Powers Turns a Great Comic Into a Lackluster TV Show


These days, it feels you can’t throw a Tesseract without hitting a superhero television show. But Powers, the latest entry in the capes-and-tights genre, isn’t on network TV or cable or even Netflix; it’s the first original show for Sony’s PlayStation Network. It is a big leap forward into original programming for the burgeoning network—and, sadly, also a big misstep.


Based on the much-loved indie comic book series by Brian Michael Bendis and artist Michael Avon Oeming, Powers is primarily the story of Christian Walker (Sharlto Copley), a square-jawed detective beating the streets in a city where the skies are filled with demigods. But there’s also more to Detective Walker than meets the eye; as we soon learn, he doesn’t just police superheroes—he used to be one. Before a tragic and somewhat vague accident claimed his power, he was a nigh-invincible hero named Diamond. It’s a tragic backstory that places him at the fulcrum of the two worlds, allowing him to explore the dark side of both the streets and skies with equal ease.


But while Powers’ comic book precursor was boundary-pushing, its TV counterpart has softened its edges and failed to keep pace with the scores of superhero shows that have come since its debut. Time has not necessarily been kind to Powers—and it shows.


When the comic book series first hit the stands in 2000, its savvy, street-level take on superhero tropes felt like a revelation. It offered not only a fresh, mature-readers-wanted twist on the spandex genre but also a delicious satire of celebrity culture, imagining a world where the heroes flying through the sky suffered all the accompanying drug addictions, pettiness, and sexual misconduct that so often accompany fame. Long before Gotham—and its comic book predecessor, Gotham CentralPowers took the primary-colored world of superheroes and brought it down to earth with a noir police procedural whose clever, rapid-fire dialogue could give Joss Whedon a run for his money.


In the decade since its comic shop debut, however, these sorts of riffs have become de rigeur even in the mainstream comics they originally chopped and screwed—including the comics that Bendis himself went on to write, as he rose from indie darling to a key architect of the modern Marvel Comics superhero universe.


The rise of social media has turned modern-day celebrity culture into what already feels like a super-charged version of its former self, and Powers struggles to catch up to the bleeding edge of celebrity BS, mustering little more than Inside Edition ripoffs and superhero news apps.


Worse, the sharp, rapid-fire dialogue and crackling odd-couple chemistry that still make the Powers comics feel special are almost entirely absent in the pilot (watch it above in full), whittled down to gentle edges that feel indistinguishable from any other superhero show.


Part of the appeal of the square-jawed, brooding Detective Walker was the sense that a fallen demigod always lurked beyond the badge, as though the clothes of his human life were always a little bit too small. Perhaps the worst indictment of Copley as Walker is that he fits into the shoes of his beat cop persona so seamlessly, feeling every bit like Just Another Guy with little gravitas that isn’t generated by his omnipresent aviator shades.


PowersComic Marvel/Icon

By far the most interesting thing about the show is the way it differs from the comics, especially around its female characters. Although Walker’s first partner, Deena Pilgrim, is a wiry white woman with a blond pixie cut, the Deena we meet on the small screen is black, played by Susan Heyward of The Following fame. Although Walker ends up paired with a black, female partner later in the comic book series, the character we see on the screen isn’t an amalgam of the two, but rather the product of race-blind casting.


But the most dramatic character shift surely belongs to Retro Girl. In the comics, we never actually meet the red-caped heroine. Because she’s dead. (Think of her as the Laura Palmer of the comic series, a magnetic, much-loved teenage girl whose death hangs over the first story arc like a beatific specter.) In the television series, however, Retro Girl is not only very much alive, she’s evolved from a teen into a 40-something woman, played by Michelle Forbes, the superb actress best known for playing Ensign Ro on Star Trek: The Next Generation and Commander Cain in the reimagined Battlestar Galactica.


In her hands, Retro Girl promises to be a powerful presence rather than a negative space—not to mention the rare instance of a mature female hero—and perhaps the one light that cuts through the pervasive feeling that you’ve seen all of this before, and better.


Retro Girl’s appearance in the land of the living also teases the sort of narrative deviation that we’ve seen on comic book adaptations like AMC’s The Walking Dead, where startling shifts from the established story can add unexpected layers to familiar characters that surprise and please even devoted fans.


At first glance, however, Powers suffers not only from a failure to translate its best qualities to the small screen but also a failure to innovate on them, especially as the ever-widening world of superhero television has flourished by doing exactly that. It’s not as comfortably familiar as the slow-burning Agents of S.H.I.E.L.D., not as entertaining as The Flash, and not as progressive as the whip-smart Agent Carter. So what is it? Um, dunno.


If Powers aims to escape the long shadow created by the successors to its own source material, it had best start solving that mystery. Fast.



