The Simple Question Nobody’s Asking About Net Neutrality


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President Obama rattled the internet this week when he unloaded his opinion on net neutrality, the notion that all internet traffic should be treated equally. But to really understand what’s going on here, you should return to a moment earlier this year, when many American had trouble watching movies and TV shows on Netflix.

U.S. consumers were paying internet service providers like Comcast and Verizon for access to online applications like Netflix—which streams its movies and TV shows over the network—but the big ISPs weren’t letting that happen. Instead, they were allowing back-end connection points—the middle ground between Netflix’s video servers and their customers —to become overwhelmed with data. This meant that for many Verizon and Comcast customers, internet shows like “House of Cards” weren’t playing very well.


Netflix ended up paying the big internet service providers to solve its problem, but to those who believe in net neutrality, this was a worrying outcome. It seemed as though the big ISPs were inappropriately flexing their power—charging content providers extra to make sure their programs played properly on the Verizon and Comcast networks, and holding customers hostage to boot.


Are we happy with the state of America’s internet service providers and the way they conduct their business?


That dispute, coupled with a January court ruling that forced the FCC to rework its net neutrality rules, set the stage for what’s become an all-out policy brawl over how we plan to regulate the internet here in the U.S., a fight that hit its apogee this week when Obama called on the Federal Communications Commission to roll back more than a decade of policy, and treat the Verizons and Comcasts of the world as “telecommunications services” providers—the so-called Title II option, first laid out in the 1934 Telecommunications Act.


This idea freaks the ISPs out. Since the early 2000s, the FCC has given them a bit of a regulatory pass, treating them as more-lightly regulated “information services” companies. If they’re regulated under Title II, they’ll have less freedom to do what they want—and, they say, less incentive to continue expanding their networks. But many believe that Title II is the only way to ensure that they don’t start playing with internet traffic in unfair ways.


It’s easy to get lost in the weeds of the debate, but the question before the FCC can be boiled down to pretty simple terms: Are we happy with the state of America’s internet service providers and the way they conduct their business?


‘The Worst Company in America’


For consumers, that’s an easy question to answer. Nobody seems to like the internet service providers. That’s a big part of the reason why the FCC fielded about 4 million comments on net neutrality over the past six months.


Comcast was recently dubbed the “worst company in America,” by the Consumerist. AT&T is so uncompetitive that it can put the brakes on a 100-city fiber rollout, as it did this week, without feeling much pressure from business rivals.


A decade ago, the FCC said that less regulation would help deliver better consumer internet services, but that hasn’t panned out. Internet service here is slipping. Compared with countries such as Japan, South Korea and the Netherlands, we pay too much for not enough bandwidth.


Check out former LA Times Reporter Chris O’Brien’s eye-opening observations on life on the French internet fast lane if you want a taste of how bad things are here in the U.S.


Meanwhile, Inside the Internet…


But it all gets murkier when you look inside the internet’s data centers—home to the Netflix-Comcast dispute. There, things have evolved amazingly well without government regulation.


Moving bits over the internet or caching them in facilities nearer to consumers has become incredibly cheap and effective, and it has paved the way for fast-moving era of innovation that’s made America the envy of the world.


If the big ISPs are messing with this success by gouging Netfilx and Google, then that’s a problem. But conversely, if the FCC ends up fixing Netflix and Google’s problem with unwieldy regulations that hurt smaller companies, then Obama’s Title II option would backfire.


The Bigger Question


Either way, Title II is not going to be the panacea or Armageddon that advocates on both sides of the debate predict. It’s simply a weightier tool that the FCC can use to keep the carriers in line when they operate contrary to the public interest. As we’ve seen over the past decade, the only thing that seems to undo bad ISP business practices is internet outrage, public pressure, and the threat of FCC action.


Well, there is another way to change things: have more competition amongst ISPs. Sadly, the real problem on the U.S. internet is the total the lack of competition amongst service providers. But nobody is talking about how to fix that one.



