plan to regulate the internet here in the U.S., a fight that hit its apogee this week when Obama called on the Federal Communications Commission to roll back more than a decade of policy, and treat the Verizons and Comcasts of the world as “telecommunications services” providers—the so-called Title II option, first laid out in the 1934 Telecommunications Act.


This idea freaks the ISPs out. Since the early 2000s, the FCC has given them a bit of a regulatory pass, treating them as more-lightly regulated “information services” companies. If they’re regulated under Title II, they’ll have less freedom to do what they want—and, they say, less incentive to continue expanding their networks. But many believe that Title II is the only way to ensure that they don’t start playing with internet traffic in unfair ways.


It’s easy to get lost in the weeds of the debate, but the question before the FCC can be boiled down to pretty simple terms: Are we happy with the state of America’s internet service providers and the way they conduct their business?


‘The Worst Company in America’


For consumers, that’s an easy question to answer. Nobody seems to like the internet service providers. That’s a big part of the reason why the FCC fielded about 4 million comments on net neutrality over the past six months.


Comcast was recently dubbed the “worst company in America,” by the Consumerist. AT&T is so uncompetitive that it can put the brakes on a 100-city fiber rollout, as it did this week, without feeling much pressure from business rivals.


A decade ago, the FCC said that less regulation would help deliver better consumer internet services, but that hasn’t panned out. Internet service here is slipping. Compared with countries such as Japan, South Korea and the Netherlands, we pay too much for not enough bandwidth.


Check out former LA Times Reporter Chris O’Brien’s eye-opening observations on life on the French internet fast lane if you want a taste of how bad things are here in the U.S.


Meanwhile, Inside the Internet…


But it all gets murkier when you look inside the internet’s data centers—home to the Netflix-Comcast dispute. There, things have evolved amazingly well without government regulation.


Moving bits over the internet or caching them in facilities nearer to consumers has become incredibly cheap and effective, and it has paved the way for fast-moving era of innovation that’s made America the envy of the world.


If the big ISPs are messing with this success by gouging Netfilx and Google, then that’s a problem. But conversely, if the FCC ends up fixing Netflix and Google’s problem with unwieldy regulations that hurt smaller companies, then Obama’s Title II option would backfire.


The Bigger Question


Either way, Title II is not going to be the panacea or Armageddon that advocates on both sides of the debate predict. It’s simply a weightier tool that the FCC can use to keep the carriers in line when they operate contrary to the public interest. As we’ve seen over the past decade, the only thing that seems to undo bad ISP business practices is internet outrage, public pressure, and the threat of FCC action.


Well, there is another way to change things: have more competition amongst ISPs. Sadly, the real problem on the U.S. internet is the total the lack of competition amongst service providers. But nobody is talking about how to fix that one.



The Culture We Love This Month, From Tarot Decks to Serial



Italo Calvino, The Complete Cosmicomics

Even 30 years after his death, Italo Calvino remains one Italy’s most beloved and prolific figures; this new collection or previous work features over 30 stories, most narrated by something/someone named Qfwfq. Yes, it's as weird as it sounds. Also great. (Expand the gallery for more details.) —Max Ufberg Josh Valcarcel/WIRED



Italo Calvino, The Complete Cosmicomics

Even 30 years after his death, Italo Calvino remains one Italy’s most beloved and prolific figures; there’s Calvino the novelist, Calvino the essayist, Calvino the journalist, even Calvino the womanizer. But rarely is Calvino the science fiction icon celebrated; that’s a shame, because The Complete Cosmicomics is one of the strangest, most thoughtful short story collections I’ve read. Rooted in a series of stories first published in 1965, The Complete Cosmicomics features 34 stories, each loosely based around a different scientific "fact"---some of which have since been proven wrong, though I don't think that really matters much. Take "The Distance of the Moon" as an example: using the Moon’s pre-tidal acceleration proximity to Earth as a basis for his story, Calvino imagines a world where people can literally jump between planets, and a woman whose love for the Moon proves to be her undoing. But ‘woman’ and ‘people’ are relative here; Cosmicomics takes place before the dawn of humanity, with anthropomorphized mollusks, atoms, and dinosaurs all capable of hatred, jealousy, and love. The stories’ share a narrator---a boundless, omnipresent astral everyman named Qfwfq—which brings a uniformity to the Cosmicomics. It's all one strange, otherworldly read. ($13.49, Amazon) —Max Ufberg

