Airbus Used Its Best Employees as Guinea Pigs for Its New Plane


Image: Airbus

Image: Airbus



For most people, a seven-hour flight that lands exactly where it departed from is a special kind of torture. But for nearly 250 Airbus employees, it was a reward for their hard work. Based on the photos, they were totally thrilled.


Airbus is most of the way through the long march to certification of the Airbus A350-XWB, the wide-body commercial jet it’s spent a decade working on. In the past year, four test planes have logged 1,600 hours. They’ve flown in extreme temperatures and at extreme altitudes and been hit with faux lightning strikes. An airframe built specifically for the purpose had its wings nearly broken in a machine that resembles a huge birdcage.


These tests prove the A350 is airworthy and safe, but they don’t reveal anything about how it feels to spend hours in the cabin, which is what really matters to the people who ultimately will use the planes.


Enter the guinea pigs.


Airbus selected about 250 of its very best employees (all of them recommended by their managers) to take a ride and share their thoughts. On Monday, the A350 took off from the Airbus assembly plant in Toulouse, France, flew over Oslo, and landed in Toulouse seven hours later.


The flight simulated a “real airline environment,” complete with a cabin crew borrowed from Air France. The passengers endured a standard boarding process and put their bags in the overhead bins (it’s not clear what they carried aboard. They received hot towels and were served what appears to be a good meal. On the entertainment systems, they played Sudoku, watched The Hobbit and The Big Bang Theory, and kept an eye on the flight map.


Afterward, they completed questionnaires, sharing their thoughts on everything from the in-flight entertainment system to how the storage bins worked. The crew reviewed the galleys, safety equipment, and their rest areas. The result was an airborne focus group that looked like a lot of fun. These people are rabid plane geeks, after all, and were the first passengers on an all-new airplane.


It was the first of two “Early Long Flights” planned this week; the second is a 12-hour overnight flight with a Lufthansa crew. Using employees as guinea pigs isn’t just a European thing. Boeing did the same while testing the 787-8 and 747-8.


The widebody A350 is the second commercial jet (after the Boeing 787 Dreamliner) made largely of composite material. That will make it 25% more fuel efficient than comparable older jets, Airbus says, a huge selling point for the cash-strapped airline industry. Airbus has taken 812 orders from 39 customers and expects to begin deliveries later this year.



Chemicals found that treat citrus greening in the lab

A University of Florida research team is cautiously optimistic after finding a possible treatment in the lab for citrus greening, a disease devastating Florida’s $9 billion citrus industry. It is the first step in a years-long process to bring a treatment to market.



Claudio Gonzalez and Graciela Lorca led the research team that examined three biochemical treatments: phloretin, hexestrol and benzbromarone.


The team sprayed greenhouse tree shoots separately with one of the three biochemicals and were successful in stopping the bacteria’s spread, particularly with benzbromarone, which halted the bacteria in 80 percent of the infected trees’ shoots. They expect to begin field experiments with this treatment later this year. Their research was published in late April by the online open access journal PLOS Pathogens.


Gonzalez and Lorca are UF associate professors in the microbiology and cell science department, part of UF’s Institute of Food and Agricultural Sciences. The team also works under the auspices of the UF Genetics Institute.


The researchers found that benzbromarone targets a specific protein, known as LdtR, in the citrus greening bacterium. When benzbromarone binds to LdtR, it inactivates the protein, which disrupts a cell wall remodeling process critical for the greening bacterium’s survival inside a citrus tree.


“As a consequence of the chemical treatment, several genes were not expressed and the bacteria were not able to survive inside the phloem of the plant where osmotic pressure from sugar is high,” said Fernando Pagliai, a co-author of the study and a UF graduate assistant. Phloem is the living tissue that carries organic nutrients to all parts of the plant.


Benzbromarone is typically used to treat gout in humans.


Citrus greening first enters the tree via a tiny bug, the Asian citrus psyllid, which sucks on leaf sap and leaves behind bacteria. The bacteria then move through the tree via the phloem. The disease starves the tree of nutrients, damages its roots and the tree produces fruits that are green and misshapen, unsuitable for sale as fresh fruit or for juice. Most infected trees die within a few years.