The Culture We Love This Month, From Tarot Decks to Serial



Italo Calvino, The Complete Cosmicomics

Even 30 years after his death, Italo Calvino remains one Italy’s most beloved and prolific figures; this new collection or previous work features over 30 stories, most narrated by something/someone named Qfwfq. Yes, it's as weird as it sounds. Also great. (Expand the gallery for more details.) —Max Ufberg Josh Valcarcel/WIRED



Italo Calvino, The Complete Cosmicomics

Even 30 years after his death, Italo Calvino remains one Italy’s most beloved and prolific figures; there’s Calvino the novelist, Calvino the essayist, Calvino the journalist, even Calvino the womanizer. But rarely is Calvino the science fiction icon celebrated; that’s a shame, because The Complete Cosmicomics is one of the strangest, most thoughtful short story collections I’ve read. Rooted in a series of stories first published in 1965, The Complete Cosmicomics features 34 stories, each loosely based around a different scientific "fact"---some of which have since been proven wrong, though I don't think that really matters much. Take "The Distance of the Moon" as an example: using the Moon’s pre-tidal acceleration proximity to Earth as a basis for his story, Calvino imagines a world where people can literally jump between planets, and a woman whose love for the Moon proves to be her undoing. But ‘woman’ and ‘people’ are relative here; Cosmicomics takes place before the dawn of humanity, with anthropomorphized mollusks, atoms, and dinosaurs all capable of hatred, jealousy, and love. The stories’ share a narrator---a boundless, omnipresent astral everyman named Qfwfq—which brings a uniformity to the Cosmicomics. It's all one strange, otherworldly read. ($13.49, Amazon) —Max Ufberg

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Billy Martin, Wandering

The drummer for jazz combo Medeski, Martin, and Wood puts down his sticks and picks up the pen in his new book. The topics of the short essays vary widely---music, dancing, carpentry, film---but the writing is always emotional and engaging. Also, the book is filled with Martin's delicate pen-and-ink drawings. $55---Michael Calore Josh Valcarcel/WIRED



Billy Martin, Wandering

Most know drummer Billy Martin as one-third of jazz combo Medeski, Martin, and Wood. But he's also a painter, a filmmaker, and a writer. His new book is a selection of columns originally written for a Japanese drumming magazine. The topics vary---music theory, anecdotes and stories, lists of albums, carpentry---but the writing is always engaging. It's a colorful and intensely personal journey through the mind of a multi-dimensional artist. I'm currently in the middle of it, but not for long; the chapters are short, so it's easy to tell yourself, "just one more." It's also beautifully hardbound and filled with Martin's otherworldly pen and ink drawings. Buy a copy for the musician in your life. ($55, personal website ---Michael Calore

Josh Valcarcel/WIRED



Serial

Forget everything you know about podcasts. This new project by This American Life investigates a 1990s murder case with all the high stakes suspense and he-said-she-said plot twists that only Hollywood’s best crime dramas can usually offer—but this time, the drama is real. —Issie Lapowsky



Serial

Forget everything you know about podcasts. This new project by This American Life investigates a 1990s murder case with all the high stakes suspense and he-said-she-said plot twists that only Hollywood’s best crime dramas can usually offer---but this time, the drama is real. Serial’s protagonist, Adnan Syed, has been serving the last 15 years in prison for the murder of his ex-girlfriend Hae Min Lee. It’s a crime Syed insists to this day he didn’t commit, and, in this expertly crafted series, producer Sarah Koenig attempts to uncover whether or not he’s telling the truth. Koenig dissects the evidence, interviews key witnesses, and in a show of meticulous reporting, even attempts to recreate the timing of the crime, herself. But what’s so equally compelling and complex about Serial is that Koenig still hasn’t reached a conclusion. We’re processing information and learning right along with her. And that is something no Hollywood mystery could ever pull off. (Free, SerialPodcast.org) —Issie Lapowsky




Taylor Swift, 1989 Deluxe Edition

Ditch your digital library for a minute and hit up Target for the Deluxe edition of Taylor Swift’s newest hotness, 1989. It includes three bonus tracks and three voice memos of pop’s crown princess mapping out the roughest stages of her songwriting process. Swifties (and common folk) rejoice! (Expand the gallery for more details.) —Jordan Crucchiola Josh Valcarcel/WIRED



Taylor Swift, 1989 Deluxe Edition

Taylor Swift albums are like investing in a really good collection of essays. (Bear with me here.) You can share bon mots and selected passages with your friends as you go along and you’ll all laugh together, but the real rewards are found in digesting the whole collection---finding and following the narrative threads from beginning to end. The whole, as they say, is greater than the sum of its parts, and when you take the extra step to hit up Target for your 1989 purchase you get even more parts to play with. The Deluxe edition includes three bonus tracks (which are some of the best material on the album) and three voice memos in which Swift maps out the roughest stages of her songwriting process. As always, Swift wrote or co-wrote every track on 1989, and much like her previous album, Red, did the bulk of her collaboration with pop geniuses Max Martin and Johan Schuster (aka Shellback). Jack Antonoff of Fun. and Bleachers (and Lena Dunham) also contributed significantly, and stay frosty at the end for T-Swift's track with Imogen Heap. This is the new soundtrack, y’all, and we’ll be dancing to these sick beats forevermore. ($13.99, Target)—Jordan Crucchiola