Food in Fukushima is Safe, but Fear Remains

A prospective buyer inspects the quality of fresh tuna before the first auction of the year at Tsukiji fish market in Tokyo, Jan. 5, 2015. A prospective buyer inspects the quality of fresh tuna before the first auction of the year at Tsukiji fish market in Tokyo, Jan. 5, 2015. Eugene Hoshiko/AP



Sae Ochi should know better, and she knows she should know better. As the director of internal medicine at Soma Central Hospital, just 30 miles from the Fukushima-Daiichi nuclear power plant that melted down after a tsunami in 2011, part of her job is to monitor local radiation exposure levels. She has screened thousands of people, and only a few showed levels high enough for her most sensitive instruments to detect. She eats locally grown food sold at the supermarket and even the occasional wild berry, which probably does contain a bit of radiation. “When I go hiking, I will eat a berry or two, because it’s only a tiny amount and it looks so delicious,” Ochi says. But then she adds a caveat: “That’s because I have no children.” If Ochi were a parent, she says, she wouldn’t do it—even though she knows local radiation levels are negligible. “All mothers,” she says, “try to take zero risks.”


Researchers have accumulated and analyzed reams of data about food from Fukushima and the Pacific Ocean. A protective system stopped even potentially contaminated food from getting to the public. Extensive decontamination, monitoring, and regulations have made food from around Fukushima perfectly safe. Yet fear persists.


Between 2011 and 2014, an ambitious government program checked the radiation levels of nearly every kind of food produced in Fukushima. The program sampled milk at dairy centers once every two weeks, and tested fruits, vegetables, and tea leaves at their farms of origin, three days before they were scheduled to ship. In total, the program took nearly 900,000 samples. “When I saw this number, I was stunned,” says Georg Steinhauser, a chemist at Colorado State University. “This hasn’t been done in the history of mankind.” Steinhauser was the first researcher to dive into the mounds of data to try to figure out how radiation levels changed over time. His team focused on one leading indicator: cesium 137, one of the longest-lived radioactive byproducts of a meltdown. They dug into nearly 140,000 samples from the first year of the monitoring program.


For the vast majority of the samples, radiation levels were below Japan’s limits, the strictest in the world. The government’s standards limited radiation levels in food to just one-sixth the levels permissible in food imported to Europe, for example—and to just 1/100,000 the levels produced by naturally occurring radioactive isotopes in a human being. Steinhauser’s team found that just a year after the Fukushima meltdown, radiation in only 3.3 percent of the food exceeded Japan’s limits. The numbers rose to 4.0 percent in the second year, but eventually dropped to 0.6 percent by the end of August 2014. The food, it appears, is getting safer over time. Virtually no item above Japan’s limit—no piece of fruit, meat, or anything else—got into any supermarket.


After the Fukushima meltdown, government teams stripped the outer bark off of trees in the area, and removed the top several inches of soil. That kind of decontamination is specifically aimed at cesium, which falls out of the air like dust. “It’s transported by wind and clouds,” says Kathy Higley, a radioecologist at Oregon State University who studies decontamination. “Then it washes out, or it contacts and sticks to surfaces.” If it falls on plants that animals then eat, the animals get contaminated, too. But it turns out that cesium actually has a tough time getting into plants. They absorb it because chemically cesium looks a lot like the essential nutrient potassium, but Fukushima soil is already potassium-rich—and fertilized with even more. So the crops tended to take up the nutrient instead of the radioactive imposter. And cesium-137 tended to stick to the clay in the soil, too.


Of course, that’s just food produced in Fukushima. Some radiation did get into the ocean, and researchers detected radiation in fish along the coasts of Oregon and Washington—but in negligible amounts. “The fact that you can see it doesn’t mean that it’s a hazard,” says Delvan Neville, a graduate student at Oregon State University who studies radiation levels in albacore tuna. The enormous size of the Pacific dilutes radioactive isotopes until they’re harmless. In fact, only one percent of the radioactivity in the ocean comes from Fukushima, Steinhauser says. The rest? Cold War-era nuclear weapons tests. “Fukushima has not made a big impact on overall radioactivity, believe it or not,” he says.


The problem is, a lot of people still don’t believe it. “People are really afraid that the Pacific is so contaminated that you can’t eat any fish anymore,” Steinhauser says. “It’s not true, and I find it very difficult. This is one of the biggest challenges in my work.”


Even the converted feel torn. Ochi, for example, knows it’s important to dispel irrational fears, yet she sympathizes with the fearful. “Maybe there is nothing that is perfectly correct or perfectly wrong,” she says. “The most important thing is not to blame people who make a different decision.” But when those decisions are clearly wrong, such as extreme cases in which mothers feed their children McDonald’s because they think it’s safer, her rational side emerges. “Some people try too hard to avoid radiation, and bring in other health risks,” she says. It’s a tug-of-war between fear and science, a conflict that remains a challenge in Fukushima.



Hacked Fridges Aren’t the Internet of Things’ Biggest Worry


As we start to connect more and more of the things in our lives to the web—from our cars to our to thermostats to our barbecue grills—it’s hard not to worry about those things being hacked. No one wants their toaster to become a spambot, after all.