The disease has already affected millions of citrus trees in North America and could wipe out the industry in the next decade if a viable treatment is not found.


UF/IFAS researchers have attempted everything from trying to eradicate the psyllid to breeding citrus rootstock that shows better greening resistance. Current methods to control the spread of citrus greening include removing and destroying infected trees.


Florida growers say they desperate for a treatment that will work.


“Every grower I know is just hanging by their fingernails, hoping and praying for a new discovery for treatment,” said Ellis Hunt Jr. of Lake Wales, whose family has been in the citrus business since 1922.


Industry experts, though, say it could be five to seven years before a new active-ingredient product could be commercially available because of the amount of time field testing takes and government regulations.




Story Source:


The above story is based on materials provided by University of Florida . Note: Materials may be edited for content and length.



Chronicle Director to Helm New Standalone Star Wars Movie


Image: Alan Markfield/20th Century Fox

Image: Alan Markfield/20th Century Fox



Add one more director to Lucasfilm’s burgeoning empire. The Disney subsidiary has just announced that Josh Trank, director of Chronicle and next year’s Fantastic Four reboot, has been signed to direct a stand-alone Star Wars movie—one of the studio’s planned slate that will be independent of J.J. Abrams’ Star Wars: Episode VII.


“The magic of the Star Wars Universe defined my entire childhood,” Trank said in a statement released by the studio. “The opportunity to expand on that experience for future generations is the most incredible dream of all time.”


Trank is the second director to be named for a stand-alone Star Wars project in recent weeks. Godzilla‘s Gareth Edwards, it was announced, will be directing one as well, to be written by The Book of Eli‘s Gary Whitta and released December 16, 2016. That movie was described by Lucasfilm as “the first stand-alone film” in the franchise.


Lucasfilm has not yet mentioned a time frame for the release of Trank’s movie.



WIRED Summer Binge-Watching Guide: True Blood


God, remember how weird Bill's hair was in the beginning? Photo: John P. Johnson/HBO

God, remember how weird Bill’s hair was in the beginning? Photo: John P. Johnson/HBO



True Blood has been with us for a long time, but in just a few short weeks, we start saying our goodbyes to the wild rapscallions of Bon Temps, Louisiana. For more than six years we’ve followed the misadventures of Sookie Stackhouse, the perky waitress who after hooking up with a vampire seems unable to avoid having to handle one supernatural hot mess after another. Honestly, our appetite for vampires/shape-shifters/Maenads/werewolves/whatever could support a few more seasons of the show, but better to bow out gracefully than to overstay a welcome.


But before we say goodbye there’s a lot to wrap up. What will become of Sook-eh and “Vampire” Bill Compton? What about Sookie’s friends: Lafayette, Sam, Eric, Pam, Jessica, and resting-bitch-face exemplar Tara? What about her cute/dumb brother Jason? Will Bon Temps even be standing by the end of the season? These characters have packed a lot of living into about two calendar years’ worth of story, and the show is an ever-entertaining newsletter from our really eccentric cousins down south. It’s horrified us, titillated us, made us laugh, and made sexposition a legitimate narrative device for HBO. Now it’s only right that we greet its end by going back to the beginning. Vamp up, everyone, because we’ve only got three weeks till the final season begins, and there’s much to cover.


True Blood Binge-Watching Guide


Number of Seasons:


6 (70 episodes)


Time Requirements:


2.5 weeks. Figure two episodes per weeknight, four or five each weekend day. Sure, that’s ambitious, but don’t you want to be ready for the Season 7 premiere on June 22?


Where to Get Your Fix:


HBO Go, Amazon Prime


Best Character to Follow:


Lafayette Reynolds is the most sensible, most hilarious, and often most believably tender character in the show. While basically everyone in the True Blood universe is guilty of something—everyone besides sweet, lovable, occasional doormat Hoyt, that is— they’re often either too depraved to care or are too busy fighting for their lives to take five for some deep-dive introspection. And who could blame them? Between Maenads and witches and werewolves and constant threat of apocalypse, one hardly has time to existentially better themselves, but that’s exactly what makes Lafayette so crucial: he recognizes he is a deeply flawed person, and often soars above surrounding characters as a result. He may be a supporting role, but he’s given the most dynamic development arc in the show. Lafayette’s behavior actually changes based on challenges he overcomes, which, as viewers, is really what we’re all striving to do on our best days IRL. At times in his life, he’s been a “hooker” (his words, not ours), a drug dealer, a con man and, by his own admission, a person of “poor moral character”—but through it all, he remained our moral center, our Virgil on this journey through mazes of supernatural and human depravity. If we got dropped down into the Hellmouth that is Bon Temps, Louisiana, there’s no one we’d rather have in our foxhole. Consider us glamoured, Lafayette.