Josh Valcarcel/WIRED



In Treatment

In the wake of the Sopranos, HBO introduced viewers to a new psychodrama that made Dr. Melfi look like Lucy van Pelt. Adapted from an Israeli series, In Treatment dissected the life and patients of tortured therapist Paul Weston with the acuity and insight of a trained psychoanalyst. No co-pay required. —Jason Tanz



In Treatments

In the wake of the Sopranos, HBO introduced viewers to a new psychodrama that made Dr. Melfi look like Lucy van Pelt. In Treatment dissected the life and patients of tortured therapist Paul Weston (Gabriel Byrne) with the acuity and insight of a trained psychoanalyst. It also recruited top-flight talent, including actors Hope Davis and Debra Winger, and writers Jumpa Lahiri and Adam Rapp. Binge on a season and you’ll feel as gutted---and, hopefully, as enlightened---as one of Paul’s patients. No co-pay required. (Free with < a href="http://ift.tt/1tQm4Is" target="_blank">Amazon Prime membership) —Jason Tanz





Amy Poehler, Yes, Please

From why people cry on airplanes to reflections while shrooming, Yes, Please provides a glimpse into the mind of one of my favorite comedians. It's even got haikus. Plus, no one has a better author photo. No one. —Alessandra Ram Josh Valcarcel/WIRED



Amy Poehler, Yes, Please

Amy Poehler’s first book, a candid collection of anecdotes, lists, and essays, was worth the wait. Yes, it comes on the heels of fellow SNL alum Tina Fey’s Bossypants, Mindy Kaling’s Is Everyone Hanging Out Without Me? and Lena Dunham’s Not That Kind of Girl, but Yes, Please is refreshingly not self-deprecating. From crying on airplanes to kindergarden progress reports to her thoughts while shrooming, Yes, Please is like looking into the mind of one of my---and likely yours as well---favorite entertainers. Be sure you don't skip her preface detailing just how much she disliked writing the book, or her instructions on how to read it. It is warm and unpretentious, just like (what I imagine) hanging out with Poehler must be like. It's even got haikus. Plus, no one has a better author photo. No one. ($28.99, Amazon) —Alessandra Ram

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Blank on Blank

This podcast has interviews with celebrities you won’t hear from on other shows—Tupac, Bette Davis, and Kurt Cobain have all been featured in the past year. The series takes lost conversations from journalists’ audio archives, pulls out interesting nuggets, and turns them into terrific, brisk documentaries. (Free, Blank on Blank) —Eric Steuer



Blank on Blank

This podcast from PBS Digital Studios has interviews with luminaries you’re not likely to hear from on other shows—for instance, Tupac, Bette Davis, and Kurt Cobain have all been featured in the past year. Producer David Gerlach bases the series on lost conversations from journalists’ audio archives (often recordings made by writers while working on magazine or newspaper profiles of celebrities). Gerlach pulls out interesting nuggets and turns them into terrific, brisk documentaries (between five and ten minutes each) that offer unique insights from the minds of some of the world’s most compelling actors, musicians, and writers. A few episode recommendations to get you started: Johnny Cash on Elvis and painkillers, Grace Kelly on JFK, and David Foster Wallace on the folly of perfectionism. (Free, Blank on Blank) —Eric Steuer




Neil Patrick Harris, Choose Your Own Autobiography

Child star. Broadway powerhouse. Awards-show host. Content gay man (and gay rights advocate). Magician. Neil Patrick Harris is a jack of many trades. Luckily, his autobiography covers all the facets of his life—and then some. —Angela Watercutter Josh Valcarcel/WIRED



Neil Patrick Harris, Choose Your Own Autobiography Audiobook

Child star. Broadway powerhouse. Awards-show host. Content gay man (and gay rights advocate). Magician. Neil Patrick Harris is a jack of many trades. Actually, it's amazing he's managed to do as much as he has in so few years. Then you remember he started on Doogie Howser, M.D. when he was in his mid-teens. Luckily, his autobiography covers all the facets of his life—and then some. If Saturday Night Live's Stefon were describing this book, it would go something like this: "It's got everything. (Probably fictionalized) awkward hangs with Penn Jillette, (probably very true) confrontations at LA clubs with Scott Caan, tales of yelling at musical theater legend Patti LuPone." Also, it's Choose Your Own Adventure-style, which lets you skip to the stories you want and not feel bad. (It also makes for an interesting listen in audiobook form.) But honestly, choose the full adventure—it's well worth the trip. ($35, Amazon) —Angela Watercutter