But Ken Westin, a security analyst at the software company TripWire says it’s not the things in the Internet of Things that we should worry about. It’s those cloud servers with vast databases of personal information gathered from all those connected devices. “It’s kind of sexy to talk about hacking a refrigerator, or about how our watches are going to be hacked,” he says. “But if you look at hacking, it’s a business. There needs to be an return on investment.”


Ken Westin. Ken Westin. courtesy Ken Westin

And in the business of hacking, it’s not the device that’s valuable. It’s the data they generate. Not that individual devices aren’t a problem. They’re notoriously hard to secure, and can be trivially easy to compromise because so many people fail to change the default user names and passwords. But they don’t tend to contain a ton of data—at least not compared to the servers with which they communicate.


The biggest return on a cybercriminal’s investment, then, isn’t in hacking some rando’s toaster, it’s in grabbing data from thousands of users at a time by hacking servers. Consider the seemingly never ending string of high profile hacks, from Home Depot to Target to, of course, Sony. Each of these incidents spilled user names, credit card details, or other information onto the web. And that’s just the beginning.


Your Data Self-Portrait


We’re putting ever greater amounts of data into the cloud. Nest knows which rooms in your house you spend the time in, and when. Smart appliances transmit our voice commands to their manufacturers. Car insurance companies deploy tracking devices to gauge driver safety. Fitness trackers know our heart rates and how many steps we take each day. The photos we upload to Instagram may include geographic coordinates. In addition to the information we deliberately post to Twitter and Facebook, social networks could log other information, such as how often we log in and what times we generally post.


Individually, it might not seem like much of this data would be problematic if it were leaked. But as it starts to be combined in new ways, this data in wrong hands could come back to haunt us, perhaps even years later.


“As we interact with our devices there’s this trail of digital exhaust that we leave behind,” he says. “Once you combine this data and create very rich profiles of people, I worry that it’s going to be the death of privacy.”


And those profiles become even richer when our homes themselves are conveying intimate, constant data about our minute-to-minute actions in our own homes.


Follow the Data Trail


Westin knows how damning these data trails can be. He used to use them to put people in jail back when he ran GadgetTrak, a company that helped victims recover stolen devices like digital cameras, laptops, and smart phones. The key was following all the different digital bread crumbs users leave behind without even realizing it. “One piece of data is great, it gets us in the ballpark,” he says. “But there’s always additional information from every interaction we make.”


For example, he was once able to trace a stolen USB device to a college computer lab. That wasn’t enough to find the culprit, but the school required a student ID card to enter the lab, and kept logs of who had used it. With that data, along and surveillance footage from the college’s security footage, Westin and company were able to pinpoint the thief.


Now Westin worries that the same techniques that he used to catch criminals could also be used by criminals to spy on, well, just about anyone.


Only What’s Needed


It’s hard to say exactly how our data might be misused in the future, and it will likely vary from person to person. Westin says the worst case scenario might be espionage: countries hacking Internet of Things servers to get dirt on political officials. But for most of us, the risks will likely be the possibility of mildly to severely embarrassing information finding its way into the wrong hands.


Today hackers often sell databases full of stolen credit card numbers, social security numbers and passwords. In the future, these databases could include even more personal information gathered from sensors and connected devices. A stalker, or someone with a grudge against you, could go to these marketplaces, find your personal info, and buy it. Or the hackers could try to sell your data back to you for a fee.


Westin says the most important thing that companies can do to help protect their customers is to stop gathering data that isn’t necessary for the operation of the service. Beyond that, they can encrypt the data they do collect — preferably in ways that only the customers themselves can decrypt. New laws regulating what information can be collected, and how it can be stored, may also help.


What We Can Do


Individuals, meanwhile, should think about what types of data they’re producing, and where that data is ending up, and when possible, choose products and services that don’t collect information or that have clear policies and guidelines on how that information is stored and protected. This could be tough, however, with so many makers of connected devices eager to suck up valuable data on their customers.


Despite his concerns, Westin is actually pretty optimistic about the future. Yes, there’s been a rash of bad news for privacy in recent years, ranging form the Snowden revelations to Lenovo shipping adware by default on its laptops. But those incidents are bringing more awareness to the issues.


“We’re becoming more privacy conscious,” he says. “That’s the silver lining. It’s all moving in the right direction.”



The Juggernaut: A Giant Growler That’s Also a Tiny Keg

The DrinkTanks 128 oz Juggernaut features a new, patent-pending Kegulator cap. The DrinkTanks 128 oz Juggernaut features a new, patent-pending Kegulator cap. DrinkTanks



DrinkTanks calls its new one-gallon pressurized receptacle a growler. And while the Juggernaut is technically just that—you can fill it with beer and stash it in the fridge, or carry it on the go—it’s more useful to think of the 128-ounce behemoth as your own personal, portable keg.


While most growlers feature a standard screw-on cap, the Juggernaut employs a “Kegulator” topper, comprising a regulator, integrated CO2, a tap system, a purge valve, and a pressure gauge. In other words, it’s got all the makings of a proper keg in miniature form, so you can keep your beer fresh until you’re ready to pour.