Image via Tumblr

Image via Tumblr



The Season You Can Skip:


Season 4 gets a little rocky. When Bill occupies positions of power, he actually gets pretty annoying, and since he’s moved up significantly in the vampire hierarchy at the start of this season, we get a lot of irritating moments. (Note: the How Much Bill Sucks Index continues to rise at a steady pace into Season 5 and much of Season 6 as well, but since this stands in direct contrast to the How Much We Love Eric Index, it cancels out to neutral. And as always, all problems can be solved with moar Pam.) Fiona Shaw’s brilliantly bat-shit performance as the medium and witch Marnie Stonebrook in Season 4 almost makes this season worth it, but whenever you hear “Hotshot” or see a werepanther, feel free to go re-up the chip bowl without pausing. We’re fully accustomed to crazy on True Blood—we welcome it, even—but this pointless insanity was just too much.


Seasons and Episodes You Can’t Skip:


Season 1: Episode 1, “Strange Love.” This show moves fast, and by the end of the first episode there’s already been a murder, graphic sex, and an introduction to 90 percent of the season’s most relevant characters and locations. Start off strong and keep charging, because this whole season plants seeds for concepts you won’t even know to care about until four seasons later when you find yourself going “Ohhhhh, that’s what they meant.” Stay sharp!


Season 2: Episodes 9 and 10, “I Will Rise Up” and “New World in My View.” This is a great season that builds on the first and only gets stronger, but these two eps are pivotal, with a few events that have far-reaching consequences in the show. We get to see a new side of sexy vampire Eric, a preview of just how powerful Sookie’s abilities are, and behold the peak crazy of Maryann and her band of familiars (aka the sex-crazed degenerate residents of Bon Temps).


Season 3: Episodes 10 and 12, “I Smell a Rat” and “Evil is Going On.” True Blood went three-for-three in its first seasons, with some of the show’s best characters of all appearing in this run. And once again it came on strong in the back end, these two episodes containing big reveals. Both bring information to light that majorly affects everything we will know, and everything we thought we had known, about our two primary characters: Sookie and Bill. If you think you’re starting to hate Bill a little, this will only push you farther along.


Season 4: Episode 12, “And When I Die.” This was an uneven slate of episodes for TB, but the finale really brought us back. There’s the return of some faces we once thought gone forever, and a farewell to others we’d grown fond of.


Season 5: Episodes 6 and 12, “Hopeless” and “Save Yourself.” We don’t want to spoil anything, so we’ll just say these are good and leave it at that.


Season 6: Episodes 6 and 9, “Don’t You Feel Me” and “Life Matters.” In its strongest season since S3, these are the standouts. Everything’s gone so deep at this point that explaining why would risk giving away too much, but but this season wins our Best Use of Pam Award hands down (and that’s the highest honor we have to bestow, so don’t miss a minute).


Image via Tumblr

Image via Tumblr



Why You Should Binge:


What better time to find your next best small-screen obsession than right before it’s about to end? You get all the joy of good programming without the anxiety spike of knowing your favorite story is about to go off air for a year—an issue particularly acute with HBO shows and their 10-to-12-episode seasons. And while True Blood will be permanently going to ground after this summer, there will be a bloody reckoning before it does. And why shouldn’t there be? For 70 episodes we’ve been tossed around in a maelstrom of vampires, demons, witches, werewolves, vengeful gods; we’ve earned the most insane ending possible.