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Wax Tailor, Phonovisions Symphonic Orchestra The symphony is boring. But put turntablist Wax Tailor in front of an orchestra and you’ll get magic: the new live album Phonovisions Symphonic Orchestra. It’s a French dude spinning with an orchestra. With a lady jamming on a flute. And it is good. —Matt Simon



Wax Tailor, Phonovisions Symphonic Orchestra The last time I went to the symphony, I fell asleep. I take that back. Every time I go to the symphony I fall asleep. Classical music is great---when you have something else to do while listening to it. Put French turntablist Wax Tailor in front of an orchestra, though, and you’ll get magic. That’s exactly what his new live album Phonovisions Symphonic Orchestra is. A French dude. Spinning in front of an orchestra. With guest rappers and a lady jamming hard on a flute. It’s most excellent. If you’re familiar with Wax Tailor’s work, the new orchestral takes on his loops will be like a bunch of Christmas presents. Except the French don’t celebrate Christmas. Wait, do the French celebrate Christmas? ($11.99 on iTunes, free on Spotify with subscription) —Matt Simon




Serpentfire Tarot Deck

With Frida Kahlo as the Queen of Cups and Elizabeth Taylor as the Empress, this is not your weird aunt's Tarot deck. But it will take you on a psychedelic journey to your inner self---or your outer hipster affectation. —Blanca Myers Josh Valcarcel/WIRED



Serpentfire Tarot Deck

If you've ever doled out change to a fortune-telling bellydancer on the streets of Paris, then you'll appreciate this Tarot deck, if for nothing more than aesthetics: Each of the deck's 78 cards features one of Canadian artist Devany Wolfe's interpretations of the classic deck. Wolfe's beautiful collage cards combine ironic film stills, psychedelic op art, and dayglo, and each could easily stand on its own as a surrealist postcards. The deck is printed on nice, thick clay-coated stock in the standard Tarot size (2.75 x 4.75) for longevity and nice snapback. With Frida Kahlo as the Queen of Cups and Elizabeth Taylor as the Empress, this is not your weird aunt's Tarot deck. But it will take you on a psychedelic journey to your inner self—or your outer hipster affectation. ($75, Etsy)—Blanca Myers

Josh Valcarcel/WIRED



Childish Gambino,STN MTN/Kauai

There's no rapper quite like Childish Gambino (who you might also know as Donald Glover). This newest project is half Gangsta Grillz mixtape, half introspective EP, but all Gambino: clever wordplay, strong vocals, and intelligent storytelling to continue his music adventure. —Tony Vongprachanh



Childish Gambino,STN MTN/Kauai

There's no rapper quite like Childish Gambino (who you might also know as Donald Glover). The moment you assume someone is inching close, he'll switch topics to Whole Foods juice and coding in Python, or name-drop internet celebs like Jack Dorsey and Sergey Brin. This newest project is half Gangsta Grillz mixtape, half introspective EP, but all Gambino: clever wordplay, strong vocals, and intelligent storytelling to continue his music adventure. It's my favorite album of the year barring a late-breaking Beyonce or Rihanna drop---but even then it might be hard to contest the Usher cover of "U Don't Have to Call" or ignant bars in "Move That Dope." (Free, DatPiff) —Tony Vongprachanh




Dear White People

If the title makes you feel uncomfortable, it should. But don’t let that, or any other preconceptions you may have about this film, deter you. This tongue-in-cheek satire builds up stereotypes only to tear them down, challenges the status quo without pretending to know all the answers, and will remain with you long after the credits roll. —Lexi Pandell



Dear White People

If the title makes you feel uncomfortable, it should. But don’t let that, or any other preconceptions you may have about this film, deter you. Yes, writer/director Justin Simien covers issues intended to make you squirm—institutional racism, unconscious bias, and cultural assimilation, among others—and the climax of this satire about four African-American students at an Ivy League school is based on some real-life, astonishingly bad behavior at racially themed college parties. But this also happens to be an incredibly funny, self-aware and entertaining film with nuanced characters and plenty of style. (Think Wes Anderson meets Spike Lee.) It’s no surprise that Simien's film, his first, earned him the Sundance Special Jury Award for Breakthrough Talent. Dear white people (and, really, all people): if you think that race in America isn’t worth considering anymore or that only frat bros are making these mistakes, you need to see this most of all. (Showtimes vary locally —Lexi Pandell