The Kegulator cap makes life easier for growler guzzlers, but it’s an even handier tool for homebrewers who prefer to work with small, one-gallon batches.


Most traditional kegging systems are designed for batches that are 5 gallons and up, and while you can find alternatives on the smaller side (typically 2.5-3 gallons), they’re expensive, take up valuable fridge space, and present headspace problems for your brew if you neglect to properly purge the excess oxygen in the keg.


The Juggernaut, however, is a bit better fit for one-gallon wonders. It’s self-contained, much more fridge-friendly, and it makes force carbonation a snap: just turn the valve to achieve the desired psi (0-40) and leave the Juggernaut to it. Crucially, this also saves you the fuss of having to wash, sanitize, prime, pour, and cap 8-12 bottles just to carbonate and preserve your brew. It all happens inside the Juggernaut.


The entire system—growler, Kegulator, and all—costs $119. That’s not a bad price for a self-contained small batch kegging system, and its parts are easily swapped or replaced, so if something breaks you likely won’t be out the expense of a whole new Juggernaut unless you’re looking to double your fun.


Take the Juggernaut with you when you camping, hiking, or picnicking. Just swap the Kegulator cap for the standard transport cap. Take the Juggernaut with you when you camping, hiking, or picnicking. Just swap the Kegulator cap for the standard transport cap. DrinkTanks

Because no one likes a warm beer, the Juggernaut is also double-wall vacuum insulated. That means cold beverages will remain cold in—sans refrigeration—for up to 24 hours, and hot beverages stay hot up to 12 hours, making it a useful camping buddy. It’s also dishwasher safe, so when you get back, toss it in with the flatware and take a nap.


DrinkTanks first cropped up in 2013, when it brought us a 64 oz “classic” growler—a smaller version of the Juggernaut, sporting a less sophisticated Keg Cap—with the help of a crowdfunding campaign. It’s using Kickstarter again to launch Juggernaut.


A company called GrowlerWerks wrapped a wildly successful Kickstarter campaign in December for its uKeg—a similar 128 oz growler with a regulator, pressure gauge, and tap—but Juggernaut offers a few additional features at a slightly lower price.


The uKeg is $10 more and unlike its DrinkTanks counterpart, its external regulator and tap components can’t be removed for cleaning, sanitizing, or hauling. The Juggernaut also has a standard cap that can be swapped with the Kegulator cap for rough-and-tumble transport.


Standalone topper options like GrowlTap are also on the market if you like the idea of having beer on tap from your growler, but prefer using your own growlers or think that an entire kegging system is overkill.


If nothing else, innovations like the Juggernaut are a welcome reminder that there’s just no excuse anymore for drinking flat beer. And cheers to that.



Here’s How the US Should Fight ISIS With Social Media

Men paint over a graffiti of Ian ISIS flag on the wall in Surakarta, Indonesia, August 5, 2014 . Men paint over a graffiti of an ISIS flag on the wall in Surakarta, Indonesia, August 5, 2014. Agoes Rudianto/Barcroft Media /Landov



The Islamic State wants to rule the world. It murders enemies—sometimes in mass, sometimes individually, always brutally. It enslaves and abuses women. It jails everyday joes for smoking, drinking, trading, or speaking their minds. It is a brutal, dead-end regime cloaked in a perverted medieval understanding of one of the world’s great religious faiths.


But one of the scariest things, Westerners seem to agree, is that ISIS is really good at Twitter.



Adam Weinstein


About


Adam Weinstein runs the Fortress America blog at Gawker dot com. A former social media editor and military public affairs consultant in Iraq, he wrote his master’s thesis on winning hearts and minds in the war on terror. It was completely wrong.




The U.S. diplomatic corps is fully engaged in a battle to beat ISIS in the electronic talkosphere. But what does that mean, exactly?


So far, the government’s social media campaign against ISIS has been, like most governmental campaigns, long on bureaucracy and short on details. The State Department’s chief of “public diplomacy,” former Time managing editor Rick Stengel, oversees a Center for Strategic Counterterrorism Communications, whose portfolio includes social media culture-jamming. Its tasks include “creating communities of interest, supporting positive voices, narrowing the space violent extremists have to work in, repeatedly and aggressively presenting the reality of what is going on on the ground,” according to former CSCC head Alberto Fernandez.


How that happens is fairly opaque. Part of that is because of government inside baseball–intrigues on who should run the State Department’s anti-ISIS team, and how tightly it should coordinate with other agencies. But there are deeper structural problems with the whole endeavor, too. My experience in wartime military social media is: There are a multitude of ways to screw it up, and not many ways to get a positive result.


With that in mind, here are a few strategies the U.S. can use to combat ISIS. Like any strategy in counterinsurgency, none is a panacea, but all have advantages worth considering. Some of these the government is already doing, though I have some notes for how to improve their reach. Others are my own humble suggestions. Take ‘em or leave ‘em.