In fact, that’s what makes this show great. Even when it’s faltered, True Blood has always followed through on its silent promise to shock and entertain us. Yeah, the whole werewolves thing went nowhere fast, but just when we thought we’d seen it all, they gave us goddamn werepanthers. And for that, we are grateful. If Alan Ball, Mark Hudis, and Brian Buckner (all showrunners at various points) ever felt bashful about introducing potentially polarizing characters or creatures or grotesque acts, they never tipped their hand to the viewer. And sometimes when you watch TV, you just want to slip into an impossible universe and have fun for a while without care or consequence. That’s what True Blood does best, and for our purposes here, what makes its bingeability factor so high. When we need to take our vitamins, we’ll just sad-cram The Wire. (Don’t worry, we love it just like everyone else.)


Not that the show is devoid of substance. True Blood‘s first season drew strong parallels between the fictional struggle for vampire rights and the very real struggle for LGBT rights. When the show premiered in 2008, California was in the midst of a fight over Proposition 8, which sought to ban same-marriages across the state, and “God hates fangs!” sure sounded a lot like the toxic bile we heard spewing out of the Westborough Baptist Church. (If she were an even mildly politically active person, Sookie herself probably would have posed for a NOH8 portrait.) In November of that year, Prop 8 managed to pass (though was later repealed), and equality was denied to millions. Watching True Blood we were all confronted, in a most colorful way, with the absurdity of denying basic rights to our friends and neighbors. Each time someone yelled “Fang banger!” it was like looking at a cartoon of the real bigotry confronted on a daily basis by so many, and you hoped everyone watching this show with lots of hot sex and bitchin’ vampires and stuff would notice that being so openly hateful was actually a pretty stupid and obnoxious way to live.


Image via Tumblr

Image via Tumblr



Though it backed off from the overt nature of Season 1′s activism, that current can still be clearly felt in the show, not least of all with its female characters. True Blood has given us strong women, crazy women, powerful women, evil women, weak women, women who are single mothers, women in leadership positions, and so on. Even if many of those characters have been so extreme they’ve bordered on parody, that’s just everybody in the world of True Blood—around here, it’s equal crazy pay for equal crazy work.


And for those just watching for the nudity, there’s plenty of skin time for all to enjoy.


Best Scene—Russell Edgington Makes His TV Debut:


There is no scene in all of True Blood with a better combination of serious consequences and serious entertainment value than this one. In a show defined by its excesses and gratuitous displays of gore, sex, and gore-sex (we’re looking at you, Bill and Lorena), it’s nice to see some of the show’s bawdier elements brought together with the elegant touch of a masterful actor. Russell Edgington (Denis O’Hare) is the vampire’s King of Mississippi. He’s almost 3,000 years old, which means he’s had a lot of time to form his views on human/vampire relations, and gentle, considerate Godric he ain’t. Edgington’s appearance on the nightly news (NSFW clip below) may have been unwelcome by that unfortunate anchor, but like the inhabitants of this fictional America clutching their pearls in fear of Vampire!, we couldn’t pull our eyes from the TV when it happened. All while the inimitable vampire PR maven Nan Flanagan looks on in horror. Best throw to the weather ever!



This Is Where Americans Planned to Spend the Nuclear Holocaust




For her ongoing series Fallout, Jeanine Michna-Bales has been photographing Cold-War ear nuclear shelters across the United States that would have protected people if the Cuban Missile Crisis had ended badly. The photos are a study in architecture, but also transport viewers back to a time when an all-out nuclear war felt like an imminent threat.


“What I’m really trying to do is use the photos to get at the psychology of the country during that time,” Michna-Bales says.


Michna-Bales chose fallout shelters related to the Cuban Missile Crisis because she lives in Dallas, and that was one of the cities that could have been under threat according to recently declassified documents. She shot her first shelter close to home, but has also traveled to cities like Jacksonville, Florida and even shot at President John F. Kennedy’s private atomic bomb shelter near his vacation home in Peanut Island, FL.


To find these old shelters, Michna-Bales combed though archives and old newspaper looking for things like maps that detailed where a city’s public shelters were located. She also contacted local emergency centers to see if they kept a database. Often times, even if she found an address, she’d show up and the shelter would be gone because the building had been torn down, repurposed, etc.