Josh Valcarcel/WIRED



Billy Martin, Wandering

The drummer for jazz combo Medeski, Martin, and Wood puts down his sticks and picks up the pen in his new book. The topics of the short essays vary widely---music, dancing, carpentry, film---but the writing is always emotional and engaging. Also, the book is filled with Martin's delicate pen-and-ink drawings. $55---Michael Calore Josh Valcarcel/WIRED



Billy Martin, Wandering

Most know drummer Billy Martin as one-third of jazz combo Medeski, Martin, and Wood. But he's also a painter, a filmmaker, and a writer. His new book is a selection of columns originally written for a Japanese drumming magazine. The topics vary---music theory, anecdotes and stories, lists of albums, carpentry---but the writing is always engaging. It's a colorful and intensely personal journey through the mind of a multi-dimensional artist. I'm currently in the middle of it, but not for long; the chapters are short, so it's easy to tell yourself, "just one more." It's also beautifully hardbound and filled with Martin's otherworldly pen and ink drawings. Buy a copy for the musician in your life. ($55, personal website ---Michael Calore

Josh Valcarcel/WIRED



Serial

Forget everything you know about podcasts. This new project by This American Life investigates a 1990s murder case with all the high stakes suspense and he-said-she-said plot twists that only Hollywood’s best crime dramas can usually offer—but this time, the drama is real. —Issie Lapowsky



Serial

Forget everything you know about podcasts. This new project by This American Life investigates a 1990s murder case with all the high stakes suspense and he-said-she-said plot twists that only Hollywood’s best crime dramas can usually offer---but this time, the drama is real. Serial’s protagonist, Adnan Syed, has been serving the last 15 years in prison for the murder of his ex-girlfriend Hae Min Lee. It’s a crime Syed insists to this day he didn’t commit, and, in this expertly crafted series, producer Sarah Koenig attempts to uncover whether or not he’s telling the truth. Koenig dissects the evidence, interviews key witnesses, and in a show of meticulous reporting, even attempts to recreate the timing of the crime, herself. But what’s so equally compelling and complex about Serial is that Koenig still hasn’t reached a conclusion. We’re processing information and learning right along with her. And that is something no Hollywood mystery could ever pull off. (Free, SerialPodcast.org) —Issie Lapowsky




Taylor Swift, 1989 Deluxe Edition

Ditch your digital library for a minute and hit up Target for the Deluxe edition of Taylor Swift’s newest hotness, 1989. It includes three bonus tracks and three voice memos of pop’s crown princess mapping out the roughest stages of her songwriting process. Swifties (and common folk) rejoice! (Expand the gallery for more details.) —Jordan Crucchiola Josh Valcarcel/WIRED



Taylor Swift, 1989 Deluxe Edition

Taylor Swift albums are like investing in a really good collection of essays. (Bear with me here.) You can share bon mots and selected passages with your friends as you go along and you’ll all laugh together, but the real rewards are found in digesting the whole collection---finding and following the narrative threads from beginning to end. The whole, as they say, is greater than the sum of its parts, and when you take the extra step to hit up Target for your 1989 purchase you get even more parts to play with. The Deluxe edition includes three bonus tracks (which are some of the best material on the album) and three voice memos in which Swift maps out the roughest stages of her songwriting process. As always, Swift wrote or co-wrote every track on 1989, and much like her previous album, Red, did the bulk of her collaboration with pop geniuses Max Martin and Johan Schuster (aka Shellback). Jack Antonoff of Fun. and Bleachers (and Lena Dunham) also contributed significantly, and stay frosty at the end for T-Swift's track with Imogen Heap. This is the new soundtrack, y’all, and we’ll be dancing to these sick beats forevermore. ($13.99, Target)—Jordan Crucchiola

Josh Valcarcel/WIRED



In Treatment

In the wake of the Sopranos, HBO introduced viewers to a new psychodrama that made Dr. Melfi look like Lucy van Pelt. Adapted from an Israeli series, In Treatment dissected the life and patients of tortured therapist Paul Weston with the acuity and insight of a trained psychoanalyst. No co-pay required. —Jason Tanz



In Treatments

In the wake of the Sopranos, HBO introduced viewers to a new psychodrama that made Dr. Melfi look like Lucy van Pelt. In Treatment dissected the life and patients of tortured therapist Paul Weston (Gabriel Byrne) with the acuity and insight of a trained psychoanalyst. It also recruited top-flight talent, including actors Hope Davis and Debra Winger, and writers Jumpa Lahiri and Adam Rapp. Binge on a season and you’ll feel as gutted---and, hopefully, as enlightened---as one of Paul’s patients. No co-pay required. (Free with < a href="http://ift.tt/1tQm4Is" target="_blank">Amazon Prime membership) —Jason Tanz