Play Some Mood Music


The first and most obvious strategy is to use social media the way a government agency or corporation uses any other PR tool: To tell a coherent story about yourself and your competitors. This the government is attempting to do.


“More important than ideologies and ideas are how those elements are packaged, delivered and digested for wider audiences,” Fernandez says. “More than fully formed ideologies, we are all prodded and driven by narratives – by stories, images, slogans, memes, and stereotypes.”


This means performing some typical Twitter feats—fact-checking and #realkeeping when dullards spout detestable dumbness. Beyond that, it also means humanizing Americans and their allies, as well as the victims of ISIS aggression. “Given some of the language you sometimes hear from lone wolf attacks in the West or al-Qaeda propaganda videos,” Fernandez says, “you would be shocked to know that 85 percent of their victims are Muslims and that that percentage has risen even higher in the past few years.”


One achievable goal, then, is “to reclaim the stories and lives of these forgotten victims” and articulate the damage ISIS actually does, including to its own adherents. It also means retweeting emotionally resonant messages like this:


How much does this approach accomplish? Very little among jihadis, who will easily counter that Western policies are just as responsible for death and mayhem. And it does nothing to dispel overly simplistic accounts of the ISIS-U.S. struggle as a “clash of civilizations.” But it has fewer drawbacks than more targeted, aggressive strategies–unless, of course, it deteriorates into bombastic propaganda and scaremongering stereotypes.


Target Specific Users With Smarm


One way the State Department uses its mood music is to blast it out at individuals who toe the jihadi line. Its “Think Again, Turn Away” program aims to deter them from joining the global jihad by pointing out its costs and the hypocrisy of its leaders.


How effective are these tweets and videos? Good damn question. “If you’re talking about would-be extremists reading a tweet and turning away from violence as a result, it’s hard to tell how much that is happening,” CSCC official Will McCants told Mother Jones early last year, before leaving for the Brookings Institution. “So if you measure success that way, it’s hard to know.”


One recent study says such campaigns are dismissed as disingenuous “spin” by target audiences and “generate more negativity” toward the U.S. and its social media operators. And when a campaign goes bad, brother, it goes comically bad. The State Department became the butt of multiple jokes in 2013 after releasing a bizarre YouTube video spoofing Al Qaeda leader Ayman Al-Zawahiri. As the Daily Dot observed: “Dying is easy. Comedy is hard.”


There’s another dilemma that complicates this sort of campaign: If you’re trying to sincerely engage young Muslim populations to dissuade them from supporting ISIS, your conversation needs to meet them on their level to be credible, and that kind of a conversation would likely outrage conservative-leaning US citizens—creeping sharia and all that. To be able to articulate how murder and torture are un-Islamic, you have to be conversant in Islamic jurisprudence and cultures, and to also exercise a degree of empathy with your subject. Doing that without pandering, or appearing to pander, to terror is a tall order in the American political atmosphere.


For example, Fernandez’ successor to run the CSCC is a Muslim American who was immediately accused by right-wing loons of being too cozy with the dreaded Muslim Brotherhood. Great point, Breitbart! Perhaps you’d prefer if U.S. digital outreach to the Muslim world was run by your crazy uncle with the Benghazi theories and a sticker affixed to his Dodge pickup window of Calvin pissing on Bin Laden and Obama.


Of course, that’s not how this sort of information operation works. This is classic counter-intelligence stuff here. Exactly what is needed is someone who can communicate comfortably with would-be extremists with cultural sensitivity and knowledge. You don’t win hearts and minds by telling your subject he’s wrong and immoral. You get build trust through credibility.


Turn the Trolling Up to 11


In for a penny, in for a pound. Take it for granted that they’re wrong, and everyone knows it. Then annoy the hell out of them with withering wit for being wrong.


One classic example of the hard troll is hashtag hijacking, as when an Al Qaeda Twitter account used a specific hashtag in 2013 to solicit ideas for new terror attacks… and ended up with a lot of facetious responses. (In that case, it wasn’t the U.S. government that ruined that hashtag campaign–it was regular twitter users. But the government could easily follow that lead.)


In another good case, opponents of ISIS in their Syrian stronghold, Raqqa, taunted trash-talking foreign jihadis for shopping instead of, you know, doing jihad:


This kind of trolling is psychically satisfying, and it rallies your own supporters, and who knows? Maybe it annoys jihadis to the point of backing off. Anyone who’s ever been trolled knows how hard it is to use Twitter for about 36 hours afterward.


At its best, trolling could theoretically accomplish something more. Movements with high ambitions lose momentum when those ambitions go unfulfilled. As Graeme Wood recently argued in The Atlantic, the Islamic State has mighty ambitions that require it not just to hold territory, but to expand its reach. Which means that pointing out its recent entrenchment and other failures might actually raise some tough questions in jihadis’ minds: Come on, al-Baghdadi, when’s it gonna be our time? It potentially sows doubts in ISIS sympathizers’ minds that ISIS really has the divine mandate it claims.