Some of the photos have Cold-War-era government documents or newspaper articles superimposed on top, like one that details what percentage of the population would die if a bomb exploded on the surface nearby. Everyone less than a mile away, it says, would perish. Up to 60 percent of the people within a three-mile radius would also fall victim. Only those who were at least three miles away stood a good chance of surviving.


“I want viewers to see the kind of information people were faced with back then,” she says.


Michna-Bales says the rooms became a sort of time warp. Some still have old furniture and even canned food lying around. While her photos can only hint at the feeling of dread and the uncertain future of civilization, she hopes people are transported back to how emotionally charged the time period was for those who lived through it.


“When you are in these spaces, it’s almost like you can feel the weight of the wold on your shoulders,” she says.



Apple Makes Nice With Digital Currencies, But Some Bitcoiners Aren’t Buying It


Photo: Ariel Zambelich/WIRED

Photo: Ariel Zambelich/WIRED



Apple tossed a bone to the world’s bitcoin services this week. But not all of them are reaching for it.


At its Worldwide Developer Conference on Monday, Apple seemed to make nice with the world’s most popular digital currency, hinting that it may allow bitcoin wallet apps back onto the iPhone and the iPad, and several outfits say they plan on resubmitting their apps for inclusion in the Apple App Store, the gatekeeper for all iOS software. But others are so unhappy with the way Apple banned the digital currency earlier this year, they’ve resolved to avoid Apple hardware entirely.


The fact of the matter is that if bitcoin is going to have any shot at replacing cash or credit cards, we’ll need wallet apps on smartphones. That’s how people use bitcoin to pay for lattes in coffee shops or settle fares in taxi cabs. These apps are widely available on Android phones, and at one point, many were available in the Apple App Store too, including wallets from startups Coinbase and Blockchain. But over the past year, Apple made an unexplained decision to remove such apps from the Store.


Apple seemed to make nice with the world’s most popular digital currency, hinting that it may allow bitcoin wallet apps back onto the iPhone and the iPad.


When the last major app–Blockchain’s bitcoin wallet–was pulled a few months back, bitcoiners were so angry, they started smashing, shooting, and otherwise destroying their iPhones. But the rather touchy situation took another turn at WWDC. With its new App Store Review Guidelines–the Cupertino bible that lays out what software developers shalt and shalt not do–Apple added a new section that addresses digital currency. “Apps may facilitate transmission of approved virtual currencies provided that they do so in compliance with all state and federal laws for the territories in which the app functions,” the guidelines now read.


The company didn’t say whether bitcoin–or indeed any existing virtual currency–is on this list. And it did not respond to a request for comment on the matter. But the fuzzy new guidance is good enough for many companies that offer bitcoin wallet apps. Andreas Antonopoulos, the chief security officer with Blockchain, tells us the company plans on resubmitting its app to the App Store within days. “We are cautiously optimistic,” says Antonopoulos.


CoinBase says it will re-submit too. Ben Davenport, a chief product officer with another bitcoin startup called BitGo, says his company will submit a brand new mobile app, though he can’t say when this will happen. And the makers of Gliph–an iOS secure texting app that allows bitcoin payments–say they will try and restore the tools they were forced to remove because of Apple’s prohibitions.


But some bitcoin developers have no intention of dealing with the App Store. The makers of the Hive wallet say that after Apple instituted its bitcoin ban, they moved to a web-based HTML5 wallet that could be used with the iPhone Safari browser, in lieu of a downloadable app. “[W]e generally want to stop supporting proprietary, centrally managed platforms,” says Wendell Davis, Hive Wallet’s CEO. “Apple has the greatest user interface designers in the world, no doubt, but we no longer see this as the right way to engage in the business of computing.”


Andreas Schildbach, the developer of Android Bitcoin Wallet app, feels much the same way. “Apple’s indiscriminate policy has always kept me from developing for them,” he says. Dmitry Murashchik, a community manager with the Mycelium wallet project says he’s not sure if Mycelium will submit an IOS app. “Since that would be a time-consuming project, and we already have another project underway, we may wait until we are sure that Bitcoin apps are really allowed,” he says.


Unless Apple changes its policies in big ways, it won’t win back the entire bitcoin community. “Apple pissed off a good many developers,” says Adam Levine, a bitcoin enthusiast and the host of the Let’s Talk Bitcoin internet audio show. “More importantly, they demonstrated that their ecosystem is arbitrary. They do what they want, when they want, with no public input.”