David Mitchell, The Bone Clocks

David Mitchell will break your fucking heart. He'll do it with his prose and his empathy-inducing characters, sure, but his favorite weapon is the section break: the character you've fallen in love with is caught offstage, and you don't see them again until much later, if at all. It's painful. But it's worth it. —Caitlin Roper Josh Valcarcel/WIRED



David Mitchell, The Bone Clocks

This is Mitchell's best novel since Cloud Atlas. It's impossible to put down—if you can pick it up (it's 624 pages). There's a singular thrill to reading Mitchell: you have no idea what will happen, but you can be sure that something will, that the characters you've met will mean something to each other, that there is more going on than you can see at first. The Bone Clocks starts with my favorite Mitchell character yet, a 15-year-old English girl named Holly Sykes. But Holly, like nearly everyone else in the book, is not what she seems. She's both a regular teen runaway and a psychic tuning fork, able to hear voices that those around her can't. But Holly's story is just the beginning. The novel is a metaphysical mandala, tracing individual lives and magical subcultures across decades and into the future. But be warned, as soon as you fall in love with a character, they disappear at the next section break. But if you're lucky, they show up hundreds of pages later…or might reappear in Mitchell's next book. ($30, Amazon) —Caitlin Roper

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Two Dudes Prove How Easy It Is to Hack ATMs for Free Cash


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When a small-time Tennessee restaurateur named Khaled Abdel Fattah was running short of cash he went to an ATM machine. Actually, according to federal prosecutors, he went to a lot of them. Over 18 months, he visited a slew of small kiosk ATMs around Nashville and withdrew a total of more than $400,000 in 20-dollar bills. The only problem: It wasn’t his money.


Now Fattah and an associate named Chris Folad are facing 30 counts of computer fraud and conspiracy, after a Secret Service investigation uncovered evidence that the men had essentially robbed the cash machines using nothing more than the keypad. Using a special button sequence and some insider knowledge, they allegedly reconfigured the ATMs to believe they were dispensing one dollar bills, instead of the twenties actually loaded into the cash trays, according to a federal indictment issued in the case late last month. A withdrawal of $20 thus caused the machine to spit out $400 in cash, for a profit of a $380.


The first $20 came out of one of their own bank accounts. That’s right: They were using their own ATM cards.


“They were little kiosk ATMs, like you would find in a business or a convenience store,” says Greg Mays, assistant special agent in charge of the US Secret Service’s Nashville office. “I believe the businesses noticed there was a problem when the machine was running out of money.”


As charged, the caper is an unusually successful example of a low-tech ATM hack that’s been used for minor pilfering in the past, and a reminder of the security weaknesses that have troubled kiosk ATMs. Vulnerabilities in the most popular machines made by Tranax Technologies and Trident were showcased in a now-legendary “ATM jackpotting” demonstration delivered by security researcher Barnaby Jack at the Black Hat conference in 2010. Jack (who died last year) showed that the Tranax machines could be hacked into and reprogrammed remotely over dial-up, and the Trident ATMs could be physically opened and then reprogrammed through a USB port. The companies responded to Jacks’ research by closing those holes.


But at the street level, criminals have exploited a simpler vulnerability that requires no hacking software or gear: Unlike the machines deployed at brick-and-mortar bank locations, kiosk ATMs could be placed into a privileged “operator mode” simply by pressing a special sequence of buttons on the ATM keypad.


From that mode, you could manipulate a number of variables—one of which sets the denomination of the bills loaded into the machine’s currency cartridges.


A supposedly secret six-digit numeric password protects the Operator Mode, but in the Nashville case, one of the defendants, Fattah, was a former employee of the company that operated the machines, says the Secret Service’s Mays, so he knew the code.


Fattah allegedly recruited his friend Folad into the scheme, and in January 2009 they began visiting the cash machines. First they’d use the code to change the denomination register on the machine, then they’d make their withdrawals, and finally change the configuration back. Repeating the scam all over town, by March 2010 they’d pulled down $400,000 between them—money the government is now hoping to seize.


Contacted by WIRED, Folad referred inquiries to his attorney. “Unfortunately, I am not in a position to discuss anything at the moment,” Folad said in an e-mail. His lawyer also declined to comment. Fattah, who now owns a well-reviewed restaurant in Nashville, didn’t return phone calls about the October 22 indictment.


The government says the men made a few mistakes in the thefts, including being captured on surveillance video while making withdrawals, and, of course, using debit cards issued under their real names.