Court Some Proxies to Do Your Work for You


Probably the most effective and most troubling government strategy is to get NGOs, grassroots groups, and individual influencers to do your messaging for you.


This can work for obvious reasons: Bad guys and their sympathizers don’t care what the US government wants them to do, but they can be influenced by peers or cultural in-groups. “People who are attracted to [jihadism] don’t go to the government for their guidance on what to do,” Nicholas Rasmussen, the director of the National Counterterrorism Center, told the Senate Intelligence Committee in early February.


There are plenty of passionate social media users who bravely resist ISIS’s brand of governance and religion. Those embarrassing tweets above from the streets of Raqqa? They’re from activists from “Raqqa Is Being Slaughtered Silently,” a group of anti-ISIS, anti-Assad locals operating in the city to undermine terrorists’ hold on the place.


For his part, Stengel, the undersecretary of state, is ready to leverage them. He thinks efforts like that have literally stopped some young people from joining ISIS. “They’re reading the messages, they’re hearing the messages—not just from us but from the hundreds of Islamic clerics who have said that this is a perversion of Islam, from the hundreds of Islamic scholars who have said the same thing,” he told CNN–though he didn’t cite any specific evidence.


It’s unclear to what extent the US is currently coordinating or running efforts by NGOs, clerics, and everyday individuals, but doing so carries huge risks for everyone involved. It co-opts the messengers, potentially endangers them, and gives audiences more reason to suspect the anti-ISIS messages they receive are nothing more than clunky propaganda.


Gather Intelligence


Most good social media editors know their job isn’t just to push out content; it’s also to see what’s going on “out there.” When you’re tracking jihadis and their fans on teh internetz, that task becomes all-important—listening and watching are probably more critical skills than talking back.


“If every single ISIS supporter disappeared from Twitter tomorrow, it would represent a staggering loss of intelligence—assuming that intelligence is in fact being mined effectively by someone somewhere,” terrorism experts J.M. Berger and Jonathon Morgan wrote in a new Brookings report published this month.


Berger and Morgon estimate there are some 50,000 ISIS members or sympathizers on Twitter, many of them still pushing out geotagged photos and texts–even though the jihadi group has ordered its members to be smarter than that. And some agencies and contractors are already hoovering up this data for analysis and recommendations.


Interestingly, “the most valuable intelligence tends to emanate from the least obvious vectors, such as accounts with very small numbers of followers,” the authors write. “The most active and visible accounts contain more noise, and their content is more carefully stage-managed by ISIS and its adherents.”


Get jihadi Recruiters’ and Rabblerousers’ Accounts Suspended


“ISIS supporters themselves… characterized the effects of the suspensions as ‘devastating’ in strategy documents, and repeatedly emphasized the importance of creating new accounts,” Berger and Morgon write, adding that hashtag mentions of the group have dwindled from 40,000 a day in September 2014 to 5,000 last month–a result of efforts by Twitter staff in San Francisco to disrupt the group’s communications.


This is alarming to many free-speech activists, who fear a government-corporate alliance of speech police could have a broader chilling effect on unpopular sentiments. It’s true: the ground for an overreaction and an excessively censorious culture is fertile. But it’s not an either-or proposition, Berger says, insisting that “we can enforce some controls over terrorism online without knocking everyone off.” He adds that there’s little truth to claims that suspending some “terrorist accounts” loses analysts valuable intelligence. But it sure cuts down on horrible execution videos.


Ultimately: Do as Little as Possible


This is arguably my most radical suggestion for how the US can combat ISIS online: it should do nothing. Or at least, not much, beyond intelligence-gathering and occasionally lobbying social media companies to suspend especially odious mujahids.


Why?


Doing nothing in particular has multiple advantages. First, it plays to a government agency’s strengths. But most importantly, it doesn’t inflate the enemy’s importance.


Most of the U.S. government’s engagement with jihadis violates a key social media rule for influential users: Punch up, not down. Getting into a Twitter fight, for example, with an egg-avatar knucklehead who has three followers mostly just gives him a bigger platform than he could ever have alone–and makes him look to others as if he’s worth your time.


This principle is clearer when you consider how we in the media have covered ISIS’ social media chops, expanding the group’s clout by lavishing attention on it. Many a trend story was written over an idle, probably meaningless threat promulgated by some three-follower stand-in for ISIS on Twitter. “Most mainstream media reaches a far larger audience than any IS social media account,” Berger wrote last year in a broadly shared admonition to journalists covering ISIS’s social media. “Consider whether you are taking a nobody and making him or her a somebody.”


He cites the lesson of Inspire, the laughably stupid English-language Al Qaeda magazine that began catching major headlines as soon as it was published, with features like “Build a Bomb in the Kitchen of Your Mom” and an article on turning your pickup truck into a sword-twirling tractor of death to plow crowds with.


It might have fizzled, if everyone had ignored it. Instead, the media had a freakout, wringing its hands over impossible scenarios dreamed up by chickenhawking islamists. “Inspire would never have reached so many people as it did if not for the constant and overwhelming inflation of its value in the Western media, an inflation that was often based on inaccurate information,” Berger says. “And Inspire lapped up that coverage like a thirsty kitten.”