But it looks like most of the popular app-makers are going to come around. Apple’s platform is simply too important for bitcoin companies to ignore. “People might think that they’ve been heavy-handed in this case,” Davenport says. “But now that the tide has turned…the people who need to run a business and reach users are going to get over it.”



What It’s Like to Use a $10K Phone With a Real-Life Personal Assistant


Image: Courtesy of Vertu

Image: Courtesy of Vertu



Within 10 hours of receiving my loaner unit of the Vertu Signature Touch, I almost dropped it on a marble floor. It would have been bad. It would have been really bad.


You see, the Vertu Signature Touch starts at $10,300. That’s hard to ignore, even if the phone actually is pretty good. The cost is practically part of the phone’s feature set; Vertu says the Signature Touch is for “high-net-worth individuals,” those who value exclusivity and standing out above all else. The one I tested was the bargain-bin version; there are versions that cost as much as $21,900. It’s a luxury car, a luxury watch, a luxury handbag. Normal consumer logic does not apply.


If the phone had hit the floor, it may well have survived the impact. Its 4.7-inch touchscreen is coated with a pricey sheet of sapphire crystal glass, making it nearly impossible to scratch. It can take anything short of a diamond to the screen and remain unscathed, but it can shatter just like normal glass if you drop it. There was some weight behind that sapphire crystal glass too—the Signature Touch has a heavy-duty titanium frame. Prior to my reflexes kicking in, I took a nanosecond to appreciate how beautiful the phone looked floating in midair. Sapphire and titanium glistened, rotating in zero gravity, unbefouled by human touch. Maximum luxe.


I made a miracle catch, then sat in silence for two minutes. I felt the way you feel when you tip back in a chair too far and stop yourself from falling backward at the last moment. It was pure anxiety, a cold reminder that a $10,300 phone will not suspend Murphy’s Law nor the laws of physics. You can still drop this thing and break it, you can still leave it in a cab, and you can still forget it’s in your pocket when you jump in a pool.


I’ve done all those things with phones, and that’s one of many reasons I’m not the target market for the Vertu Signature Touch. Like most people, I also can’t afford or justify its purchase. The value-shopper in me gets nauseated just thinking about it. I’m too self-conscious to use it. I’m too self-deprecating. It would clash with my carefully curated laid-back wardrobe. We were the Odd Couple, me and the Vertu.


Let’s pretend, though. Let’s pretend a phone that costs as much as an OLED TV is reasonable and well within everybody’s phone-buying budget. Let’s pretend this is just another phone, built to compete with the iPhones and Nexuses and Galaxys of the world. Does it stack up? Hell yes it does. Sort of.


I really have no idea.


Why a $10,300 Phone Is Way Better Than a Normal Phone


The Signature Touch’s Concierge service is what sets it apart from other phones. It’s free for the first year, then jumps to around $3,000 a year. Concierge makes the phone more like an American Express Black Card or a diplomatic passport. It works like this: You request (legal and somewhat reasonable) things via the Concierge app, and then a real, live person makes them happen. You basically have a personal assistant on call at all times. A little button on the side of the phone fires up the Concierge app directly. The assistant who helped me was Celine. She was great.


To kick off my review time, Vertu offered to book me a dinner reservation at the members-only CORE:Club to show how the Concierge could gain access to exclusive places. I declined that offer, as I wanted to test the Concierge using my own requests.


Instead, I checked OpenTable at 2:00 p.m. on a Saturday and found popular restaurants fully booked that day and on the weekend. There was nothing available for dinner at ABC Kitchen in a few hours or brunch at Red Rooster the next morning. I opened the Concierge app and asked for reservations at 7:30pm that night and noon the next day, knowing it would be tricky. No problem, reservations booked. Thanks Celine! On another Saturday night, I was a head-nod away from getting a group of five on the VIP list at a fancy club called Avenue. If we’d been willing to pay $200 apiece for a table and bottle service—and had any intention of actually going—we’d have been in. Coincidentally, $200 is the price of a normal phone.