The amount of money taken in Nashville—$400,000—is unusually high, but plenty of other thieves have pulled the same currency-switching scam with more modest returns, and without Fattah’s inside knowledge. Most don’t make the mistake of using their own debit cards, opting instead to buy a prepaid debit card, the kind anyone can pick up at a Walgreens.


Around 2005, crooks discovered that the default factory-set master passcodes for the Tranax and Trident ATMs were printed right in the service manuals, which were readily available online. Triton’s master passcode was “123456.”


The manuals urged machine owners to immediately change the passcodes from the defaults, but many of the small business owners who favor the inexpensive, pedestal-sized machines never made the change. That led to an uncommon phenomenon in the world of cyber crime: hacking as a street crime. After spreading quietly for at least 18 months, the scheme went viral in 2006 when a man was caught on a surveillance tape looting an ATM at a Virginia gas station. CNN ran the video, and the truth of the default passcodes surfaced.


Both Tranax and Triton promptly tweaked the programming for new ATMs to force operators to change the default passcodes on first use. Machines already deployed, though, were still vulnerable, and reports of more incidents followed. In 2007, a Derry, Pennsylvania, convenience store called Mastrorocco’s Market was hit for $1,540 by an unidentified man in flip flops and shorts. In 2008, two 21-year-old men hit Lobo’s City Mex in Lincoln, Nebraska, for $1,400 in three separate visits–on the fourth, the son of the store owner pulled a gun on them and called the police. In 2010, a North Carolina grocery worker plotted to hit 30 different ATMs while wearing a wig, but his plan was thwarted when an associate turned him in to the FBI. He was sentenced to 37 months.


Currency switching capers appear to be rare now, says David Tente, executive director of the ATM Industry Association, though hard data is difficult to come by. “Nobody likes talking about fraud, especially when it’s against them,” Tente says. “Independent operators and financial institutions are very tight lipped about this sort of thing.”


But there’s some evidence that operator passcodes are still an issue, he notes. Last June, two 14-year-old boys in Winnipeg followed internet instructions to gain operator access to a Bank of Montreal ATM at a grocery store, successfully guessing the six digit master passcode. The boys immediately notified the bank, which changed the code.


Who knows how many ATM hackers have been less scrupulous?



Comcast to Obama: We’ll Play Nice With Net Neutrality…Honestly


Comcast Corporation chairman & CEO Brian Roberts speaks at a Comcast presentation at the Contemporary Jewish Museum in San Francisco, Wednesday, Nov. 12, 2014.

Comcast chairman and CEO Brian Roberts speaks on Wednesday at the Contemporary Jewish Museum in San Francisco. Jeff Chiu/AP



Comcast CEO Brian Roberts may have come to San Francisco to show off a new service designed to make Comcast cable TV look and feel more like the internet. But he knew that the Silicon Valley press corps would be more interested in something else.


“Something like Title II, maybe?” he said, before launching into his extended demo of X1, the internet-based version of cable that Comcast is starting to roll out to US customers. Title II is a once-obscure section of a 1934 law that has become the center of the battle over the future of the internet and that elusive ideal known as net neutrality.


On Monday, the White House released a statement in which President Obama expressed support for reclassifying broadband as a common carrier under Title II, making internet access more like long distance or mobile phone service. In the president’s view, reclassification is what’s needed to ensure net neutrality—an open internet where all traffic is treated equally. But Comcast sees things a little differently.


Roberts believes the debate has been framed in the wrong way. People assume that if you’re for net neutrality, you’re also Title II, he says. But he sees them a very separate things. Comcast believes in net neutrality, but not in Title II, he says, arguing that Title II would slow the expansion of the internet.


For the major broadband providers, the president’s statement was a gauntlet thrown, a direct challenge to their claims that they can be trusted on their own not to demand payment for preferential treatment on their networks. Net neutrality advocates don’t trust them at all, arguing that without strong protections against fast lanes and metered traffic, smaller online players will get pushed aside—and, with them, competition and innovation. Roberts’ and Comcast’s task is to persuade the public otherwise, that the company does support an open internet and doesn’t need to have its broadband service reclassified under Title II to ensure that support.


To make its case, Comcast, the country’s biggest media company, pretty much has just one argument it can make: that the status quo is working out fine. “We’ve had 20 years of a set of rules that have built, I think, this wonderful world that we all enjoy,” Roberts said.


The More Things Change


This is not to say that Comcast doesn’t claim to support any new rules at all. The company says it backs the FCC creating “new, strong Open Internet rules” that include no blocking, throttling, or “paid prioritization” of traffic. But in voicing that support, Comcast isn’t really calling for any kind of change, at least in its own practices, because it says it’s already doing all of those things.