Likewise with ISIS, whose prominence–and whose alleged social media prowess–have been fueled by the ceaseless media attention, a feedback loop that expands the Islamic State’s “brand” and reach.


Most of this plays right into ISIS’ hands. It doesn’t mind government accounts tweeting out stories about its brutality; it counts on it. “In fact, the Islamic State’s media strategy, through its online social media posts and publications, highlights the group’s intention to scare all its enemies,” writes Al-Monitor’s Ali Hashem. He’s totally right: Some enemies will be scared into submission, and some–like the U.S.–will be scared into overreacting, online and on the ground. Sometimes, the best strategic advice is the counsel of the frustrated tic-tac-toe-playing computer in War Games: The only winning move is not to play.



The Secret Behind Kimmy Schmidt’s Perfect Theme Song


Netflix doesn’t release viewership information, but it’s still clear that Unbreakable Kimmy Schmidt is a hit. Tina Fey and fellow 30 Rock alum Robert Carlock’s new series is a throwback to the gimmick sitcom era of Bewitched and Gilligan’s Island, but it maintains 30 Rock‘s model of densely packed laugh lines that reward multiple viewings. Still, the element that will continue to invade viewers’ brains long after the binge is over—the one that’s already spread like wildfire over social media and will soon be humming around offices all over the country—is the infectious theme song.


It’s not even a theme song the first time you hear it. The bit first pops up a couple of minutes into the first episode, in which four female doomsday cult members are rescued from the bunker where they’ve been held captive for 15 years. The rescue transitions into a montage of local news reports, during one of which a neighbor’s account of the proceedings morph into an auto-tuned, Songify the News-style homage to Antoine Dodson’s “Bed Intruder” video and Charles Ramsay’s interview after the Ariel Castro kidnapping story broke in Cleveland—complete with with quotables like “It’s a miracle,” and “females are strong as hell!”


But Fey, her husband-slash-series composer Jeff Richmond, and Carlock didn’t just create the sequence—they optimized it, hiring The Gregory Brothers, the minds behind Songify the News, to turn the introductory news piece into an earworm. And in the process, they crafted something that perfectly underscored the show’s throughline. “I think [they] all had in mind this idea that in the opening of the show the characters would go viral and experience that phenomenon,” says guitarist and vocalist Andrew Gregory.


Fey, Carlock, and the rest of the crew completed filming on Kimmy Schmidt last year when it was still slated as a midseason replacement for NBC, and assembled a version of the Walter Bankston interview without music. It’s a funny scene in its own right, but it’s also clearly a blueprint for something yet to come. In retrospect it’s hard to listen to Britt’s inflections without hearing the musicality in it, and Fey and Carlock’s edit heightens that impression. “[They] had such strong ideas about what this piece was that they were already serving us up this great thing that we could just add musical elements to in order to achieve peak catchiness,” Andrew says.


And the turnkey solution was appreciated. “Seventy percent of our job is scouring websites like the Huffington Post and The Drudge Report, which is really a fate I wouldn’t wish on my worst enemy,” says Evan Gregory, who plays keyboard and sings. “So to be directly sent such an amazing fake news report was shocking.” Praise goes to Mike Britt as well, who Andrew describes as having “both an amazing sonic quality somewhere in between Joe Cocker and James Brown, and also the really powerful emotional delivery. That totally translates into the song and makes the listener get into it.”


There are actually four versions of the Kimmy Schmidt title song out in the world: the viral news video from that first episode; the theme song used in the subsequent 12 episodes which adds a key change, an extended version that lives online at the Gregory Brothers’ YouTube Channel with some extra jokes and footage (there’s even a brief clip of in-universe Broadway “classic” Daddy’s Boy for those looking carefully), and a cover version by the Gregorys themselves. “We’ve done this on a number of occasions for other works of fiction—The Cleveland Show and a couple of other shows,” says Evan. “But it’s just never been so central to the plot.”


The result is a theme song that sticks in viewers’ brains, makes them laugh, and whips in a hint of theme—the fortitude Kimmy shows in adapting to a world she doesn’t recognize anymore. It’s an impressive feat. But according to Evan, it didn’t feel like that much effort when working in conjunction with 30 Rock composer Richmond. “[Him] telling you to do something is like being Bugs Bunny playing basketball with Michael Jordan in Space Jam,” he says. “If Michael Jordan is throwing you an alley-oop, really all you have to do is jump off Yosemite Sam’s mustache and dunk it.”



Cape Watch: Could Captain Kirk Be the Next Green Lantern?


Congratulations, Superhero Hollywood; as of this week, you just might have a third major comic book player looking to dominate the multiplex. (Hint: It’s indie imprint Valiant.) But beyond publishers finding enough money to turn heads, the last seven days has also seen the emergence of a possible Green Lantern, news that makes it seem as though Captain America 3 will be an Avengers movie in all but name, and a rumor that might make Comic-Con International a little bit less appealing to fans. This, fangirls and fanboys, is the pick of the last week’s superhero movie news.