Amy Poehler, Yes, Please

From why people cry on airplanes to reflections while shrooming, Yes, Please provides a glimpse into the mind of one of my favorite comedians. It's even got haikus. Plus, no one has a better author photo. No one. —Alessandra Ram Josh Valcarcel/WIRED



Amy Poehler, Yes, Please

Amy Poehler’s first book, a candid collection of anecdotes, lists, and essays, was worth the wait. Yes, it comes on the heels of fellow SNL alum Tina Fey’s Bossypants, Mindy Kaling’s Is Everyone Hanging Out Without Me? and Lena Dunham’s Not That Kind of Girl, but Yes, Please is refreshingly not self-deprecating. From crying on airplanes to kindergarden progress reports to her thoughts while shrooming, Yes, Please is like looking into the mind of one of my---and likely yours as well---favorite entertainers. Be sure you don't skip her preface detailing just how much she disliked writing the book, or her instructions on how to read it. It is warm and unpretentious, just like (what I imagine) hanging out with Poehler must be like. It's even got haikus. Plus, no one has a better author photo. No one. ($28.99, Amazon) —Alessandra Ram

Josh Valcarcel/WIRED



Blank on Blank

This podcast has interviews with celebrities you won’t hear from on other shows—Tupac, Bette Davis, and Kurt Cobain have all been featured in the past year. The series takes lost conversations from journalists’ audio archives, pulls out interesting nuggets, and turns them into terrific, brisk documentaries. (Free, Blank on Blank) —Eric Steuer



Blank on Blank

This podcast from PBS Digital Studios has interviews with luminaries you’re not likely to hear from on other shows—for instance, Tupac, Bette Davis, and Kurt Cobain have all been featured in the past year. Producer David Gerlach bases the series on lost conversations from journalists’ audio archives (often recordings made by writers while working on magazine or newspaper profiles of celebrities). Gerlach pulls out interesting nuggets and turns them into terrific, brisk documentaries (between five and ten minutes each) that offer unique insights from the minds of some of the world’s most compelling actors, musicians, and writers. A few episode recommendations to get you started: Johnny Cash on Elvis and painkillers, Grace Kelly on JFK, and David Foster Wallace on the folly of perfectionism. (Free, Blank on Blank) —Eric Steuer




Neil Patrick Harris, Choose Your Own Autobiography

Child star. Broadway powerhouse. Awards-show host. Content gay man (and gay rights advocate). Magician. Neil Patrick Harris is a jack of many trades. Luckily, his autobiography covers all the facets of his life—and then some. —Angela Watercutter Josh Valcarcel/WIRED



Neil Patrick Harris, Choose Your Own Autobiography Audiobook

Child star. Broadway powerhouse. Awards-show host. Content gay man (and gay rights advocate). Magician. Neil Patrick Harris is a jack of many trades. Actually, it's amazing he's managed to do as much as he has in so few years. Then you remember he started on Doogie Howser, M.D. when he was in his mid-teens. Luckily, his autobiography covers all the facets of his life—and then some. If Saturday Night Live's Stefon were describing this book, it would go something like this: "It's got everything. (Probably fictionalized) awkward hangs with Penn Jillette, (probably very true) confrontations at LA clubs with Scott Caan, tales of yelling at musical theater legend Patti LuPone." Also, it's Choose Your Own Adventure-style, which lets you skip to the stories you want and not feel bad. (It also makes for an interesting listen in audiobook form.) But honestly, choose the full adventure—it's well worth the trip. ($35, Amazon) —Angela Watercutter

Josh Valcarcel/WIRED



Wax Tailor, Phonovisions Symphonic Orchestra The symphony is boring. But put turntablist Wax Tailor in front of an orchestra and you’ll get magic: the new live album Phonovisions Symphonic Orchestra. It’s a French dude spinning with an orchestra. With a lady jamming on a flute. And it is good. —Matt Simon



Wax Tailor, Phonovisions Symphonic Orchestra The last time I went to the symphony, I fell asleep. I take that back. Every time I go to the symphony I fall asleep. Classical music is great---when you have something else to do while listening to it. Put French turntablist Wax Tailor in front of an orchestra, though, and you’ll get magic. That’s exactly what his new live album Phonovisions Symphonic Orchestra is. A French dude. Spinning in front of an orchestra. With guest rappers and a lady jamming hard on a flute. It’s most excellent. If you’re familiar with Wax Tailor’s work, the new orchestral takes on his loops will be like a bunch of Christmas presents. Except the French don’t celebrate Christmas. Wait, do the French celebrate Christmas? ($11.99 on iTunes, free on Spotify with subscription) —Matt Simon