Image: Courtesy of Vertu

Image: Courtesy of Vertu



Concierge does have its limits. I requested a time machine, and Celine replied “I wish I could help you with this request!” There was one mixup: Concierge checked in with me about a flight I was booking to Belgrade, except I never tried to book a flight to Belgrade. I explained this, and they apologized for the misunderstanding.


To get the most out of Concierge, deep pockets come in handy. When you initiate the service, you can set up a profile that includes your credit card number so that you can be billed directly for plane trips, hotel stays, and event tickets booked via Concierge. Another Vertu app called Life offers a curated feed of events and attractions around the globe: Formula 1 races, theater, concerts, and private events with world-class chefs. If you’re interested, you tap an inline “Concierge” button for each event and your magical helper handles the request. There are Concierge teams around the world, working 24/7, to handle the requests.


Concierge was awesome. I miss it. Everything was very polite and professional and resort-like, and I was addressed as “Mr. Moynihan” the whole time. At one point, Celine called me “Mr. Vertu Extraordinary.” I’m not even sure what that meant, but I went ahead and got it tattooed on my back.


More Things That Are Way Better Than Normal Phones


It has a very pleasant odor. The Vertu Signature Touch is easily the best-smelling phone I’ve ever used. The “Claret Calf” version I tested had a stitched calfskin backing on it that emitted a rich, intoxicating leathery scent. I didn’t get any nose-on time with the lizard- and alligator-skin backings, so I can’t speak to their olfactory qualities.


A++ handfeel. All phones should feel as good in the hand as the Vertu Signature Touch. At least twice, my eyes rolled back into my head due to the overwhelmingly pleasant combination of the raised seam running down the back of the phone, the cool touch of the titanium edges, and the satisfyingly hefty 6.77-ounce weight of the device. That’s almost twice the weight of the iPhone 5S. Remember when phones weren’t ridiculously light? This one makes a case for them beefing back up a bit. The best part is the way the heavier build feels with the stronger-than-most haptic feedback from its touchscreen. There’s a deeper, machine-like kick to it that other phones don’t have. So nice.


Materials and build quality. The materials used in the Vertu Signature Touch are appropriately expensive: Strong and durable titanium, a scratch-resistant sapphire crystal screen, a back cloaked in premium animal hide, and a ceramic “pillow” around the earpiece of the handset. All of this accounts for some of its exorbitant price. Even its SIM-card holder has flourish: You fold out a little handle on the back of the phone, twist it, and pop open a swinging door. The underside of that door is signed with an etching by its builder; each phone is assembled by a single person from soup to nuts in Vertu’s factory in England. The one I tested was built by someone named C. Davis, and he (or she) did a good job. It would have made me feel worse if I’d dropped it.


Luxe ‘tones and speakers. When you turn the phone on, your ears are treated to a dope flute riff recorded by the London Symphony Orchestra. Every time you receive an incoming message, you hear another sick flute mini-jam mixed in with some bird noises. This phone has top-shelf ‘tones, all recorded by the LSO. The front-firing speakers are also noticeably good, sounding much louder and brighter than most phone speakers. That said, the low-end has no punch. The next version should have a huge subwoofer or a man that follows you around with an 808 machine.


Blackphone-like security. If you really value your privacy, rest assured that the Signature Touch is able to keep your text messages and phone conversations (but not your emails) on lockdown. The Signature Touch comes with voice, video-chat, and text encryption powered by Silent Circle. Just keep in mind that the recipient of the messages must also be running the company’s Silent Phone or Silent Text app to get the full end-to-end encryption. The Silent Circle features are only free for the first year, and you need to register your phone with them.


Image: Courtesy of Vertu

Image: Courtesy of Vertu



Things That Are Equal to a Very Good Smartphone


The screen. The Vertu Signature Touch’s 1080p display has a pixel density of 473ppi, and it looks great. The pixels are packed in even tighter than phones like the Google Nexus 5 (445ppi), HTC One M8 (441ppi), and Samsung Galaxy S5 (432ppi), but you’d need better eyesight than mine to see a huge difference. It’s a tack-sharp, high-quality screen, but if you were expecting to see holograms and IMAX and money blasting out of its 4.7-inch display, no dice. The size and resolution is wonderful in landscape mode when typing and watching movies. It felt a bit too skinny and long when I typed in portrait mode. Installing SwiftKey helped, just like it does on a normal phone.