SUPER IDEA: Get Ready to Know the Name ‘Valiant’


Marvel and DC, prepare to share the big screen. Independent comic book publisher Valiant Entertainment announced Sunday it has received a massive investment from Beijing-based DMG Entertainment, with an undisclosed sum in the realm of nine figures specifically for the purposes of movie and television development. That’s on top of a general eight-figure investment in the company as a whole. Three properties are already in the works for the big screen: Bloodshot, Archer & Armstrong, and Shadowman. Start memorizing those names now, just in case.

What makes it super: Valiant’s CEO is Peter Cuneo, former Marvel CEO and the man who took the company from bankruptcy to Disney purchase. He’s on record saying that he thinks of Valiant as “Marvel 2.0,” and now he’s secured nine-figure movie funding, just like Marvel did 10 years ago. Seriously, we wouldn’t bet against Valiant ending up being the next big thing sooner rather than later at this point. (It also helps that their comics are pretty great.)


SUPER IDEA: Let’s Just Call Captain America: Civil War Like Avengers 2.5 or Something


Well, now it’s apparently official Jeremy Renner will, indeed, be joining Chris Evans, Robert Downey Jr., and Scarlett Johansson in 2016’s Captain America installment, meaning that only Mark Ruffalo and Chris Hemsworth are missing in terms of Avengers. Assuming that neither dies in Avengers: Age of Ultron (not impossible, as unlikely as it may seem), what are the odds that one or both will join the cast before shooting starts later this year? Also, given the movie is also supposed to feature the new Spider-Man and the movie debut of Chadwick Boseman’s Black Panther, exactly how many characters are going to show up in this damn movie?

Why this is super: If, as strongly rumored, the Russo brothers are going to end up directing the third and fourth Avengers movies, Cap 3 (which also has the Russos in charge) could easily be considered a dry run for what’s in store for the Mighty Marvel Movieverse. It’s looking like an Avengers movie in all but name.


SUPER IDEA: Joel Kinnaman Confirms He’s Suicide-al


The rumors, it turns out, are true; RoboCop star Joel Kinnaman is indeed replacing Tom Hardy as Rick Flagg, the leader of the group of government-sponsored ne’er-do-wells at the heart of David Ayer’s DC Entertainment adaptation. “I love the script,” Kinnaman told Screen Rant. “Sometimes you’re worried, if you’re going to do a film like that, that it’s just going to be superhero fun but nothing’s going to go under the surface. But here I feel like we can get both.” Turns out he might not be coming alone; the Screen Rant piece suggests that Kinnaman is trying to talk Ed Harris into playing his father in the movie. This is what we need to see more of: actors choosing their own on-screen relatives.

Why this is super: Kinnaman is just the latest interesting addition to a packed cast (which includes Will Smith, Margot Robbie, and Jared Leto), but what’s more heartening are his comments about the movie having the smarts to back up the almost inevitable spectacle. How did Suicide Squad end up becoming one of the most exciting superhero movies of 2016?


SUPER IDEA: Could Chris Pine Trek to Warner Bros.’ Green Lantern?


Building out his previous tease, Latino-Review’s Umberto Gonzalez took to Instagram, of all places, to suggest Warner Bros. is looking at the Internet’s second favorite James T. Kirk to play Hal Jordan in the upcoming Green Lantern movie. “Again, this is still just a RUMOR hence UNCONFIRMED,” Gonzalez wrote, so let’s all take it with a pinch of salt and pretend that we might still see a John Stewart as lead GL this time around. (No, not the Daily Show guy, this John Stewart.)

Why this is super: There’s no denying that Pine is charming as Star Trek‘s captain, and could easily add Hal Jordan’s somewhat-jackass superhero to his resume without breaking too much of a sweat. The question is, would he be able to do so without jeopardizing his Trek commitments, considering the third installment should be shooting sooner rather than later in order to make the 50th anniversary release date?


MEH IDEA: Marvel to Skip Comic-Con?


This summer is likely going to belong to Marvel, thanks to Avengers: Age of Ultron‘s May release and the July date for Ant-Man, but Guardians of the Galaxy director James Gunn suggested that the superhero giant might be missing from the summer’s big superhero bacchanalia when he quietly dropped the fact that Marvel won’t be at Comic-Con in San Diego during a Facebook chat. When contacted by … almost everyone, really, for confirmation or denial, Marvel Studios declined to respond. (Marvel’s publishing side will be present, as confirmed by executive editor Tom Brevoort.)

Why this is villainy: A Comic-Con without a Marvel panel for fans and media to obsess about will be a significantly different Comic-Con indeed. While it’s true that Marvel Studios’ 2014 SDCC panel was a disappointment, that should’ve been a sign to step up its game this year, not retire altogether. We can but hope this turns out to be a misunderstanding on Gunn’s side, or that the studio reconsiders.