Chocolates Whose Intricate Architecture Is Designed to Tweak Taste Buds





There aren’t many chocolates that are as fun to look at as they are to eat. Then, there aren’t many chocolates made by famous design studios, either.

Renowned Japanese design house Nendo created this singular box of goodies for Maison & Objet, a fancy furniture show in Paris. The idea was to experiment with one of the lesser explored aspects of the chocolate experience: texture.


All nine pieces in the limited-run box are the same type of chocolate, and they all fit within the same 26-millimeter cubic plot. But each has a unique architecture, and thus its own distinct taste. One of the chocolates looks like a clump of Buckyballs. Another is a hollow cube with a corner sliced off. The most aggressive looks like a little plot of spikes fit for a delicious booby trap. Each is named after a different Japanese expression for texture: “tubu-tubu,” “zara-zara,” “goro-goro,” “poki-poki.” Looking at them, you can imagine how one might be a dense mouthful, and how another might seem totally delicate.


The sweets up close.

The sweets up close. Akhiro Yoshida



This isn’t Nendo’s first foray into unusual edibles. A few years ago they made a box of chocolates in the form of tiny paint tubes. Before that, they created a set of chocolate pencils, which chocolate lovers could “sharpen” onto desserts. Most recently, the studio partnered with Häagen-Dazs to make ice cream cakes that looked like little villages.


These striking chocolates invite us to consider the formal qualities of more familiar treats. There’s the Snickers, the prototypical candy bar, just as solid and straightforward and unambitious as a Nokia phones which borrowed the “candybar” name. There’s the Kit-Kat, designed to be broken apart and consumed one thin finger at time. You’ve got M&Ms, which get shoveled into mouths by the dozens, and the Crunch bar, essentially a big, thin sheet of chocolate to nibble from.


If someone asked you to explain the difference between these snacks, you might default to listing ingredients. This one has nougat, that one has nuts. But on a more fundamental level, all these items too are set apart by their own distinct textures and architectures. They may not be quite as impressive as a chocolate in the form of the Interstellar tesseract, but they’re unique nonetheless. Keep this in mind the time you’re standing in front of a vending machine. It’s not just a bunch of candy bars. It’s a showroom of forms.



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Whoa, there, TV! Slow down! This is a marathon not a sprint, and we don’t want you running out of gas before the spring season even gets here. On the heels of last week’s Ant-Man debut, Marvel is trotting out its real show pony: the second installment of its Avengers ensemble. In addition to the return of director Joss Whedon, we’ve got the next Melissa McCarthy headliner from director Paul Feig, and the first co-starring Tina Fey-Amy Poehler vehicle since this year’s Golden Globes. Then, besides the scare tactics of Unfriended, it’s all about the boob tube. Familiar faces like Rob Thomas and Will Forte are bringing us new network comedies. Bob Odenkirk proves that even television isn’t immune to the reboot virus plaguing big screens as he reprises the role of Saul Goodman for AMC. And Netflix reminds us that we are all still beholden to the Underwood administration. Oh, then there’s Adult Swim, which is throwing a huge middle finger at institutional racism in law enforcement. In other words, you’ve got a lot of space to make on your DVR!


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