Serpentfire Tarot Deck

With Frida Kahlo as the Queen of Cups and Elizabeth Taylor as the Empress, this is not your weird aunt's Tarot deck. But it will take you on a psychedelic journey to your inner self---or your outer hipster affectation. —Blanca Myers Josh Valcarcel/WIRED



Serpentfire Tarot Deck

If you've ever doled out change to a fortune-telling bellydancer on the streets of Paris, then you'll appreciate this Tarot deck, if for nothing more than aesthetics: Each of the deck's 78 cards features one of Canadian artist Devany Wolfe's interpretations of the classic deck. Wolfe's beautiful collage cards combine ironic film stills, psychedelic op art, and dayglo, and each could easily stand on its own as a surrealist postcards. The deck is printed on nice, thick clay-coated stock in the standard Tarot size (2.75 x 4.75) for longevity and nice snapback. With Frida Kahlo as the Queen of Cups and Elizabeth Taylor as the Empress, this is not your weird aunt's Tarot deck. But it will take you on a psychedelic journey to your inner self—or your outer hipster affectation. ($75, Etsy)—Blanca Myers

Josh Valcarcel/WIRED



Childish Gambino,STN MTN/Kauai

There's no rapper quite like Childish Gambino (who you might also know as Donald Glover). This newest project is half Gangsta Grillz mixtape, half introspective EP, but all Gambino: clever wordplay, strong vocals, and intelligent storytelling to continue his music adventure. —Tony Vongprachanh



Childish Gambino,STN MTN/Kauai

There's no rapper quite like Childish Gambino (who you might also know as Donald Glover). The moment you assume someone is inching close, he'll switch topics to Whole Foods juice and coding in Python, or name-drop internet celebs like Jack Dorsey and Sergey Brin. This newest project is half Gangsta Grillz mixtape, half introspective EP, but all Gambino: clever wordplay, strong vocals, and intelligent storytelling to continue his music adventure. It's my favorite album of the year barring a late-breaking Beyonce or Rihanna drop---but even then it might be hard to contest the Usher cover of "U Don't Have to Call" or ignant bars in "Move That Dope." (Free, DatPiff) —Tony Vongprachanh




Dear White People

If the title makes you feel uncomfortable, it should. But don’t let that, or any other preconceptions you may have about this film, deter you. This tongue-in-cheek satire builds up stereotypes only to tear them down, challenges the status quo without pretending to know all the answers, and will remain with you long after the credits roll. —Lexi Pandell



Dear White People

If the title makes you feel uncomfortable, it should. But don’t let that, or any other preconceptions you may have about this film, deter you. Yes, writer/director Justin Simien covers issues intended to make you squirm—institutional racism, unconscious bias, and cultural assimilation, among others—and the climax of this satire about four African-American students at an Ivy League school is based on some real-life, astonishingly bad behavior at racially themed college parties. But this also happens to be an incredibly funny, self-aware and entertaining film with nuanced characters and plenty of style. (Think Wes Anderson meets Spike Lee.) It’s no surprise that Simien's film, his first, earned him the Sundance Special Jury Award for Breakthrough Talent. Dear white people (and, really, all people): if you think that race in America isn’t worth considering anymore or that only frat bros are making these mistakes, you need to see this most of all. (Showtimes vary locally —Lexi Pandell




David Mitchell, The Bone Clocks

David Mitchell will break your fucking heart. He'll do it with his prose and his empathy-inducing characters, sure, but his favorite weapon is the section break: the character you've fallen in love with is caught offstage, and you don't see them again until much later, if at all. It's painful. But it's worth it. —Caitlin Roper Josh Valcarcel/WIRED



David Mitchell, The Bone Clocks

This is Mitchell's best novel since Cloud Atlas. It's impossible to put down—if you can pick it up (it's 624 pages). There's a singular thrill to reading Mitchell: you have no idea what will happen, but you can be sure that something will, that the characters you've met will mean something to each other, that there is more going on than you can see at first. The Bone Clocks starts with my favorite Mitchell character yet, a 15-year-old English girl named Holly Sykes. But Holly, like nearly everyone else in the book, is not what she seems. She's both a regular teen runaway and a psychic tuning fork, able to hear voices that those around her can't. But Holly's story is just the beginning. The novel is a metaphysical mandala, tracing individual lives and magical subcultures across decades and into the future. But be warned, as soon as you fall in love with a character, they disappear at the next section break. But if you're lucky, they show up hundreds of pages later…or might reappear in Mitchell's next book. ($30, Amazon) —Caitlin Roper

Josh Valcarcel/WIRED