Up-to-date OS and features. Believe it or not, previous versions of Vertu’s phones were an even tougher sell, as they didn’t have state-of-the-moment components or operating systems. That’s not a problem with this phone, as the new Signature Touch packs Android 4.4.2 KitKat, a 2.3GHz quad-core Qualcomm Snapdragon 800 CPU, and 2 gigs of RAM. You also get NFC, support for 4G networks across the globe, and Google Now voice-assistant features. The combination of all those things puts the Signature Touch among the current wave of high-end Android phones. At this moment in time, any potential buyer will not be left wanting for speeds and feeds. Then again, this is a $10,300 phone we’re talking about. You should get Android 9.7 Zabaglione and a freon-cooled processor with like a zillion cores.


A very good camera. The Signature Touch’s 13-megapixel camera is also solid, with performance that matched up well to some of the better smartphone cameras I’ve used. Low-light performance is good for a phone—using HDR mode or adjusting its ISO settings manually helps—and the interface was developed in a partnership with Hasselblad. There are some scene modes in the mix, exposure-compensation settings, and white-balance adjustments, too. Is the camera good? Yes. Is it clearly better than the camera in other phones with good cameras? No.


Bad battery life and no expandable storage. The 2,275 mAh battery got me about half a day when I used this phone like a normal phone. You also can’t swap in a fully charged spare, because that battery is sealed in (probably with unicorn glue) under those premium materials. If anyone asks you why you don’t own the Vertu Signature Touch, just pretend it’s because of the battery life. No expandable storage, either—you’re stuck with the 64GB on board.


The back plate gets hot. When the battery was about halfway dead on my test unit, the area around its beautifully handcrafted SIM-card door heated up quite a bit. Not “Yow!” hot, but definitely “Hey, that’s abnormally hot” hot.


The design isn’t for everyone. Superb craftsmanship, premium materials, and A++ handfeel aside, the Signature Touch’s ornamental touches look old-timey. It has a leather-covered front bumper and a car-like “V” logo on its ceramic “pillow” that makes it look like a shrunken-down car console. You don’t get the edge-to-edge screen, narrow bezel, and sleek looks that you get with most phones, which is probably the point. This is a phone that’s built to be noticed on purpose.


It’s stressful. Dropping it is one thing. Do you get nervous when you take your phone out in public places, because maybe someone will steal it? Imagine that nervousness if your phone costs 11 grand—and it was a phone built to attract attention. I never wanted to take it out of my pocket on the subway.


Should You Buy This Phone Or 51.5 Gold iPhones?


This phone and its price are inextricably intertwined, which makes it a non-starter for almost everyone. It’s clearly Vertu’s best device so far, with competitive specs for an Android phone, better build quality (and speakers) than any other phone out there, and a killer feature in the Concierge. For a Monopoly-money lifestyle, maybe the Signature Touch makes sense? If you are dead-set on buying a Vertu phone, this is the one to get.


Still, I wonder if a feature like the Concierge would be as cool or useful to anyone who actually has their own personal assistant—or someone with enough pull to get a table at any restaurant just by showing up. That’s the kind of person this phone is for. The person who doesn’t worry about using it on the subway, because they don’t take the subway.


But I couldn’t help feeling that the Signature Touch might be a peek at the short-term future of the mobile landscape. Maybe there is a wider market for a phone like this that costs $1,000 to $2,000, with a premium build, up-to-date specs, and services that go beyond the usual fare. Pretty much every phone is excellent these days. They’re getting harder to tell apart, because they’re all gravitating toward the same indistinguishably good mobile device with roughly the same features. Now that smartphones are the new normal phones, premium smartphones may be the next step up.


After all, your phone is with you all the time. It’s more visible than a luxury watch or maybe even a luxury handbag. It’s mission-critical.


However, unlike cars and watches and bags, a phone has a two- or three-year shelf life. There’s no Project Ara version of it. And while the Vertu is built to last, its components may seem outdated next month. That’s just how it is with phones. The clock is always ticking.