Netflix may disagree, but no one is doubting that a reclassification under Title II would represent a fundamental change in how the government oversees Comcast’s business. And the problem with that change, in Roberts’ view, is that it could curtail the steady expansion of internet infrastructure into which companies like his are investing billions of dollars.


“We want to have those open internet rules. We want them to be enforceable. But we don’t want to discourage investing,” Roberts said. “We can’t find anything that Title II does to encourage investing.”


Uncertain Connections


Roberts didn’t go so far as AT&T CEO Randall Stephenson did on Wednesday. In a statement that responded to the president’s, Stephenson said AT&T was halting its build-out of high-speed internet connections in 100 US cities until the company knew what rules would govern those connections. But Roberts’ message was clear: “uncertainty” under Title II could mean less money spent on better connections.


Instead of courting that risk, the subtext of Roberts’ presentation seemed to be: don’t worry so much. We support an open internet. We’ve got a cool new interface for cable that integrates Twitter and IFTTT. It has voice control, new options for binge-watching, even sophisticated new audio navigation for blind users. Consumers want TV to work more like the Internet, and we listened. You want innovation? Here it is.


More change than that, it seems, is not the kind Comcast can believe in.



Amazon Embraces Docker, Following Google and Microsoft’s Lead


The next big thing in cloud computing just found a prime spot on the world’s largest cloud computing company.


On Thursday, Amazon announced a new cloud service that helps software developers and businesses build and operate their online applications using Docker, a technology that aims to make online software significantly more efficient.


Microsoft is getting behind Docker in a big way, even promising to offer something similar in the next version of Windows. Google just rolled out a cloud service that seeks to facilitate the use of Docker. And now, at its annual cloud computing conference in Las Vegas, Amazon has announced a similar tool called the EC2 Container Service.


You can think of Docker as a shipping container for software running on the internet. These containers make it easier to move software from machine to machine and run it more efficiently on each one. This is vitally important in an age when online software runs across tens, hundreds, or even thousands of machines.


Every major cloud computing company—from newcomers like Digital Ocean to old school providers like Rackspace and Joyent—is now embracing Docker. Amazon has long allowed developers to run Docker containers on its primary cloud computing service, EC2, a means of running software without setting up your own computer servers. But the new EC2 Container Service represents an even deeper commitment to the technology.


Containers are a bit like virtual machines in that they make it possible to bundle up several different pieces of software and run them on a single server without them interfering with each other. But unlike a traditional virtual machine created with tools from companies like VMware, a Docker container doesn’t require its own operating system. That means you can pack far more containers onto a single server than you could virtual machines.


The trouble, Amazon Web Services CTO Warner Vergels explained at the conference, is that it’s still hard to manage large numbers of containers. Figuring out how to pack all all these containers on each server in order to make the best use of that server’s resources can be a bit like playing Tetris. The EC2 Container Service aims to ease that burden by automatically optimizing the placement of each container.


One of the most important aspect of the service is the ability to easily deploy containers across all of Amazon’s various data centers, says Docker’s senior vice president of product Scott Johnson. Amazon allows customers to select from different several geographically separated server farms—called “availability zones.”


Customers can run applications in more than one availability zone so that if one zone goes down the application will stay up. The new container service will make it far easier to create this sort of resilient architecture.


The big thing still missing is, however, is a way to manage containers across different cloud providers. Amazon’s new service is similar to Google’s open source Kubernetes, which is the foundation of its Docker service, known as Google Container Engine, or Mesos, an open source clone of Google’s internal technologies used at companies like Twitter. But it will only work on Amazon’s own servers.


You can use the same Docker container on Amazon that you use on Google’s cloud service, Johnson explains. But although the containers themselves don’t vary, the tools themselves do. Johnson says that Docker has a plan to deal with this that will be announced next month.



Amazon Resolves Dispute With Top-Five Publisher Hachette Over Book Sales


Amazon Kindle. Photo: Josh Valcarcel/WIRED

Amazon Kindle. Photo: Josh Valcarcel/WIRED



Amazon and Hachette—one of the country’s top five book publishers—have resolved their long and bitter battle over book pricing on the internet, and the deal appears to be a big win for authors as well as publishers at a time when the internet is driving down the price of books.


Hachette says it can now set the prices on the ebooks it publishes on Amazon—something that Amazon, one of the biggest and most influential book sellers on the net, had sought to block in the past. “The new agreement will benefit Hachette authors for years to come,” Hachette CEO Michael Pietsch said in a statement. “It gives Hachette enormous marketing capability with one of our most important bookselling partners.”


On Thursday morning, Amazon and Hachette announced that they have reached a new multi-year agreement for both ebook and print book sales. The two companies did not disclose the details of the deal, but both sides say they are amenable to the terms. The new ebook terms will go into effect early next year. Amazon, which had stopped selling some of Hachette’s titles and forcibly delayed the delivery of others, will reinstate the book publisher’s entire catalog.


Amazon controls around 50 percent—or more—of all U.S. book sales according to estimates. Though it didn’t create the first e-reader on the market, it was also a major player to build the ebook business in the U.S. after its hugely successful launch of the first Kindle back in 2007. But after the launch of Apple’s iBooks, with support from five of the world’s six largest publishers, Amazon’s market share took a dive.


“We are pleased with this new agreement,” reads a statement from Amazon in the wake the Hachette deal. “It includes specific financial incentives for Hachette to deliver lower prices, which we believe will be a great win for readers and authors alike.”



Comcast Wants the President to Know That Net Neutrality Is Doing Just Fine


Comcast Corporation chairman & CEO Brian Roberts speaks at a Comcast presentation at the Contemporary Jewish Museum in San Francisco, Wednesday, Nov. 12, 2014.

Comcast chairman and CEO Brian Roberts speaks on Wednesday at the Contemporary Jewish Museum in San Francisco. Jeff Chiu/AP



Comcast CEO Brian Roberts may have come to San Francisco to show off a new service designed to make Comcast cable TV look and feel more like the internet. But he knew that the Silicon Valley press corps would be more interested in something else.


“Something like Title II, maybe?” he said, before launching into his extended demo of X1, the internet-based version of cable that Comcast is starting to roll out to US customers. Title II is a once-obscure section of a 1934 law that has become the center of the battle over the future of the internet and that elusive ideal known as net neutrality.


On Monday, the White House released a statement in which President Obama expressed support for reclassifying broadband as a common carrier under Title II, making internet access more like long distance or mobile phone service. In the president’s view, reclassification is what’s needed to ensure net neutrality—an open internet where all traffic is treated equally. But Comcast sees things a little differently.


Roberts believes the debate has been framed in the wrong way. People assume that if you’re for net neutrality, you’re also Title II, he says. But he sees them a very separate things. Comcast believes in net neutrality, but not in Title II, he says, arguing that Title II would slow the expansion of the internet.


For the major broadband providers, the president’s statement was a gauntlet thrown, a direct challenge to their claims that they can be trusted on their own not to demand payment for preferential treatment on their networks. Net neutrality advocates don’t trust them at all, arguing that without strong protections against fast lanes and metered traffic, smaller online players will get pushed aside—and, with them, competition and innovation. Roberts’ and Comcast’s task is to persuade the public otherwise, that the company does support an open internet and doesn’t need to have its broadband service reclassified under Title II to ensure that support.


To make its case, Comcast, the country’s biggest media company, pretty much has just one argument it can make: that the status quo is working out fine. “We’ve had 20 years of a set of rules that have built, I think, this wonderful world that we all enjoy,” Roberts said.


The More Things Change


This is not to say that Comcast doesn’t claim to support any new rules at all. The company says it backs the FCC creating “new, strong Open Internet rules” that include no blocking, throttling, or “paid prioritization” of traffic. But in voicing that support, Comcast isn’t really calling for any kind of change, at least in its own practices, because it says it’s already doing all of those things.


Netflix may disagree, but no one is doubting that a reclassification under Title II would represent a fundamental change in how the government oversees Comcast’s business. And the problem with that change, in Roberts’ view, is that it could curtail the steady expansion of internet infrastructure into which companies like his are investing billions of dollars.


“We want to have those open internet rules. We want them to be enforceable. But we don’t want to discourage investing,” Roberts said. “We can’t find anything that Title II does to encourage investing.”


Uncertain Connections


Roberts didn’t go so far as AT&T CEO Randall Stephenson did on Wednesday. In a statement that responded to the president’s, Stephenson said AT&T was halting its build-out of high-speed internet connections in 100 US cities until the company knew what rules would govern those connections. But Roberts’ message was clear: “uncertainty” under Title II could mean less money spent on better connections.


Instead of courting that risk, the subtext of Roberts’ presentation seemed to be: don’t worry so much. We support an open internet. We’ve got a cool new interface for cable that integrates Twitter and IFTTT. It has voice control, new options for binge-watching, even sophisticated new audio navigation for blind users. Consumers want TV to work more like the Internet, and we listened. You want innovation? Here it is.


More change than that, it seems, is not the kind Comcast can believe in.